Showing posts with label e-reader. Show all posts
Showing posts with label e-reader. Show all posts

11/16/2012

Kentucky Artist A-Model Mandolin Model KM-160 in Traditional Sunburst Review

Kentucky Artist A-Model Mandolin Model KM-160 in Traditional Sunburst
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I've been playing guitar for a while (mostly Contemporary Christian & Irish) and wanted to cross over onto the Mandolin. After alot of research on the web, this one consistently had the best reviews. The fact that it is one of the few in this price range with a solid (not laminate) carved spruce top and a truss rod counts for alot. They may be hard to find, but if you do, you won't be sorry.

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11/08/2012

Blackstar 1 Watt Tube Combo Amp With Reverb - Blackstar HT1R Review

Blackstar 1 Watt Tube Combo Amp With Reverb - Blackstar HT1R
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While I don't own this amp, I did have the opportunity to put my friend's amp through its paces yesterday, and I thought I'd share a few thoughts as no one else has written a review of this fantastic little practice amp. This is a 1 watt tube combo amp with an 8-inch speaker. The first thing you should know is that a 1 watt tube amp is suited for practice and small-time jam sessions only, though I suppose if you threw a mic in front of it you could play a small gig. The second thing you should know is that, for the money, this is probably the best sounding practice amp on the market. Seriously. You can dial in a surprising range of tones through this amp; the clean channel can be very clean if you keep the gain low, but the audible volume will also be pretty low. But lets be honest, you don't buy a 1-watt tube amp for the clean tones. If you dial up the gain on the clean channel you get a very crunchy tone that's perfect for classic rock. Switch over to the drive channel and keep the gain low and you're still in classic rock territory. Start cranking the gain and you can get some pretty hard rock tones; not ultra high gain, but enough to get some good chug out of your palm muting. The most unique aspect of this amp is the ISF (Infinite Shape Feature) knob. This knob replaces the standard tone control, and rather than simply adding or taking away bass or treble tones, rather it "shapes" the qualities of the tones between an "American" sound and a "British" sound. Essentially, the American sound involves a more pronounced bass and low-mid response, with very smooth highs. The British sound has a little less bass and a more pronounced midrange and cutting highs. What's so unique about these blackstar amps is that you can mix the two different sound types to find the middle ground that sounds best to you. In addition to the control for the two channels, this amp also has an output for direct recording, and an input for your ipod or cd player, both of which are features you rarely find in an all-tube amp at this price-point.
To conclude, I plan to buy one of these amp as soon as I have the finances to do so; there's no replacement for pure tube tone, and while modelling technology is steadily improving, it's nice to see such a great sounding all-tube amp for such an affordable price.

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7/21/2012

Warwick Corvette Standard Electric Bass (4 String, Natural Bubinga, Fretless) Review

Warwick Corvette Standard Electric Bass (4 String, Natural Bubinga, Fretless)
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I have been playing bass for over 30 years, and without a doubt this is one of the best Fretless Basses I have ever played. As soon as i sat down and started playing, I knew this is a very special instrument, even the clerk knew by the way i looked at him that i would be taking it home that day.
Using round wound strings the high end tones were remenicent of Jaco, and the Ebony finger board gave the feeling and sound of an upright bass. The only downside is the weight of the instrument, but other than that I can find nothing wrong with this bass.
The look of the bass is badass, it has the old school look, with dark wood body and the Ebony finger board, it is truly a Jazz bassist dream rig. I played some Jack Bruce licks from the Cream days and was able to dial in a very close sound.
If you can afford it, buy it! this bass is destined to become a classic collector for the superb sound and look of the instrument.

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6/22/2012

Kramer KS42MBBFN1 Striker FR-422SM Electric Review

Kramer KS42MBBFN1 Striker FR-422SM Electric
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After reading the previous review of this item I became nervous. There weren't alot of details on the ad, and the review writer said there were scratches and hardware missing so he returned the guitar. So, I was pleasently supprised when the guitar got here and was in the "as new" condition that was listed on the ad. Actually It was in better shape than most new floor models. For used it was in super shape. It was shipped with the trem. arm mounted and the thing was in tune when I opened up the superb packageing. AWSOME!!!
If the missing hardware mentioned in the review was the allen wrenches that werent in their mounting on the back of the head? A buck at Wal-Mart will buy you a full set. Problem Solved! I can't rave enough about this guitar and the seller.


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6/08/2012

Fender Artist Series Eric Johnson Stratocaster Electric Guitar 2-Tone Sunburst Maple Fretboard Review

Fender Artist Series Eric Johnson Stratocaster Electric Guitar 2-Tone Sunburst Maple Fretboard
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I've been playing guitar for the past 37 years. Lots of electric for the first 10 and then recently (6 years ago) picked up the electric again. Since then I've gone through a Ibanez Musician, Fender American Deluxe Ash Strat, Gibson ES-339, Gibson ES-335, and finally this Eric Johnson Strat. I had the hardest time with my previous strat (wouldn't stay in tune, bad intonation, don't even think about touching the whammy bar or its way out of tune), and the Gibson's were just uncomfortable to play (after you cradle a strat with it's light weight and contour fit it is really hard to go back). I cannot put this guitar down. It stays in tune for months (I kid you not) and I play the crap out of it. I love the way you can dig into a strat or not (you hit it hard it's nasty, play it soft and its clean). The tone knobs affect the neck pickup and the bridge pickup (a much better use then the typical middle pickup tone knob on the typical strat). The volume is useable from position 1 to 10. The quartsawn neck just sustains for days. I can play this acoustically and hear the wonderful sustain. The pickups are nicely wound also to provide lots of sustain and a wide range of tones. The intonation is the best I have ever had. This is a jewel of a guitar. The nitro finish will age nicely too like the strats of old. This is basically a modified '57. The staggered tuners are a plus too (eliminates the string tree). These guitars are as good as most custom shop guitars at 3 times the price. Check these out if you get a chance.

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5/08/2012

Takamine Pro Series ETN10CTBS Dreadnought Acoustic Electric Guitar, Sunburst with Case Review

Takamine Pro Series ETN10CTBS Dreadnought Acoustic Electric Guitar, Sunburst with Case
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I was wanting to purchase a higher end guitar and after trying out several and listening to several on YouTube I decided to purchase this Takamine. I already own a Tak 12 string and thought the sound was incredible for the price. This one I didn't actually play until after it arrived but I watched Brad Davis try it out on YouTube as my guide. I have owned Ovation, Alvarez and Ibanez in the past and am more satisfied with Takamine. The guitar was set up perfect right out of the case. No blemishes or scratches anywhere and perfect action, very low set and a fast neck. The sound is incredible off amp as well as on. It has a very strong low end and mixes perfect with the the mids and highs. Great for strumming and picking. I couldn't believe how awesome this guitar sounds everytime I pick it up. I still play mostly without the amp and like classic rock, christian contemporary and ballads that use a classical style of play. This holds up with the best of them. It is a bit plain in appearance which is why I chose the Tobacco Burst; mine is a bit darker than the pic. The pic appears sort of orangey and mine is a bit more of a darker Tobacco Burst which I like. No pick guard and a satin finish not a gloss so the wood sounds are not impaired and will improve as the wood ages. These natural woods sound great. It has a solid cedar top and solid sapelli/mahogany back. I have alway had spruce or maple tops before and must admit the cedar sound is more to my preference for the lows. I paid $929 including the case through Amazon which is a deal since most everywhere else was $100 to $150 more. I got a better sounding guitar than Taylor or Martin puts out unless I wanted to go $1000 more and most all of their guitars in this price range were all laminates or occassionally a solid top but that was it. Very pleased with this purchase and is the best sounding acoustic I have owned yet....beats my former Ovation Legend and I loved that guitar.

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4/14/2012

Parker P-Series Pro Electric Guitar (Flame Top Honey Burst) Review

Parker P-Series Pro Electric Guitar (Flame Top Honey Burst)
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This guitar has got it all from tone to looks. The pickups are incredible, very punchy crisp and clear. The Seymour Duncan 'Jazz' pick up is just great. The set-neck design provides improved ergonomics and absolutely incredible sustain. The two push pull selectors and tone knobs provide very wide tone selection. Its very easy to go from Strat to LP sound and everything in between.
The fretboard is ebony and is amazingly smooth and easy to play. The action was set just about perfect right out of the box.
The Premium hardware a guitar at this price point is hard to beat; the hardware is all US made however the guitar itself is assembled in Indonesia. Previous models were made in Korea, I kind of wish it would have stayed that way.
This is an incredible guitar for the money. However I do wish the quality control was a little better; one of my tone pots doesn't seem to be screwed in all the way.
Also worth noting the guitar comes with a nice Parker gig-bag.
4.5/5

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Behringer Ultrabass BB410 1200W 4x10 Bass Cabinet Review

Behringer Ultrabass BB410 1200W 4x10 Bass Cabinet
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Mostly, we have been conditioned into thinking the more expensive, the more better. Gear snobs have often turned their noses up at Behringer products and I don't know why. 90% of the time Behringer makes a product that sounds and performs just as good as equipment that costs hundreds more. Also, they have one of the best costumer services and everything they make is built rock solid. You can't tear this stuff up!
I've been on the market for a new bass cab (mostly a 4x10) for a while now. I've been researching and trying things out and I have come to the conclusion that with whatever I buy, the sound quality simply won't overcome the cost. The Behringer BB410 has a wonderful sound. It can handle way more power than your typical bass player will be carrying around, its 4 Ohms, can be linked with other cabs, and has both 1/4 and Speakeon inputs. It also has a horn that can be turned on and off, and honestly I find it is really low noise. Some cabs I've been trying I've found the horn to be too noisy and I have to turn it off but not the BB410. It is heavy and awkward to move around, but it still fits into the back of my car and I installed casters (instead of the little wheels coming off of the side) to make it easier to move. The speakers really bring out the punchy mid range I desire while keeping the bass low and booming. If you play slap/pop you will find your pops really cut through with that sharp percussive sound bass players tend to like. Playing in a cover band, I need really versatile equipment and this cab is it!
I have played through it with 4 or 5 heads (currently running the Eden E300 into it) and they all sound great! No matter how hard I play and I cannot get the speakers to distort out so it can handle all playing styles. Put high quality head through this thing and its winning.
Basically this is how I feel about this cab. If you aren't getting an Ampeg SVT, get this. If you aren't getting this, get an Ampeg SVT. If you aren't willing to shell out big money for an amazing Ampeg cab, you can be kind to your pockets and still get an excellent cab that will serve you well.

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3/06/2012

JamHub BedRoom Silent Rehearsal Studio Review

JamHub BedRoom Silent Rehearsal Studio
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I purchased this product to enable my band to have a "silent practice" in one of our band mate's apartments. Practice / Rehearsal spaces are expensive and not always ideal. The cost of renting one cannot really be justified if you are just getting together to jam, work on new material, or audition a new band member. We all live in the city in apartments so the idea of a "silent practice" was very attractive (no more angry neighbors).
With a price point of $299.00 this thing almost pays for itself after one practice and is certainly in-line with other similar set-ups. I purchased this to own but a band could easily split this 3 or 4 ways and get out for almost nothing.
There is a lot of information on their website but there are a few of things to note before you buy.
First, if you truly want a silent practice space you will need an electronic drum kit (i.e., V-Drums). It is possible to use an acoustic drum kit and the technique involved there is described on their website.
Second, guitar players and bass players will either need an amplifier with a stereo line out or an amp modeling floor pedal (my choice as it fits in a backpack and requires no heavy lifting).
Third, you will need to procure some stereo patch cords. As a guitar player I only had mono patch cables. The JamHub takes a stereo 1/4 inch input from your respective floor pedal / modeling amp / amplifier. My floor pedal in particular has a left-mono-out and a right-stereo-out so I purchased a stereo patch cable that was stereo 1/4 inch on one end and split mono 1/4 inch on the other. Guitar center has these and should be able to direct you. Of course check your user manuals for info on your particular device.
Finally, headphones. So far our crappy $15 - $60 (low - mid end) level of headphones have been working great! You will most likely need to pick up some 1/8 inch to 1/4 inch adapters here though as all the inputs and outputs on the JamHub are 1/4 inch. These are cheap and widely available. If your headphone cables are less than 9' you may also want to consider some extensions.
The JamHub performs great. I love it for a couple of reasons.
First it consolidates both mixer and headphone amp into one device. In doing so its nice and compact and extremely portable. This allows you to practice anywhere with minimal setup and fuss. You have one power adapter to worry about and no additional cables (beyond ones used to connect your instruments) either.
Another advantage over a more typical headphone amp + mixer combination (and possibly the coolest feature) is unlike a typical headphone amp, which only has one level for the incoming mixed signal, each person connected to the JamHub gets and their very own INDIVIDUAL MIX! To clarify, this means that everyone in the band can adjust the level for everyone else in the mix to their preference.
For example, as a guitar player I prefer to hear the myself, then vocals, then drums, then others. With the JamHub I can turn myself up, then dial in the vocals next, then drums, then others without affecting anyone else's mix! Each additional band member can do exactly the same thing. Think of it as having your very own sound guy to mix in just what you want to hear as he would for you in your monitors on stage. This is truly amazing and solves ALL volume issues usually associated with a typical practice.
Everything about this product is well thought out and and really creates an "ideal" environment to write / play & rehearse music without any infighting about volume or disturbing your neighbors (finally we can practice past 10pm!).
I hope this review helps you in your decision.

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1/13/2012

Traveler Guitar EG-2 Electric Travel Guitar, Blue Review

Traveler Guitar EG-2 Electric Travel Guitar, Blue
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The quick lick. I have an ES 175 and I love it, yet I would never consider taking it with me on trips and leaving it in a hotel. Better yet, those that practice a lot know that family members really don't want to hear you running scales or riffs for hours on end, so the "Pocket Rocket" headphone amp with clean & distortion settings is a must. The action is set from the factory perfect, no buzzing, and no strain either thru the headphones or my amps. I really recommend this guitar especially for the $$$. The sound is rich and full and very comparable to my 1978 Gibson.

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1/01/2012

Traveler Guitar Escape EG2 WHT HSC-TWD Electric Guitar, White with Tortoise Shell Pick Guard and Tweed Case Review

Traveler Guitar Escape EG2 WHT HSC-TWD Electric Guitar, White with Tortoise Shell Pick Guard and Tweed Case
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This guitar sure is a beauty and the size is just right. It gives you the "feel" you would want from a normal sized guitar. The intonation on these are also superb. The action however is where this guitar runs into trouble. I have gone through 4 returns trying to get the right one. The first guitar I received had substantial fret buzz on the 6th string even though the strings were still quite high for an electric guitar. The buzz was substantial enough that a couple of the frets would not even play a note. Since this isn't a cheap guitar I didn't spend much time adjusting it. I figured I'd return it and try again. The second one I received had a little fret buzz but it was acceptable. Unfortunately it was obviously used and had dirt and black smudges all over it. Again, I didn't pay this kind of money for a used guitar so I returned it. The 3rd one I received actually had headphones in the case where the first 2 did not. I'm guessing that this is supposed to come with headphones and they are being lifted from some of the cases prior to shipping. This guitar had no buzzing on any of the frets and though it appeared to have been handled, was playing well. I then turned the guitar over and noticed that even though this had the body of the EG-2, the neck and bolted plate on the back had a serial number for the older Traveler EG-1. The guitar had clearly been tampered with and had mixed matched parts on it. I am currently awaiting guitar number 4 hoping that everything is finally new, untouched, not tampered with, playable, and that there are no missing items.
Even though I think this guitar is overpriced by about one hundred seventy bucks, I still really want to love the guitar. It looks great, feels right, plays decent and will be a great practice tool for when I have some down time, on vacation, or just watching tv.
The deal with the case is good since the case alone sells for one hundred dollars, but be warned. I'm suspect to believe that when you buy this bundle, the guitar gets handled a lot more and you may be getting a referb or second hand item from the manufacture. You might be better off buying just the guitar with its carrying bag. This has been an annoyance but amazon has great customer service and have been over nighting the guitars to me. Even with all the problems, I can't help but smile when I'm playing the guitar. Very cool concept.

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12/12/2011

Richmond Empire Electric Guitar, Cream Review

Richmond Empire Electric Guitar, Cream
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This is a fantastic guitar for the price. The fret work is some of the best I've ever seen, the nut is cut right, the neck feels super fast, the humbucker is smoking hot. The neck single coil tends to squeal a little, that's about the only complaint.
Oh, and the strap buttons are Schaller strap lock buttons. If you already have the Schaller strap locks on your strap, the strap will snap right on.
All in all, it's very well done for the price.

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10/20/2011

Gibson Hummingbird Pro Acoustic-Electric Guitar Review

Gibson Hummingbird Pro Acoustic-Electric Guitar
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I went into my local GC store one day to see about buying a Gibson acoustic. I saw three hanging on the wall, the rest were Taylor, Epiphone, etc. The three Gibsons on the wall were a J45, AJ, and this Hummingbird Pro. I was immediately drawn to the look of the Hummingbird Pro model. I had the salesman take it down for me to play. I played her unplugged for a while, and she sounded so rich and full. Then, I plugged her in to see what she sounded like goong through an acoustic amp. It was pure acoustic heaven. Iknew this was the guitar(Gibson) for me, so I took her home. Great playing and sounding guitar. If you want that real Gibson TONE, get this guitar.

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9/02/2011

Line 6 Spider IV 150 150-watt 2x12 Modeling Guitar Amplifier Review

Line 6 Spider IV 150 150-watt 2x12 Modeling Guitar Amplifier
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I have played the guitar and other instruments for a little over 50 years. I have a collection of fine guitars that is modest in number but consists of some of the best instruments made. I am retired and play my music in a studio in my home that contains only two amplifiers and all the audio equipment necessary for a high grade amateur studio. One of these amplifiers is an old Fender Princeton; the other is a Line 6 Spider IV 150. I have not played professionally since the 70's because I decided to use my energy to become successful in business. Even though I have not played professionally for a long period of time, I have kept on top of the technology that is now available to guitarists that were only a dream in 1970. During my 50 years of playing I have played on many guitar amplifiers, all of which were supposed to be the "best" but rarely did they ever meet my quest for quality of sound regardless of price. I must say that the Line 6 Spider IV 150 combo amp is, in my opinion, the best value in guitar amplifiers I have ever come across for the following reasons:
1) The 150 watt amplifier section is powerful and permits high volume playing of clean sounds that remain clean. I assume it is a high current amp because of the nature of the delivery of its power.
2) The ability to produce many sounds through on board effects surpasses any other amp I have played.
3) The efficient use of controls on the face of the amp allows one to play and use all of the effects in an understandable system of controls which actually reduces the number of knobs by making many of them multipurpose controls that really are easy to use. The control of the amp benefits significantly by the addition of the optional "Short Board" that allows pedal adjustment and stomp on/off functions of all important controls. This short board is constructed of high strength materials and seems to be built to last a lifetime. (That may not be as long in my case, but I feel comfortable applying this statement to younger players.) The short board is not a necessity, but its addition makes the Spider IV 150 an integrated system in which the amplifier and short board complement each other. For live playing, the short board is a necessity. There is a larger two pedal board that I do not think is necessary nor worth the cost.
(4) The circuitry is quiet enough to permit direct amp to mixer recordings.
(5) While the Spider IV is a solid state amp, its sound is great, and will not disappoint those needing an amp of this size and power. However, I have become accustomed to quality solid state amps and have never really caught on to regularly overdriving tube amps to achieve an effect. This personal feeling may come from my early years of playing where overdriving was not an intended sound, but was simply the result of trying to play louder than the amp's capabilities. In the early 60's virtually all amps were underpowered and few groups could push much of their volume through large and powerful stage setups because they were frequently unavailable. This brings back the memory that even when I played as a teenager with a group, there frequently were situations where the power available in the venue was capable of driving all of our equipment. We satisfied this problem by always taking 6 12 gauge 100 foot extension cables.
(6) The 2 12" speakers seem to be able to reproduce whatever the amplifier can deliver (within reason).
I have been happy with the Spider IV 150 for almost a year and I believe I have used it enough to allow any shortcomings to surface. I have not detected any signs of shortcomings and, accordingly, I highly recommend this amplifier.


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A redefinition of the sonically resounding possibilities available from modeling amps today the Spider IV 2x12 inch combo provides the most advanced Line 6 amp modeling with over 500 presets and a truly evolved playing experience. Spider III was the top selling guitar amp line in the country and now comes the Spider IV delivering even more tones modern and vintage and the use of their editable Smart FX.When you grab the dial on the slick faceplate of the 150 combo it's like someone took all the greatest amp tones and shoved them into a compact package to be recalled at your command. With 16 amp models quality effects and two 12-inch Celestion Custom speakers you can finally unlock the key to happiness through the ultimate in guitar combo amps!Line 6 Spider IV 150 MKII Features: Insane Rock Star Tones The most advanced Line 6 amp modeling to date 300 artist presets handcrafted by Coheed and Cambria Johnny Marr Slipknot and others Instant access to great sound with easy-to-use Smart FX controls and presets 150 Watts of pure power Two 12 inch custom Celestion speakers 300+ presets hand-crafted by 50 world-famous bands and guitarists Almost 200 song-based presets from the 50's to today plus pitch-based presets 4 channels 64 user-created presets 16 of the latest most advanced Line 6 amp models 20 Smart FX (up to 4 at once) Quick Loop 14-second looper

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8/20/2011

Gibson J-45 Custom Acoustic-Electric Guitar, Vintage Sunburst Review

Gibson J-45 Custom Acoustic-Electric Guitar, Vintage Sunburst
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This is quite simply THE sound for an acoustic guitar. It is an instrument with no challengers. I can not ever imagine playing something else as my main guitar after using this for a couple of days. For one thing, it is the loudest acoustic guitar I've ever played and has incredible projection without losing anything in clear pristine tone. To me, it is the ultimate singer / songwriter guitar.

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The legendary J-45 clearly defines the storied legacy of Gibson acoustics. Without question, the J-45 is one of the most beloved and played acoustic guitars in the history of modern music, and the icon of Gibson's round-shoulder dreadnought acoustic line ever since its introduction in 1942. Today, it stands proudly as Gibson's number one-selling acoustic, and in recognition of this distinguished rank Gibson Acoustic presents the J-45 Custom--one of the most elegant and best-sounding versions of this classic model ever produced by Gibson Acoustic's master craftsmen in Bozeman, Mont. Combining vintage appointments with several modern features, the J-45 Custom delivers the model's renowned tone while adding a new, refined appearance that complements its fundamental design, including a brand new floral and vine abalone pearl headstock inlay designed by Gibson master luthier Ren Ferguson. The J-45 Custom is available in the model's original Vintage Sunburst finish and Antique Natural.

J-45 Custom.
Traditional Gibson Logo and New Headstock Inlay Design The Gibson name has graced the most innovative and revolutionary acoustic guitars of our time, including the J-45 Custom. There is no mistaking the classic block logo, inlaid in beautiful mother of pearl, representing more than a century of originality and excellence. There is simply no equal. The headstock also features a new flower and vine abalone pearl inlay designed by Gibson Acoustic's longtime master luthier, Ren Ferguson. The elegance and stunning detail of this new hand-engraved figured design gives the J-45 Custom a distinct identity, ensuring its rightful place among the finest Gibson designs of the past.
Gold Grover Rotomatic Tuners Grover's original Rotomatic tuners are an engineering marvel, with style and performance exactly suited for the J-45 Custom. With a gear ratio of 14:1, the Rotomatics deliver precision tuning in a durable housing that provides maximum protection for the gear and string post. All moving parts are cut for exact meshing, eliminating the possibility of slippage. A countersunk tension screw lets players regulate the tuning tension to any degree. A special lubricant inside the gear box provides smooth and accurate tuning stability.
Pickguard The pickguard for theJ-45 Custom is Gibson's standard fire stripe tortoise tear drop shape, exactly as it appeared on the very first J-45 in 1942. As with all of Gibson's pickguards, the coloring, inlay, and binding are all done by hand.
L.R. Baggs Element Active Acoustic Pickup System The J-45 Custom comes equipped with the popular Element Active Acoustic Pickup System from L.R. Baggs, which features a low-profile undersaddle element--or transducer--that's proven more stable and durable than many standard ribbon-type pickups. Combined with an onboard preamp with an unobtrusive and removable volume control mounted just inside the soundhole, the Element delivers performance not previously attainable from an undersaddle pickup. Its sleek and effective design removes unnecessary internal components to enhance the coupling between the pickup and the guitar and improve the sensitivity of the transducer for a robust, lively and natural acoustic sound with excellent dynamics and delicate high end. The Element works with a standard 9V battery, which is housed inside the guitar in L.R. Bagg's new "Battery Bagg."
Tapered Dovetail Neck Joint The dovetail neck joint is one of the oldest--and best--ways of securely joining the neck to the body of a guitar. It is also a complex and expensive neck joint to build, but the result is a tight, locking connection that supports the neck at the proper neck-pitch angle, allowing the body and neck to become one solid piece of resonating wood, with no metal to impede vibration. This process is done entirely by hand, requiring patience and skill.
Body Tonewoods The top of the J-45 Custom is made from AA-grade Sitka spruce, while the back and sides are constructed from pattern-grade Indian rosewood, giving the model the same full, balanced expression, warm bass, and excellent projection that earned the original J-45 its much-heralded reputation. Selecting the right wood, and the formula to dry it out, are two of the most central procedures to Gibson's guitar-building process. Beginning with its first catalog in 1903, Gibson has assured its customers that every guitar would be built using woods with "the most durable, elastic, and sonorous qualities," and today's guitars from Gibson Acoustic are no different.
Abalone Rosette A rosette is the beautiful, hand-crafted circle around the soundhole, and can be one of the most ornamental elements of any acoustic guitar. It is also one of the most subtle and complicated woodworking decorations on any acoustic guitar. The rosette on the J-45 Custom is one of Gibson's finest. It is a double-ring rosette with an abalone-filled middle. The main ring consists of seven-ply binding, and the second ring is three-ply binding, adding a stylish, understated elegance to the J-45 Custom.
Bracing Every acoustic guitar made by Gibson features hand-scalloped, radiused top bracing inside the body, a feature normally found only in limited run, hand-made guitars. By scalloping each brace by hand, the natural sound of the acoustic is focused more toward the center of the body, enhancing the instrument's sound projection. The J-45 Custom features a variation of Gibson's "X" bracing pattern situated behind the soundhole, with a set of tall and thin braces for the back, and scalloped tall and thin braces for the top. This legendary bracing design delivers a balanced expression, with punchy, deep lows, warm mids, and clear, crisp highs. It also projects a natural compression, which helps the J-45 Custom blend nicely with any accompaniment.

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