Showing posts with label home recording. Show all posts
Showing posts with label home recording. Show all posts

11/28/2012

Fostex MR-8mkII 8-Track Digital Recorder Silver Review

Fostex MR-8mkII 8-Track Digital Recorder Silver
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I still have the 1st gen MR-8 (the red one) and when I got the silver Mk-II for Christmas, I wasn't sure I really needed it, as I thought it was no better than my red one but for throwing on a few more bells & whistles. Firing it up and laying down a few basic tracks and playing them back demonstrated that not only are there a couple more features but the sound quality is much improved over the original. I played it back through my stereo with my wife in another room across the hall and she thought I was playing the guitar and singing live. So, I'm looking forward to doing a lot of recording with this unit with more professional sound quality (I believe it is equivalent to PC sound quality, plus I like the silver finish much better than the old red model!) This is a very nice personal recorder for not a lot of money.

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11/27/2012

Samson AirLine Synth Earset - True Diversity UHF Wireless System Review

Samson AirLine Synth Earset - True Diversity UHF Wireless System
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The belt pack is very small compared to most others we've used. The diversity tx/rx setup is simple - but - you cannot change the frequency with the mic attached to the belt pack. Odd, that.
Our pastor says the earpiece is very comfortable, and does not slip during service. He wears glasses, so many other earpieces were either uncomfortable, didn't fit at all, or would slip. The slip resulted in the mic boom dropping significantly enough that the pastor couldn't be heard. With the tension band on this earpiece, that hasn't been an issue.
The mic is well suited for male speakers. There is a noticeable boost in the low end compared to other headset mics we've used. So far, the unit has performed well and fit, rather than busted our budget.

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SE Electronics TITAN Large Diaphragm Condeser Mic w/Case,Shockmount Review

SE Electronics TITAN Large Diaphragm Condeser Mic w/Case,Shockmount
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Overall an excellent mic. Like advertised it's an excellent mic for kick drum, and bass, also amazing for miking guitar cabs and amps. tried it on acoustic guitar loved it as well. For some reason people never mention how good this mic is for vocals, it is excellent in that department too. i've tried it on rock vocals, on pop vocals, loud, mellow, you name it, it performs excellent. It's very clear sounding and has really good presence. Also excellent for broadcast use almost no proximity effect and very little sibilance. i've ran it through my Focusrite isa428 solid state pres all the time. So i would imagine, with a good tube pre like an avalon 737sp, the results for singing would be even more amazing. So in my humble opinion, i would say, if you have money for only one professional quality mic in your studio, this will give you the versatility to use on almost everything you can possibly record, with the professional results you would expect from mics over the $1,000 dollar range.

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11/26/2012

Line 6 Tone Port KB37 Review

Line 6 Tone Port KB37
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As a part-time, semi-professional musician/performer/producer [you can check out our NOVAkILL CDs here at amazon.com] I have a need for good quality and portability at a reasonable price. For maximum flexibility, I have been using USB audio I/O devices for the past 5 or 6 years, as they allow me to work on my workstation at home or laptop on stage with the same equipment. I was first attracted to Line 6 by the announcement of the KB37 because it looks so incredibly slick and sexy. To see if it could deliver the goods, I got hold of a UX2, which is basically the same as the KB37, without the keyboard. It took me about 5 minutes to realise the potential of this set-up so I got hold of a KB37 as soon as they were available.
HARDWARE - The unit feels really solid. The plastic is very heavy-duty and it all seems pretty well put together, although one of my VU meters is slightly crooked. The three-octave keyboard has a good feel and also feels fairly robust. The I/O knobs [chrome] are perhaps a little loose [it is easy to bump them and change their position] where the controller knobs [black] are very stiff until you use them for a while. It is very light-weight and no wider than most two-octave keyboards so it is extremely portable. The footswitch jacks are a real bonus. The audio inputs and outputs are very good, allowing you to get high quality, clean recordings and to monitor everything easily.
DRIVERS - Line 6 Monkey makes sure your drivers and other software are always up-to-date so it is a good idea to let the monkey look for the latest versions when you are setting up as the CD that ships is nowhere near current [it doesn't even support the KB37]. Once the Monkey had done it's thing, everything just worked. You use the driver interface to assign controllers and footswitches to different functions. It works really well but is a little hard to get at in a hurry.
SOFTWARE [GEARBOX] - This is definitely the best part of the deal. The are plenty of amps, cabinets and other effects available and you can chain them all together to create amazing results. If you are not happy with what you get, you can go on-line and buy even more from Line 6, but I have barely scratched the surface of the bundled options after almost a year. GearBox has very flexible routing - you can assign the hardware VU meters to any of a number of things [inputs, outputs, etc]. You can monitor and/or record with or without effects and you can even record your vocals or guitar parts whilst monitoring other instruments through the unit. You can have a single stereo signal path or two unique mono paths. e.g. one set-up for your vocal and a completely separate effect-chain for your guitar at the same time, whilst monitoring your hardware synths through the unit. Because it operates outside the normal Windoze audio system, latency is negligible which makes it great for using live.
IN USE - This is where we ran into a few problems at first. The KB37 only transmits on MIDI channel 1 so, because we had been using Channel 8, I had to go through all of our songs and change things to Channel 1. But it was worth it because in every other way, the KB37 delivers for us. It is a great device for recording vocals and synth parts and it is a flexible and handy controller for our sequencer and soft-synths. On stage it is even more impressive as we can use it for live vocal effects without having to run our voices through our sequencer software. With two footswitches attached I can change GearBox presets easily on stage and mute the effects between songs.
SUPPORT - Terrible. We had a few problems with the unit when we first started using it and the Line 6 forum was completely useless. After 8 weeks of getting no help from them whatsoever, I eventually discovered that the problem was not with the KB37. If it had been, I doubt it would ever have been solved.
OVERALL - This is close to the perfect solution for us. It is robust and portable, simple to use, yet offers incredible sound quality, both for getting clean recordings and from the amazing GearBox software. If the support was better, this would be a 5-star review.

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11/25/2012

Blue Microphones Baby Bottle Cardioid Condenser Mic Review

Blue Microphones Baby Bottle Cardioid Condenser Mic
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I've experimented at my home studio with many mics in this price range... and I've worked in very high end rooms where we had Neuman's and old Sony's. It doesn't matter, if you don't have basic mic techniques down, you can make a 7ooo.oo "moded" Telefunkin sound like the condenser in your old cassette recorder.
With That in Mind...
This Mic Rivals Mics costing three times it's list price to my ears.
Plenty of bottom, well appointed high's .. and a very present but un-screechy midrange. Excellent for loud guitars, snare drums.. even lower "bout" mic-ing on a Larivee Concert Grand acoustic at a slight off-axis proved bright and full. But where this thing really shines, is on Female Vocals... Gospell/Country/Even Pop,, close and warm with low low noise...wow~
I have a "Studio Projects" original C-1 with a slight mod that I use for Male/metal/Pop vocal stuff as it delivers a munch sharper mid and high, the Baby Bottle for Female Vox/Acoustic git/Electric git/horns and Piano... over head, a pair of C-1000's an "Earthworks" drum "set" and a Sanheiser for Electric Bass cab.. and that's about it. If I have a Thousand bucks total invested I'd be surprised. And I'm charging 80.00 an hour (home studios can make money)
If I had only "1" to go do a job with.. It would be the Blue.. I'd really like to buy 2 preferably in sequence and then I'd get rid of the C1000's all together.
Lastly..It's got a "Euro" Vibe ...I can't put my finger on it any better than that. Funny thing about Chinese Mics they all sound the same,,,(except for the SP C-1), None of them have that real clarity without the sibilant shrill top end.. The Bottle is so low noise and silky smooth it's an immediate thing... you'll feel it.
If I lost It..
I would replace it immediately.


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11/24/2012

Cakewalk V-Studio 20 Stereo Audio Interface Review

Cakewalk V-Studio 20 Stereo Audio Interface
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i tried the product in my mac , but it did nor recognize it , and the cakewalk software was not able tu run in mac platform .....
i am very dissapointed ......

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11/23/2012

Korg Sound On Sound Unlimited Track Recorder Bundle With 8GB Micro SD Memory Card, 4 AA Lithium Batteries & Led Flash-Lite Review

Korg Sound On Sound Unlimited Track Recorder Bundle With 8GB Micro SD Memory Card, 4 AA Lithium Batteries and Led Flash-Lite
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I got mine in the mail. It took a few days at most. In a proper cardboard box with all the right shipping stuff tucked in there I thought I had the wrong package... it's so light... I got mine from Amazon.com and they said 2 pounds... but it's light.
This deal came with a formal memory card so I didn't have to run all over the place looking for the accesories for my Korg. I did buy a power pack or AC/DC thing but that was under twenty dollars here in The Confederation of Canada... and the Amazon deal came with enough batteries for a couple of days use.
I'm no brain surgeon... I'm a no brainer. The instruction manual is honest but not the best tutor for a guitar player that doesnt' double on sax and phone. What I mean is the unit is not a wind me up toy but a reel to reel studio on wheels...
I got mine working for me well and I must say that sounds nice... who is that?
I hope to add more to my review here as I have only had mine for two days so if you're shopping for studio time to cut a demo and such, this things only [...] bucks and lets you record the whole song you wrote... not just the first two chords... and then it lets you add track after track of guitar bass vocals and keyboards... or kazoo for that matter ... I glad I bought one but I need all the help I can get.

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11/22/2012

Tascam DP01FX 8 Track with Effects Digital Multitrack Recorder Review

Tascam DP01FX 8 Track with Effects Digital Multitrack Recorder
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My first multitrack recorder was a Fostex cassette based recorder back in the early 90's. I loved it - used it nearly daily to work out arrangements or learn new songs. When it finally quit working, I was a little heartbroken.
At that time, someone had turned me on to PC multitracking software - which was a suitable solution, until I started upgrading. I found that certain programs wouldn't work with certain operating systems, conflicts with various attached devices would cause recording errors. I felt like I spent more time troubleshooting my system than actually recording.
After much research, I settled on this unit. As a solo artist this is an excellent machine - I mostly record acoustic arrangements, with some electric guitar and drums. Although I've used this for a week, I couldn't be happier with the results...far superior to my old cassette unit, and much easier to use than software. The sound is much better than I hoped for...and the menus are easy to navigate.
The guitar effects are OK, but not great. I don't expect I'd use them at all...the sound I get when I mic my amp is far better. The vocal and drum effects, on the other hand are more useful. Overall, I expect I should be able to make very high quality demos.
You can only record two tracks at a time, but as a solo artist, that's not such a big deal. For bigger arrangements, such as with my band, I have a 14 channel Mackie mixer that I run into the unit that allows me greater flexibility.
The unit is easy to learn how to use, and the user's guide is written so that my 11 year old can figure it out. I had no trouble recording, mixing and mastering...following the instructions in the guide, I was able to successfully transfer the final mixdown of my music to the computer without any hangups.
Overall, I'm very satisfied with this unit.


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11/21/2012

Lexicon IONIX U22 2-Input USB 2.0 Desktop Recording Studio Review

Lexicon IONIX U22 2-Input USB 2.0 Desktop Recording Studio
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I bought this one after looking at the cheaper products from M-Audio, Tascam, and Lexicon. I agonized for weeks reading product reviews and the conclusion I came to was: for under $200, I'm going to be disappointed. All were plagued with quality/longevity issues, and many had problems with pops/drops of the audio signal. I like a bargain, but you get what you pay for. The only other one I considered was the Prosonus, which I'd recommend for anyone who desires a firewire devices (which gives you the ability to chain devices together for expansion).
Pros:
- Installation was flawless: insert DVD, follow instructions.
- 9V adapter (instead of being USB powered) and supports the 48V 'phantom' power for high end microphones.
- USB 2.0, all complaints about drops and pops for the USB 1.1 products are gone.
- Sturdy construction, nice big dials. The less expensive Lexicon products had quality complaints; this one is built like a brick.
- Simplicity. It has only 2 inputs (the 3rd 'instrument' input disables the mic/line input #1 when plugged in) but that is exactly what I need.Cons:
- No power button? I'll need to put all my recording stuff on a switched power strip.
- Like most of these products, for some reason there is no easy way to use your PC speakers for a monitor. I'd figured there would be a way to send the digital output to the sound card, but instead I guess I'll connect the outputs to the analog PC line in. Ah well..

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11/20/2012

Lexicon IONIX U42S 4-Input USB 2.0 Desktop Recording Studio Review

Lexicon IONIX U42S 4-Input USB 2.0 Desktop Recording Studio
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This device is solidly built, compact, and has great styling. Oh, and fantastic audio.
September 20, 2009 update: Better hope you don't have to deal with Lexicon's tech support. It is absolutely the worst ever anywhere. If you read through the comments to this review, another customer had extreme difficulties finding 64bit drivers. They weren't on the shipping CD, unlike my CD which did have the drivers. It took him weeks before anyone would respond to him. Ultimately, he bought another brand. The new 64 drivers were released a few weeks ago. I tried to install them on my computer and came up with total zero - the device no longer worked since the driver install failed. I emailed tech support, 2 weeks later I got a did you disable your virus software? Then I responded immediately, they are fools, of course that wasn't the problem. Then a week later I got another email that said and engineer identified the error code I sent (in the original email, but repeated for effect a second time)as the USB connection not working properly, and was the blue USB light on. Oh and by the way, please send them the information from the System Device control panel for the type of computer I have. I finally discovered that there was a problem with Windows 64 bit installers after Vista's SP2 update that makes it not work very well sometimes. I did this registration thing with a file. Reverted my computer to the old driver and then the software actually installed correctly - and I'm back in business. Sadly, absolutey no help from Lexicon.
If it were possible to change the star rating, or split the rating - Device / Hardware 5 stars; software not so great 3 stars; tech support for a Professional Product - absolute -100000000 stars totally blows chunks worse than most software companies I've dealt with.
Back to the Original Review:
Some physical description, this is a 4 input mixing, analog to digital, sound console. It uses USB-2 to connect to a computer, however a computer is not a necessity to use this as a mixer. The software included Cubase LE4, Pantheon II Reverb plug in, and Toontrack EZDrummer Lite (along with the required drivers and owner's manuals).
The inputs - 4 rear XLR / 1/4" combo plugs (allows either type of plug in); Midi IN; SPDIF - Coaxial - IN. There are two Instrument 1/4" jacks on the right hand side of the console.
The outputs - 2 1/4" headphone jacks on the left side. Two line level 1/4" jack audio outputs, Midi Out, and SPDIF - Coaxial -Out; and USB out.
There are also two buttons on the back for +48V phantom power.
The controls on the front, 2 headphone controls, the 4 input controls (inputs 1 and 2 can be made stereo pairs; as can 3 and 4). A large output level control. And a control to blend the amount of raw direct input sound, versus the amount of post processed sound.
Each volume control has a set of LED's above them to adjust levels.
The mass of this controller is just perfect, it weighs enough so that the thing will not slide around while plugging and unplugging inputs. The style is a bit like Harmon Kardon - black over silver. The control knobs just scream high quality. The whole thing is powered by a well designed A/C adapter with cords on both ends.
Computer installation. Plug the USB connector in. Insert the included software disc, select install drivers, and find out that only the 32 bit drivers are included. So it's off the Lexicon website to get the 64 bit drivers, my system is 64 bit Vista. After a ton of windows and separate installs, a reboot was necessary and all was happy with the connection.
Then came the pain and suffering:
Cubase was a major pain in the rear end to install. There must be 50 steps to finally get this program validated, registered, and authorized. It's frankly critical to open the installation instructions and follow them to the letter. Nothing but nothing is simple about this install, and it's just to complex to repeat here.
Once up and running - wow this thing is a total joy to use. I'm very new to recording (this is my first recording console). We plugged in an electric acoustic Laguna guitar, followed the instructions for getting started with Cubase, adjusted the volume on the console (the LED's on teh console helped get the levels right), hit record in Cubase; and voila a really great clear recording saved as a WAV file. Couldn't have been easier and higher quality.
The bit of surprise was playback. No matter what I tried, I could not get my Logitech Z-10 speakers to output a recorded track directly from Cubase. This is all probably by design, and it's just my inexperience. I had to use the left hand headphone jack to listen to the sound. This also worked as a monitor when we hooked up an electric guitar. The output quality on those headphone outputs was incredible. The only way I could playback the recorded track, once you press stop at the end of recording, the WAV file is written to the hard drive. That wave file can then be simply played through windows media player or any other player like a standard WAV file.
We did a few recordings and then burned the WAV files to CD. Played on a very nice stereo system, the clarity was absolutely amazing. Bass was solid, the highs were crystal clear. I loved those first recordings.
I've paired this with a Shure SM58 microphone for voice recording.
It feels like I have purchased a really fine solid piece of audio hardware. The sound recorded so far is nothing short of remarkable. For a pure beginner, I was able to get this set up and working surprisingly quickly and do a very decent recording. The Cubase learning curve is going to be huge, I can see that. But simple first out of the box, what a great experience.

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11/19/2012

Allen & Heath ZED-10FX Four Mono Mic/Lines with 2 Active D.I., 3 Stereo Line Inputs and Onboard Effects Review

Allen and Heath ZED-10FX Four Mono Mic/Lines with 2 Active D.I., 3 Stereo Line Inputs and Onboard Effects
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Just got the ZED-10FX. So far, I have only tested it and done 1 gig but wanted to get a quick review in for those of you shopping as vigorously as I was. My goal was to find something that had high quality audio but a low channel count and small footprint (I'm a solo musician). It has thus far met my needs.
My first priority was finding quality mic preamps, I've found this to be as important as the microphone that's used. These apparently use the same design as the ones A&H puts in their acclaimed MixWizard series. I can only compare them to the Mackie CFX series preamps that I'm used to and LOVE. The ZED's are just as good or better- really clear, warm, and responsive. I also use a stereo channel to run a loop station with beats, electronic phrases, and live guitars. The overall output of the mixer just sounds great- clean, punchy, musical. The EQ is killer as well, very legit and impactful as you adjust. Knobs instead of faders was initially a turn-off for me but I must say I am really happy with these. They are very well mounted and have a heavy, super smooth movement to them. The gradual and fluid change in the levels as you turn the knobs is far superior to what I'm used to with Mackie. They are also very brightly colored and contrasted for low light identification of everything. I would actually take these knobs over a cheap 60mm fader any day.
I have not done any USB recording so can't say much on that (although it's a little disappointing not to have channel separation as you would get with the cheaper Alesis Multimix). However, the analog recording and signal routing flexibility of the ZED is impressive and sold me. Personally I am running my stage monitor out of the "monitor out" and saving the aux send as well as the assignable "record out" for sub mixing and live recording to a digital 4-track. Also, the circuitry and switching of everything is really clever and illustrated well on the mixer surface with helpful connecting lines.
Construction seems pretty solid short of some barely noticeable stressing on the seams of the red plastic sides (Made in China, par for the course) and the rubber feet are not perfectly level with each other. Neither issue represents any malfunction as far as I can tell but I'll admit its aesthetically annoying.
As far as the FX go, I think they are easy enough to control and the basics are there (reverbs, delays, etc.) However they didn't blow me away sonically at least for recording- just a hair on the cheapy sounding side. I've been fine with them in live application though and they are certainly adequate for this price point.
Overall, this is a great sounding mixer that's the size of a bulky laptop and weighs 8 lbs.! Combine it with some nice active loudspeakers (I use QSC K10s) and you've got a powerful system that fits in your trunk.


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Built by Allen & Heath, ZED-10FX is an amazing little desk for small band mixing, complete with onboard effects. It is ultra portable for carrying to the gig, and can be used for recording live or in the studio. Guitars can be plugged in directly to the mixer using the specially designed high-impedance inputs, while the mixer has two stereo inputs for MP3/CD players or keyboards. Equipped with professional XLR stereo outputs and a flexible monitoring section with headphone and speaker feed outputs. ZED-10FX is bundled with IK Multimedia's AmpliTube X-GEAR software, giving access to superbly modelled amps and effects. Class A FET (Field Effect Transistor) inputs deliver the warmth associated with valve tube preamplifiers and a 26dB gain boost switch provides gain needed for instruments with very low output pickups. In addition to all of this, a USB port enables direct connection to a PC or Mac for direct recording and stereo playback with your DAW software of choice. Allen & Heath is known for building high quality mixers for the last 40+ years. At any time of day or night, across the globe, there is an Allen & Heath mixer out there working hard, sounding great and making life a little easier for the person at the controls. Back in the early 70s Allen & Heath hand-built consoles in a tiny factory in London for elite bands like Pink Floyd and The Who. These days Allen & Heath customers are spread across almost every environment imaginable, including touring, theatres, churches, nightclubs, TV and radio stations, recording studios and countless other places where great sound matters.

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11/17/2012

Avalon VT737SP Class A Tube Channel Strip Review

Avalon VT737SP Class A Tube Channel Strip
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I use this channel strip during nearly every recording session I run. The sound is amazing for vocals (in combination with a good mic), producing a warm and yet extremely clean sound.
I have used the unit on acoustic guitar, kick drum, electric guitar and even bass. I was able to get stunning sound from all sources, with a little tweaking of the settings and mic placement.
This unit is capable of immaculate results. Well worth the money.

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11/14/2012

Tascam DP-02CF Portastudio Compact Flash Multitrack Recorder Review

Tascam DP-02CF Portastudio Compact Flash Multitrack Recorder
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I purchased the DP-02CF expecting a Multi-Track Recorder, much like the 10 or so Recorders I've owned over the past 25 years past from Tascam. However, even though the new Digital technology is wonderful, things here are not quite what they appear to be in this case...
First, even though you are using a CF Card and you can use up to an 8 gig card [which is great] you are limited to .wav format in FAT 32 which burns 1/2 a gig of space off the top, and limits the length/size of your files per song. Plus the usual FAT 32 file corruption issues which can sneak up on you in a hurry, trust me. Also, be careful, very very careful when buying a card for this deck. The approved media list has a big list of cards that made me cringe, several of the 8 gig options cost lest than $30 on Amazon, Gasp! I mean, you get what you pay for and if you're using ANYTHING less than a Sandisk Extreme 3, you're going to end up cussing out the unit and tascam within 2 weeks! Trust me on this one...
Second, where do I begin?
When you setup a recording and start adding tracks, each time you playback and listen to what you recorded, you are required to go back and reassign everything from scratch, including track sends! Nice huh... This doesn't sound like much at first, but after you use the unit for a while it becomes a time consuming adventure in frustration.
Next, the Deal Killer...
This unit should be described as a very limited Mixer, with a 2 track recorder with bounce down capabilities slapped on the top. This is not a multi-track recorder like any I've ever owned before or even a decent mixer, since NO EFFECT SEND is available during recording! You heard me right, you can't even add compression to a vocal as you record, but more on this later.
So, I was expecting PRE and POST eq [as almost every other deck I've owned from Tascam in the past] but alas even though there is nice eq, effect sends and controls, they are all POST. In fact in Record mode you only have 2 tracks, dry to the card that's it. Only in POST final mix-down to a DVD, or whatever you make your master on [No bounce-down eq/effect capabilities either since EVERYTHING IS POST HERE!] Like I said, this makes this unit a mixer with a recorder slapped on, not a full featured recorder as it appears to be. I mean if your 15 and this is your first recorder for band demos, great! Otherwise you will be sadly disappointed.
This means if you plan on using the eq, and effecting your signals during bouncing down, NONE of the adjustments you make during mixdown will record to the track, it's just a mixer kids! So, if your vocal stack of 4 tracks needs a little hi end added during bounce, or if the bass guitar/guitar/keyboard mixdown needs a little extra push, or you need to do anything during the mix-down process getting to your final 8 tracks, tough luck! Only in the final mixdown to another device, can you use any of the eq/effects. This is why the unit is so inexpensive, and why it's useless for anything other than live 2 track demos and practicing bounce down, so that later when you buy a real recorder you'll know what to do.
This is the reason why I was in shock when my unit arrived. Just remember when looking for a multi-track, always ask up front if your deck has PRE and POST options for eq/effects. I should have asked, oh well...
Here's another example of the frustration.... Let's say your recording live and you want to add in some compression to the vocal track as it's live going into the deck. Tough luck! You can't use the effect send to add your $1000 compresser/limiter and Exciter. How about adding a little eq to the bass guitar from the line in, same deal tough luck! NOTHING can be added to the instruments as they go in, or as they are bounced down, it is ONLY during final mix-down TO ANOTHER DEVICE that you can you add anything!
One last time, everything on this mixer [aka multi-track] is post. You might as well buy a nice mixer, and a zoom, you'll have more options and a better final mix. Plus, you won't have to worry about your CF card corrupting from the Fat32 formatting after spending 3 days recording and bouncing down tracks.
If they had only been honest in the description of this unit [and it's NOT Amazon's fault, they just list the factory description which is totally misleading] then I could have avoided wasting a week trying to find out why I couldn't save any of my mixdown settings.

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11/13/2012

M-Audio ProFire 2626 High-Definition 26-in/26-out FireWire Audio Interface with Octane Preamp Technology Review

M-Audio ProFire 2626 High-Definition 26-in/26-out FireWire Audio Interface with Octane Preamp Technology
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A few months ago, i decided to update my MOTU 828 mkii firewire interface with something that has better DAC converters, so i did some research and i decided to purchase the M-Audio Profire 2626.
When i plugged this unit in my studio and listened to it, i was taken by the clarity of the DACs, i also did some testing of the preamp mics, and they are clean sounding and uncolored.
So, I thought i had a great deal.. a 192/24 firewire 8x8 interface for around $500. Unfortunately, as i started using the unit more and more in my studio, i realized the many problems m-audio has been infamous for: bad drivers and unreliable software.
1-The biggest problem with the unit is that the latest ASIO M-Audio 2626 Windows XP drivers will blue screen some XP workstations when changing the audio resolution from 96k back to 48k or 44k in a DAW or some other program that uses the unit's driver. There is a thread in the M-Audio's forum about this, and quite a few people are experiencing this problem. As of January 10th 2010, the problem is still unresolved.
The funniest and saddest thing of all, is that when i use the free ASIO4ALL drivers with the Profire-2626, they do not crash Windows when switching audio resolutions. This should tell you how bad M-Audio drivers are.
2-The marketing literature for the M-Audio is basically incorrect and will lead you to believe the digital mixer offers true mixing flexibility (like MOTU's CueMix software) of all inputs and outputs.. which is FALSE. You can use the digital mixer's faders to control the analog inputs coming into the unit, ONLY if the inputs are connected to the preamps via XLR plugs.. if you use TRS 1/4" jacks to connect to inputs 3-8, the signal bypasses the mic preamps and cannot be controlled in the digital mixer. How stupid is that?
I had to go out and order 1/4" to XLR adapters to connect some of my synths to be able to control their input in the digital mixer
My older MOTU 828 mkii unit never had this inconvenience...
3-Want to use the 2626 inputs and outputs to send digital signals from your DAW to an analog box and back into your DAW?
Good Luck.. it took me a while to figure out how to do it (nevermind i used to do this in the MOTU 828 mkii all the time) and then i wasn't able to monitor the return signals without listening to the return signal mixed with the send signal!
Yep.. you can't monitor return signals without going through the mixer unless you are using the XLR inputs.. because if you use the TRS inputs you cannot control or mute the signal!!
2010-02 UPDATE
4-About 10 months ago, a user in the m-audio forums discovered that the Profire 610 and the Profire 2626 are not sample accurate when recording. What does this mean? it means if you want to record a band playing together, the tracks are going to be out of sync with each other, and you will need to synchronize them by hand in your DAW.
M-Audio confirmed this was a problem with their drivers, but after 10 months of waiting a fix hasn't been released yet.
All this problems with M-audio's unreliable and poorly written software have lead me to eventually replace this unit with something that offers better software and hardware quality, like the RME fireface 800.. the thing stopping me is the price.. the RME Fireface goes for about twice the price of the Profire 2626.. and for a good reason.
The experience with the profire 2626 has taught me a lesson: Don't buy another M-Audio product ever again.
But, don't just take my word for it.. point your browser to M-audio's profire forums and you will see all the problems users are having with this unit..


Click Here to see more reviews about: M-Audio ProFire 2626 High-Definition 26-in/26-out FireWire Audio Interface with Octane Preamp Technology

Building on a legacy of award-winning FireWire audio interfaces, the M-Audio ProFire 2626 brings next-generation performance to your PC or Mac host-based recording system. This powerful interface delivers 26 x 26 simultaneous I/O, complete with an onboard DSP mixer sourced from up to 52 audio streams. It features every kind of connection you needincluding award-winning Octane preamp technology on all eight analog inputs, ADAT, S/PDIF, word clock and MIDI. Critically acclaimed JetPLL jitter elimination technology ensures pristine audio quality and reliable synchronization all the way up to high-definition 24-bit/192kHz resolution. In addition, ProFire 2626 offers easy FireWire connectivity, extremely low latency, dual headphone outputs, front-panel instrument inputs and standalone operation. ProFire 2626 is compatible with most major audio software, including Pro Tools M-Powered.* * Compatible with Pro Tools M-Powered 7.4 with downloadable update. Please visit m-audio.com for update availability. 96kHz and 18 x 18 I/O maximum with Pro Tools M-Powered.

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M-Audio Solaris Multipattern Condenser Microphone Review

M-Audio Solaris Multipattern Condenser Microphone
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Happy with product, only took about a week. It actually came with a shock mount which that wasn't list to come with it. Thanks

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The Solaris is a large-capsule condenser microphone that sounds as good as it looks. Beneath the stylish exterior lies the best-sounding solid-state electronics available at any price. Vintage design principles merge with incredibly tight manufacturing standards to yield no more than +/-1dB of deviation across the entire 20Hz-20kHz frequency range. The industry-thinnest evaporated gold diaphragm also delivers incredible sensitivity. Multi-pattern architecture provides flexibility that makes it ideal for just about any miking situation--included capturing vocals, guitar, piano, drums and live events. It's like having three mics in one.

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11/11/2012

PreSonus StudioLive 24.4.2 Review

PreSonus StudioLive 24.4.2
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This board, hands down, is one of the best and most intuitive boards on the planet. The PreSonus StudioLive 24.4.2 is a multidimensional board with several layers of access and control. After only a couple of days working with the mixer, I was flying through the setup and menus. The pres on this board are phenomenal and sound great with virtually any microphone. But wait, there's more! Not only can you setup and save "Scenes" for the board, with the new VSL software, changing the board from rehearsal mode, to recording particular instruments, to a live setup is as simple as drag-and-drop. There are virtually endless ways to use the StudioLive. For my group, Foolsbane, it is imperative that we be able to quickly record rehearsal and analyze various aspects of a song. With the bundled Capture software, it's as easy as opening the software, arming the tracks, and hitting record. The PreSonus StudioLive 24.4.2 has quickly become an indispensable tool for both the studio and on the road. Hurry and get yours today! I guarantee you won't be disappointed.

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11/09/2012

Behringer Eurodesk SX4882 Ultra-Low Noise Design 48/24-Input 8-Bus In-Line Mixer with Xenyx Mic Preamplifiers, British Eqs And Integrated Meterbridge Review

Behringer Eurodesk SX4882 Ultra-Low Noise Design 48/24-Input 8-Bus In-Line Mixer with Xenyx Mic Preamplifiers, British Eqs And Integrated Meterbridge
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I recently opened a Professional Music Recording Studio and purchased one of these mixer boards for one of the Main mixers. My Lead Engineer and I were so pleased with the performance and reflexibility of the SX4882 that I purchased another one and also a smaller version of it. Now all of my Studio is Behringer equipped with amps, effects, and All. I wouldn't even think of paying all that extra money for a Mackie when the SX4882 does everything the Mackie does and more, and even Better. Behringer is OUT-Performing all the competition, and once again on the Rise Up!

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