Showing posts with label bass guitar. Show all posts
Showing posts with label bass guitar. Show all posts

11/26/2012

Eden WT800 World Tour Bass Amplifier Head Review

Eden WT800 World Tour Bass Amplifier Head
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This Eden amp is one of the best amps that you will find out there. It is a touring standard among many excellent musicians. Don't let the watts fool you, this amp is very underrated and will perform beyond your expectations. I have run it with 2 410 cabs and a 118/410 combo with zero issues and never had to turn it up past halfway.
The semi parametric EQ allows you to really fine tune your tone. The built in compressor isn't the best, but does an adequate job for most situations.
One of my favorite things about the amp is that it is only takes up 2 rack spaces. I bought this amp to replace an Ampeg SVT-4 Pro and I don't regret it one bit. Out performs the Ampeg on all levels, especially the wattage in live situations, even though the Ampeg is "rated" higher.
You won't regret buying this amp!

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The powerhouse Eden WT800 World Tour Bass Amp Head features a tube hybrid stereo amplifier design with a conservative rating of 440W per side into 4 ohms, 880W bridged into 8 ohms, and 3dB of headroom. If you need to move a lot of air, this is a bass head that will do it. The Eden WT800 bass amp head also has a -12dB input pad, switchable automatic compression, 5-way semi-parametric tone control, mono pre- and stereo-post tone control effects loops, stereo aux inputs, a DI out with ground lift, headphone out, tuner out, and a thermostatically controlled fan.

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11/23/2012

Gallien-Krueger 1001 RB-II Bi-Amp Bass Amplifier Review

Gallien-Krueger 1001 RB-II Bi-Amp Bass Amplifier
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As with most bass players, I started with economy gear. I very quickly learned how dramatic a difference high-end gear can make in the quality of your sound (when I upgraded to a Gallien-Krueger 115RBH Bass Guitar Cabinet (400 Watt)). The clarity of the sound when compared to my first cabinet ( Hartke VX410 Bass Guitar Amplifier 4x10 Cabinet, 400 watts) was astonishing! I knew the same would be true for the amplifier, and this was confirmed when I upgraded from the my first amp (Hartke 3500C Bass Guitar Amplifier Head, 350 Watts) to this Gallien-Kruger 1001RB(II). It has amazing power, clarity, and flexibility of tone (which becomes increasingly important as you start to play with other musicians).
I feel like I have discovered the Holy Grail of Bass Amplifiers! Thank you Bob Gallien, for your original vision, and for all your many years of commitment to excellent and innovation in developing and producing quality bass gear beyond the call of duty. You have made the world a better place for musicians as well as all those who listen to music! I hope to eventually add the (Gallien-Krueger 410RBH/8 Bass Guitar Cabinet (800 Watt)) to the rig (when I start playing larger venues).

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700 watt bass amp with 50 watt horn amp

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11/21/2012

Gallien-Krueger 800RB Bi-Amp Bass Amplifier (300/100 Watt) Review

Gallien-Krueger 800RB Bi-Amp Bass Amplifier (300/100 Watt)
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I was actively playing shows as part of a succession of bands for about an eight year span of time, and for about six of those years the 800RB bass head was my rig. It went through several levels of hell; clubs, outdoor shows, extreme temps, extreme moisture, etc... and it was a steady and dependable performer. I never had to have it serviced and it never quit on me.
While the amp is rated at 400 watts total, it should be made absolutely clear that this is really two amplifiers (300/100) in a single unit. It states clearly in the manual that you should never hook up both amplifier outputs to the same speaker. There's a pre-amp section that includes a basic EQ, a switchable effects loop out/in, a master volume/gain, and a footswitchable boost(loudness) adjustment as well. The boost adjustment is great because it can provide you with some pretty good distortion options.
The style of music I was mainly playing was hard rock/metal, but also used the amp for industrial/electro-rock and a little bit of jazzy lounge music. The 800RB has just enough adjustments available via the EQ section and the preamp/gain knobs so that it can deliver a wide variety of tonal options. It truly excels, however, when you're going with straight ahead rock. I liked to set mine with the "California Smile" EQ (boost the 60hz and 4khz and "scoop" out everything else...) which the 800RB was able to accomodate perfectly.
I was using the dual amp configuration to run both a Mesa/Boogie 4x10" PowerHouse 8ohm cab along with a 1x15" of indeterminate make/model. In the bigger clubs with weak or non-existent PA's, I did have trouble with filling the room, but I think that had more to do with my speaker setup than the amplifier itself. I was able to keep up with the guys that were running the Ampeg 215/SVT rigs, and the additional bite of overdrive distortion was similar to what they could acheive with their tube amps.
One thing though - after I purchased the amp I immediately secured it in a dedicated hard plastic roadcase with enough room to breathe on top and underneath, and I think that made all the difference in the world regarding it's durability.
I would definitely recommend this amplifier to anybody that wants a fairly simple, maintenance-free, and durable bass amp head to play in the practice space or take on the road. The 800RB has a well-deserved reputation as one of THE choices for 'Gig Warriors', and having used one as the heart of my rig for more than 1000 hours of playing and full volume practice, I can attest to it's ability to back up the reputation.
However, if you're looking for an amp head that is clean and pristine enough to use as a recording rig, you might want to go with something a little more high-end, because the one issue that I encountered with this amp head is that it has slightly 'noisy' electronics that can create some sound issues when you're using it plugged straight into the board.
So, while this amp may not have as many knobs or pretty lights as some of the other amps out there, it's got enough functions/adjustments to satisfy most bassists, and it's purpose-built so that it will never break.

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300/100 watt bi-amp bass amplifier

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11/17/2012

Gallien-Krueger Backline 600 Bass Amplifier (300 Watt, 2 Channel) Review

Gallien-Krueger Backline 600 Bass Amplifier (300 Watt, 2 Channel)
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I got this amp head about 8 months ago and I have been using it 4-7 times a week about sometimes leaving it on continuously up to 8 hours. It has never overheated on me or given me any trouble at all. I bought it because I didn't have a lot of money to spend, so i thought I'd just have it for a while then trade in to get a better head, but now I think I'm going to keep it as a backup. I just bought an Ashdown head and honestly, this Backline head, While not as good of tone quality, does not sound like it's $700 cheaper than Ashdown. It competes with $600-700 amp heads. It's an incredible value, and has plenty of power, I was running an Ashdown 410 cab and a Backline 115 cab and I couldn't even turn this thing up half way without drowning out my guitarist! The ONLY issue I had with it, and it is very minor, is the fact that it takes a bit of tweaking to get the overdrive channel to be the same volume as the clean, a problem easily solved with a $40 behringer overdrive pedal. Basically, Amazing Power, Amazing Quality, Amazing Head! If you don't want to spend a ton of money on an expensive head, You won't be dissapointed with this one!

Click Here to see more reviews about: Gallien-Krueger Backline 600 Bass Amplifier (300 Watt, 2 Channel)

Affordability, power, and diverse features place the Gallien-Krueger Backline 600 head in the forefront of the product line. Featuring 300W of power, distortion/sustain & clean channels, full 4-band active EQ and adjustable contour, the Backline 600 packs quite a punch for the price!

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11/08/2012

Roland Micro Cube Bass RX Bass Combo Amp 4 X 4 In Review

Roland Micro Cube Bass RX Bass Combo Amp 4 X 4 In
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I have the original Roland MicroCube. As a bass player, everyone thought I was crazy for buying it, but I wanted something that I could play are really low volume after everyone goes to sleep. It works. But, the low B on my 5-string sounds like crap. I tried the CBRX at the store -- what a difference! The bass response is much better and the amp modeling & effects are designed for a bass, not a guitar. The added drum loops are a bonus. I would never gig with something this small, but I could see using it in the studio for going direct. It actually has nice tone at low volume. This would be perfect for jamming with a couple acoustic guitars.

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10/31/2012

Traben Phoenix 4 - Blood Red 4-string Electric Bass Review

Traben Phoenix 4 - Blood Red 4-string Electric Bass
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So, looking for a lefty bass is always challenging. But when I saw the Traben Phoenix, I thought my prayers were answered - it was a case of immediate lust. However, my lust soon turned to disgust after I received my bass. It arrived looking beautiful, but I immediately discovered that the pot that controls the blending of each pickup was non-functional. Hanser Music, the distributor of Traben, would not allow me to have the bass looked at locally (there is no dealer within several hundred miles) and required me to send it back to them. It took over six weeks for them to repair the bass and get it back to me (requiring my purchase of a back up bass to continue my instruction) - and lo and behold when I finally got it back, there was a terrible hum when I plugged it in. Deciding to eat the cost, rather than have another interminable delay, I took it to a local repair shop where I discovered that the bass was not properly grounded. It cost me $40 to have it repaired. I will note that after a lot of back and forth with Hanser, they did reimburse me the $40. Unfortunately, the story does not end there - soon thereafter, the same pickup pot stopped working. I opened up the bass and discovered a very poorly soldered wire on the pot. I resoldered it myself and since them, the bass works properly.
While my Traben bass does look wonderful and sounds great, no one should have to worry about purchasing a new $600 instrument and having to deal with multiple problems necessitating the expenditure of much time and trouble. Traben manufactures the Phoenix in Korea and it appears that the quality control is very poor both in Korea and here in the US. While Hanser's customer service is very pleasant, it shouldn't have been that hard to check out the bass before both initial shipment to the dealer and before returning a defective product to the consumer. I would not recommend purchasing a Traben bass unless you have a local dealer who is prepared to stand behind the product.

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10/22/2012

Fender American Standard Precision Bass 3-Tone Sunburst Maple Fretboard Review

Fender American Standard Precision Bass 3-Tone Sunburst Maple Fretboard
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This bass has all the punch and bottom that's been missing from other basses I've played. Delightfully easy to play and significantly lighter than I'd expected. Tuners and truss rod adjustment are extremely smooth and responsive, and the maple neck is fast. Finish is better than one would expect from a production-line instrument. All-in-all, worth every dime.

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10/21/2012

Epiphone Epiphone Thunderbird IV Bass Ebony Review

Epiphone Epiphone Thunderbird IV Bass Ebony
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Right off the top, there is no denying that this is a badass looking bass. Nothing screams "rock n' roll" quite like the Thunderbird. For rock and punk this is definately a good bass for the money.
The neck is not as slim and fast as the Gibson version, and it's a bolt on rather than a neck-through, but at only a fraction of the cost you get a great looking, great sounding bass.

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10/14/2012

Jay Turser Jtb2b Violin Bass Sunburst Review

Jay Turser Jtb2b Violin Bass Sunburst
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its a good bass for a copy if you cant aford a hofner this is your next best thing for the money,its got good playability its a decent little bass.

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10/09/2012

Fender Steve Harris P Bass Royal Blue Metallic Maple Fretboard Review

Fender Steve Harris P Bass Royal Blue Metallic Maple Fretboard
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Steve Harris Was my inspiration for wanting to play the bass, This bass is very, very well built, Very heavy and Definitely has that Steve Harris sound. It Is everything I had been looking for...sound wise. Awesome Bass!

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10/02/2012

DeArmond Ashbory Bass - Black Fretless Mini Bass with Gigbag Review

DeArmond Ashbory Bass - Black Fretless Mini Bass with Gigbag
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This is a serious instrument that sounds like an upright bass or a bass guitar depending on how you set the pickups. It is great with the small size but big tone. Go to YouTube and search for and listen to some of the clips. I love my Ashbory! I love my Fender Jazz 1978 bass but as I get older it gets heavier. Ashbory is great to carry on a plane or camping. Play it through a Crate Taxi battery amp and you are ready to make great music!

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9/26/2012

Washburn AB10 Thinbody Acoustic Bass Review

Washburn AB10 Thinbody Acoustic Bass
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I got one of those since 1998 and I'm very happy with it. If you want to rock, you got it. If you want to play blues and/or jazz, you got it too. Ten years and still cruisin'...

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A favorite in coffeehouses around the world as well as on MTV Unplugged, this affordable, professional acoustic bass from Washburn offers a thin-bodied cutaway design and is fitted with Washburn's Equis Crystal preamp for a natural amplified sound. Its Florentine design gives it a distinctive appearance, while also allowing easy access to the instrument's upper register. It also features include Grover chrome die-cast for precision tuning and great consistency in tone. This bass comes with a gig bag.


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9/22/2012

Music Man Bongo 4-String Bass with 2 Humbucker Pickups, Black Review

Music Man Bongo 4-String Bass with 2 Humbucker Pickups, Black
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Folks, this is the future of bass guitar - right here and now! There is simply nothing like the MusicMan Bongo.
First, you see it - distinctive and unique with great balance and harmony in its design.
Then you feel it - very well balanced, finely crafted instrument.
Then you hear it - like nothing you've experienced. 18v output will definitely not disappoint you. Extremely versatile full-body tone to die for.
Then you feel it - AGAIN! The Bongo offers endless chest-thumping bass that defies being buried in the mix.
If you are serious about playing bass you should seriously consider a Bongo!

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9/20/2012

Steinberger Spirit XT-25 5-String Standard Bass Black Review

Steinberger Spirit XT-25 5-String Standard Bass Black
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this is the one of the best basses in this price range that you can buy. period. great construction and quality. double ball tuning sytstem is awesome. the looks take a little getting used to, but once you do its awesome. the dual emg humbuckers are great. u can get whatever sound u want, from real punchy to mellow tones. the leg rest is kinda useless, and the gig bag provided isnt the best, so if you are going to carry it around i suggest you just use a normal bass gig bag...it works perfectly fine.

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9/16/2012

Kona Signature Series Electric Acoustic Bass with Tolex Case Review

Kona Signature Series Electric Acoustic Bass with Tolex Case
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PROS: Nice Bass. Excellent price. Tone is excellent especially on a dedicated Bass amp. Looks Beautiful. Good controls. Quality Case. It works very nicely with the Roland Mobile Cube. Excellent Acoustic/Electric Bass for the Money. Also, tends to get some really cool/annoying harmonic feedback going. Was great fun playing around and seeing what it could do without blowing the amp. I don't recommend this practice for noobs tho cuz it can blow a good speaker if you aren't careful.
CONS: Keep in mind this is a JUMBO Bass. 34" frets. I'm kinda a short guy so this is a bit of a stretch for me. Also, tends to get some really cool/annoying harmonic feedback going. But it is easy to stop it and avoid it if you are careful. Glue used in the case construction really stinks. Odor wise that is.

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9/07/2012

Stagg 4-String "Fusion" Bass, Black Review

Stagg 4-String Fusion Bass, Black
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I've owned this bass for over 2 years now, and I have to admit I was skeptical of how good it was at first. I got it used at my local music shop as a birthday gift, and wasn't sure what to expect.
However, after actually working on music has made me fall in love with this bass. It has a magnificent coating of black with small specks of silver all over the body, so it isn't some cheesy bright pink bass that your wife found at the neighbor's garage sale last week. It has controls for the pickups, as well as a volume nob. The stock pickups are pretty well built; they have a wonderful tone. 24 frets on a bass seems kinda silly, (cause who hits high notes on a bass?) but because of the size of this particular bass is on the smaller (and MUCH lighter) side, it adds some girth to it.
The only problem with it is the fret buzz you get on the E string and sometime A string. It isn't picked up when plugged into an amp (generally) so it's not even worth worrying about. Just raise the strings a bit!
Honestly, this bass is a wonderful piece. Plays great, lightweight, can take some blows, and is a GREAT value. I HIGHLY recommend this bass.

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Line 6 Low Down LD150 Amp Review

Line 6 Low Down LD150  Amp
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Upon reading reviews on Musicians Friend and some other sites I purchased the Lowdown 150 in December 2008. Out of the box, it sounded great though some of the presets are definitely lacking. The Smart Fx Envelope Filter is absolutely unusable though the Chorus effect is pretty decent. The amp simulators are okay. Rock preset is pretty sweet I gotta say.
I am a working musician and need to make sure that my gear is reliable and this amp has fallen short on small gigs, rehearsals and as a practice amp no less. The sound/volume seems to diminish the longer you play. For some reason the amp will change presets all on its own. Which has cost me a few dirty looks.. Thanks Line 6!
At this time there is some problem with the amp. It shuts down after being on for about 10 minutes as it heats up. (I take great care of my gear... never dropped or knocked around).
The only thing I have found this amp remotely useful for was practicing with the mp3/cd input, which many other amps come with. Aside from that, I wouldn't recommend this amp to my worst enemy! The warranty is up and I have a forty five pound paper weight in my practice space. The wiring schematics aren't available to the end user. So far the amp has been taken to a Line 6 repair shop and I still have the same problem. I'm taking it back again. Buyer Beware! The bells and whistles are mediocre at best and the amp itself has been nothing but a headache. Line 6 really needs to work on their bass line for amps. Look into buying another brand.

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Finally, timeless rock tone in an affordable combo! LowDown LD150 is part of a family line of bass amps from Line 6 and that delivers an incredible array of�dialed-in, stage-perfected bass tones with 5 killer bass amp models and effects that cover everything from funk to modern or classic rock and beyond.LowDown offers incredible sonic flexibility with a modeled vintage studio compressor, and critical bass-specific effects like Bass Synth, Chorus, Envelope Follower and Octaver.Plus, the oversized high-speed power amp has incredible articulation and low-end punch that's ideal for live or studio work.Features also include: 4 programmable channel memories (36 with a FBV Shortboard), headphone out, line in, and a studio quality XLR direct out with Line 6's exclusive Bass POD amp and cab modeling that's the go to for studio direct recording.At last, there is a bass amp that gives you great tone, performance, and flexibility all at an unbelievable price. �

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