Showing posts with label powered speakers. Show all posts
Showing posts with label powered speakers. Show all posts

11/13/2012

M-Audio Solaris Multipattern Condenser Microphone Review

M-Audio Solaris Multipattern Condenser Microphone
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Happy with product, only took about a week. It actually came with a shock mount which that wasn't list to come with it. Thanks

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The Solaris is a large-capsule condenser microphone that sounds as good as it looks. Beneath the stylish exterior lies the best-sounding solid-state electronics available at any price. Vintage design principles merge with incredibly tight manufacturing standards to yield no more than +/-1dB of deviation across the entire 20Hz-20kHz frequency range. The industry-thinnest evaporated gold diaphragm also delivers incredible sensitivity. Multi-pattern architecture provides flexibility that makes it ideal for just about any miking situation--included capturing vocals, guitar, piano, drums and live events. It's like having three mics in one.

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10/17/2012

Behringer B2030A Active 2-Way Reference Studio Monitor (Set of 2) Review

Behringer  B2030A Active 2-Way Reference Studio Monitor (Set of 2)
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I purchased these with the assumption that I was not going to get the quality sound I wanted as opposed to KRK monitors (WAAAY overpriced) for my small studio. Boy was I wrong! The sound quality is better than expected to say the least. They're HEAVY, thus you won't be too worried about knocking them over (like the smaller KRK's or M-Audio Studiophiles I've seen). Took these over to a friends house for mixdown of video's he's been working on, and adjusted the settings for his video editing hardware and room dynamics. He then changed his mind after about some 5 hours of video editing. Not the best, but I'll be putting my money into what I can use rather than a name (KRK, JBL, Tannoy, Genlec are just TOO much. . .even for just one monitor). And it'se never about what you got, it's what you do with it.
There are going to be reviews bashing them, but when I have audio engineers telling me "good choice, cuz the KRK's are sometimes WAAY too bassy", I feel I've done my job and research into finding what I can afford.
Just a quick note. . .do give these "burn in" time. meaning give them some time to run before going all out on those mixes. Similar to tube preamps for guitar heads/cabs. . .burn em in slowly so you can get the full effect later. I haven't had these long enough, but I can say they are the best part of my studio.

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9/28/2012

Behringer EurOlive F1220A High-Performance, Active 125-Watt Monitor Speaker System with 12 Woofer, 1 Compression Driver And Feedback Filter Review

Behringer EurOlive F1220A High-Performance, Active 125-Watt Monitor Speaker System with 12 Woofer, 1 Compression Driver And Feedback Filter
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I've been a fan of Behringer products since 2004. My first experience with them was when I'd ordered a UB2222FXPro mixer in April of 2004 despite a dire warning from one of my well-intentioned, musician friends: "You know Behringer stuff is cheap. It's flimsy and won't last long." When pressed as to how he acquired his valuable insight, he paused a moment and said, "Well, that's what I read online." And yes, I've seen similar comments in online reviews of Behringer products; but I suspect that many of these bad reviews might actually be propaganda posted by competitors.
My band plays on the average of 4 to 5 nights a week; and my Behringer mixer has continued to work flawlessly for six years now. In fact in 2008, I purchased a 2nd Behringer mixer (Xenyx 2222FX) for backup. Besides these two mixers, I've acquired a plethora of other Behringer products: Pro-XL MDX 2600 (compressor/gate/expander/peak limiter,) 212A powered PA speaker; U-Control UCA202 USB-audio interface; Minimon Mon800 Stereo Monitor Matrix Mixer; CX2310 Super-X Pro Crossover; DR100 reverb pedal; Powerplay Pro-XL HA4700 (headphone amp;) Truth B2030A Active Studio Monitors; Tube Ultragain MIC200 (mic preamp); Vintager GM110 Combo Amp; DEQ2496 Ultracurve (speaker management/digital EQ) and a ECM8000 reference mic.
All the above units have done exactly what they're supposed to do - always surpassing my expectations and always priced way below their competitors' counterparts. Out of all these items I've only had two problems:
1) I had a "dead" channel on my 2nd mixer (Xenyx 2222FX), and that was quickly resolved by a replacement unit being sent out immediately by Musician's Friend.
2) My first DEQ2496 (digital EQ) suddenly failed after nearly 4 years of almost daily use. (It turned out that it was actually cheaper to simply buy another unit as opposed to repairing the original.)
I've prefaced this review of the Behringer F1220A Active Monitor Speaker with all the above background information to let the readers know of my prior experience with Behringer products - especially in regard to product reliability.
The F1220A is a sleek-looking unit, covered with tough, durable covering. The boxes are constructed to lie on their sides on the stage floor, angled up towards the performer. These enclosures can also be stand-mounted via an integrated 35 mm pole socket. On the front panel there are controls for: level; bass, mid-range and treble EQ; sweepable feedback filter with in/out switch; mic/line input (both XLR and 1/4") and a "link output" (both XLR and 1/4") for cascading additional powered units. This monitor features a 12" driver and a 1" high-frequency driver powered by 125 watts.
So, how does it sound? Incredible! Plenty of volume and quality. We had been using Mackie SRM350s for stage monitors; and now I have noted a fuller, warmer bottom end - much easier on the ears. (And I must admit my band members and I had been very satisfied with the Mackies; but I just had to try these Behringers. And now everybody's even happier!)
Besides the band, I do a solo gig every Wednesday. So out of curiosity, I tried the F1220A as a main. I pole-mounted it (a bit tricky for one person due to the location of the socket,) and it sounded great as a PA speaker! It handled the bass of the split keyboard and the drum unit as well as the vocal and backing tracks with plenty of power and quality. As far volume, this speaker is capable of much more than I would ever use for this mid-sized venue (approx 100 people) for my Wed night gig.
Back to the band, all the guys I work with have been very impressed with these monitors. They especially like being able to adjust the volume to their liking along with tailoring the EQ to their taste. And at least two of them, without prompting, have commented on the full, low end that these monitors provide.
This monitor has a sturdy, strap handle of the top. The unit can be a bit unwieldy when carried by the handle depending which "face" of the speaker is towards your leg. If you find the unit banging against your knee, just rotate it 180 degrees, and you'll be fine.
You'll want to keep your monitor safe while transporting it. Even though it does have a tough exterior, you might consider purchasing the Gator GPA-SCVR450-515 Speaker Covers. They run about $50 and fit these monitors pretty well. They even have a cutout for the monitor's strap handle. Or you can use the bag's own handles. They are a good investment to keep your F1220A in good shape.
My verdict? Another outstanding value from Behringer!

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9/27/2012

JBL LSR2328P Bi-Amplified Studio Monitor Review

JBL LSR2328P Bi-Amplified Studio Monitor
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If you hate the name JBL... then you need read no further... if on the other hand you are after a pair of studio monitors that are reasonably priced, consider these as an affordable solution.
I have used various brands of studio monitors over the past two decades in recording and small studio set-ups. That is not to say that I consider myself an expert, rather on the contrary, I offer this information as an evaluation from my experience.
First Impressions:
These JBL LSR 2328P monitors have a reasonable weight to them, generally indicates quality construction. Externally I could see that they are well made and very clean looking - utilitarian in fact. Perfect for studios. The controls are all located on the rear (as for most powered/active monitors) containing all the standard features you would expect, XLR, TRS, RCA connectors, LF/HF trim and power. If access to the rear is limited, this may be of concern if you have to make numerous set up changes, but it certainly is not a problem. The base has a dense foam/rubber material which absorbs some vibration when mounted on a console or desktop. Also present are M6 mounting points conforming to industry standard mounting brackets if you want to use speaker stands. Once plugged in, before set-up was conducted, I turned the monitors on and played various program material through them. Very smooth and natural sounding speakers with a generally acceptable sonic palette. After some measurements and some LF trim (my speakers are closer to the rear wall than I would normally like, thus setting the LF trim at -3db on the woofer tightened the bass response. Not as much wall reinforcement) I then began using them for their intended purpose for monitoring and mixing tracks, mainly rock and blues, with a little jazz fusion.
After nearly a month of use:
I have been pleasantly surprised by these speakers, the are very neutral and natural, and offer very little colouration to the source material. This can be harsh, as you realise that either your recording is off, or the mix is to bright/flat. A quick listen on the main monitors reveal that also to be the fact. Back to the console, tweak the sound, and presto... smooth... on the JBL LSR 2328P. Thus it was easy to make sure that your music would translate to other devices/equipment.
High frequencies were smooth, with mids very natural sounding. Easily able to locate instruments within the sound stage and location. One thing I did notice was that on vocals, it was difficult to eliminate the breath inhales, either they were a little exaggerated on these monitors or my mixing technique is off. But at least these JBL monitors resolved this and allowed me the opportunity to pick them up early in my mix.
The bass was tight and full, sometimes had a tendency to overhang on complex bass pieces and get a little bit "muddy", but not unacceptably so. Also the rear port does not have a bung to reduce unwanted rear wall reinforcement of bass signals (the port also serves as a cooling port for the electronics and woofer, so not recommended to bung it up).
As for the controls, they are a standard feature set, common on all brands. Nothing special here. I found that once I got used to the power switch location on the rear, I could easily find it, but still, the power button on these JBL's could have been better placed, like on the front panel, the Logo could serve a dual purpose! (take note JBL)
After A/B testing these speakers with other brands of monitors of similar specifications, not price, I can unequivocally state that they are just about the same as other brands that cost twice (or more) than the JBL's. (I have on purpose not mentioned the other brands as this review is on the JBL's) This is not to say that other monitors were poor/better, rather they had a slightly different set of strengths and weaknesses in comparison. Where say brand A had smoother top end clarity, they lacked bass definition and or punch of the JBL's. If the JBL's were smoother overall than brand B, the other brand may have exhibited better definition or "breath" in the music. Therefore, I would like to point out that at similar price points, all these speakers had similar attributes. If you like bass slam, the JBL's will give it to you. If you require sonic clarity in the upper register, the JBL's will give it to you. If you want clear neutral representation (within reason) from these monitors at this price point, these JBL's will give it to you.Closing Thoughts:
When I am not mixing or recording, (like now whilst I am writing this review) I generally have these monitors playing music at a low level, Wow... they sure put the feeling and weight into the music at low level. I find that I do not get fatigued from listening to these speakers for hours on end (also a function of volume). After all, I am more interested in listening to music, rather than the equipment, so comparisons between brands becomes mute points of intellectual musings.
From a price point of view, I think it is hard to beat these particular JBL's compared to speakers that may offer only about say less than 5% (subjectively) better performance overall. Thus if you are after that 5%, and that is paramount in your application, you will need to spend considerable more on studio monitors than these JBL's or other monitors at this price point.
Thoroughly recommend these JBL LSR 2328P's for anyone with a tight budget (or otherwise), or a need for monitors that you will have to save for months on end to acquire, before you get to listen/mix/enjoy...
Great Work JBL...

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9/26/2012

M-Audio Studiophile BX8a Deluxe 130-watt Bi-amplified Studio Reference Monitors Review

M-Audio Studiophile BX8a Deluxe 130-watt Bi-amplified Studio Reference Monitors
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I picked up a pair of BX8a Deluxe speakers on Amazon for a great price. I did some reading online and read about speakers randomly dying after purchase, but the price was just too good and I decided to roll the dice.
Well, 2 months in, my right speaker went bad and never would work properly again. When I would turn it on, the woofer would pop, go full throw, and emit a 60Hz hum. Very bad stuff. I looked at my return / repair options and found I had to return them to M-Audio to get it repaired.
I looked at the M-Audio forums and read quite a bit more about M-Audio speakers failing, and decided I'd take my chances and crack open the speaker to see if I could figure out what was wrong instead of suffering through a potentially long and painful RMA cycle.
3 hours later I had discovered the problem: a short circuit on the main amplifier board, underneath the tweeter's power amplifier chip. The amp is a TDA2052 made by STMicroelectronics. You can look at the datasheet here: http://www.st.com/stonline/products/literature/ds/1585.pdf
The short was between pins 4 and 6 of this chip, so it was connecting the negative power supply voltage to the audio input pin on both the tweeter and woofer amplifier - very bad! This explains why I could hear 60Hz power line noise on the speaker every time I turned it on.
I was about to start probing each pin on the TDA2052 to see if I could figure out what wire on the circuit board had a problem when I discovered the short between pins 4 and 6. I carefully removed the solder flux and other debris between the two solder pads and plugged the circuit board in, and the problem was gone. You can see a picture of my circuit board and the location of the short here: http://img212.imageshack.us/img212/3357/img0054un5.jpg
As to why the short-circuit suddenly occurred 2 months after purchase - I can only speculate. One possibility is the dreaded "tin whiskers" problem that has been plaguing electronics manufacturers for years. You can read about it here: http://nepp.nasa.gov/WHISKER/
Since lot's of people are reporting random failures of these speakers, this is a possibility. There are a couple ways to remedy this, but they all involve tweaking the manufacturing process of the circuit board, and this might not be an option because it would impact the cost and profit margin on these speakers. The other possibility is that the assembly quality control is not good enough on these circuit boards and they are not adequately stress tested / verified before being put into the finished product. Again there is a cost issue and I'm just speculating.
Overall I must say the speakers are an excellent value for the price. The speaker box construction is solid, the speakers are decent, and the electrical design is good enough - simple and effective. I am impressed with this product, and it is unfortunate such a great product is subject to such a high failure rate from what looks like a manufacturing/quality issue and not a design problem. I just hope M-Audio can remedy the issues long term as I'd like to see them continue to develop quality products.


Click Here to see more reviews about: M-Audio Studiophile BX8a Deluxe 130-watt Bi-amplified Studio Reference Monitors

Recording professionals around the world trust M-Audio Studiophile reference monitors for exceptional sonic accuracy. The new Studiophile BX8a Deluxe system builds on this legacy with new waveguides and enhanced driver integration for greater high-frequency clarity and refined sound. The magnetically shielded monitors feature 8-inch curved Kevlar low-frequency drivers plus high-temperature voice coils and damped rubber surrounds for durability and fidelity. The 1-1/4-inch natural silk, waveguide-loaded tweeters deliver a high end that's both clear and easy on the ears. Custom-tuned crossovers distribute 130 watts of bi-amplified power for optimal frequency handling by each driver.

Deluxe Edition The Studiophile BX8a Deluxe monitors update the best-selling M-Audio BX8a system with a variety of enhancements. The new waveguide delivers a cleaner sound. Custom amplifier tuning enhances the integration between the high and low frequencies, delivering refined spectral balance and a smoother response. An elegant new industrial design completes the package.
Kevlar Low-Frequency Drivers To insure a lifetime of service, we constructed the BX8a monitor's 8-inch low-frequency driver from woven Kevlar. Kevlar's high mechanical and thermal resilience makes it ideal for use in speaker cones. Our engineers also created a curved conical design that improves room dispersion. High-damping reliable rubber surrounds provide percussive musical bass, and insure that the cone reaches its optimal excursion for accurate reproduction. And our high-temperature voice coils reduce power compression, guaranteeing that your monitors will deliver full performance hour after hour.
Silk-Dome, Waveguide-Loaded, High-Frequency Drivers Our high-frequency domes are made from natural silk to counter the high Q ringing that is inherent in the poorly crafted metallic materials often found in other monitors. In addition, our new waveguides refine the high-frequency response. M-Audio's FerroFlow technology uses ferrofluid liquid cooling to dissipate heat for maximum efficiency and extended usage.
Bi-Amplified Efficiency Active monitors have a distinct advantage over unpowered monitors because the built-in power amps are specially designed to work with the drivers and crossovers in a tuned system. Bi-amplification further refines the concept by dedicating separate power amps to the highs and lows. Combined with a finely tuned crossover, this design insures that both the high- and low-frequency drivers are asked to deliver only the frequencies they are most efficient at reproducing.
Rear-Ported Cabinet Design The Studiophile BX8a Deluxe monitor's cabinet is integrally designed with its other components for optimal performance—right down to rounded corners for reduced edge diffraction and superior imaging. Custom rear-port design audibly reduces the turbulence and resulting distortion caused by poorly designed ports.
Magnetic Shielding Unchecked, the electromagnetic waves emanating from your speakers can wreak havoc with your computer's video monitor or a nearby TV. The BX8a Deluxe is magnetically shielded so that all of your electronic equipment can coexist without interference.
What's in the Box Two BX8a Deluxe Speakers, Two Detachable AC Power Cords, User's Manual

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9/15/2012

Yamaha HS10W 10" Powered Studio Monitor Review

Yamaha HS10W 10 Powered Studio Monitor
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speaker did a great job until today where it seems to be blown. is there any type on manuf. warranty on this?

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9/04/2012

KRK RP8G2 Rokit G2 8In Powered Studio Monitor Ea Review

KRK RP8G2 Rokit G2 8In Powered Studio Monitor Ea
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*If you do electronic music (like I do) or hip-hop, consider the Rokit 8's*
I acquired these about 3 weeks ago to do my mixing and mastering. Having previously did my music on non monitor speakers, these take a lot of the guess work out.
Here are a few things to know:
1. A lot of people who get these aren't aware of what a monitor speaker is and what it does. Only the best recordings and mixes will sound good on them. That's what they're for; listening for flaws and defects in a recording. Monitors are unforgiving in that way and they're supposed to be. Basically, if you can make your mixes sound good on a monitor, they will sound good on any system.
2. These are $500 a pair. That's in the budget range for this class of speakers. However, for their price they are exceptional. There is a gain control on the back of each speaker. More importantly, there is also a high end/treble control. This is important for adjusting them to your room environment.
3. Something else to note; These monitors are not completely flat in their response. They tend to be a bit heavy on the mids and low mids. At first this will throw you a bit off but once you're used to their response, you will be perfecting your mixes and masters in no time.
Some reviews have claimed that there is sometimes a high frequency hum. I've found that this tends to be a DAW related issue. This happens from time to time in Cubase 4 but not in Mixmeister. Also, you should try to have them as close to ear level as possible. The bass is excellent and if you EQ just right, these things will really boom! These are excellent for electronic and hip-hop music. the high ends are crisp as well. The front firing bass port is smart, no interference with walls. The KRK just below and to the left of the tweeter light up to let you know they are on. Having the switches and knobs on the back is a bit inconvenient but it's not a huge deal.
Overall, I'd say these are good monitors for the money. Just be aware of the few minor pitfalls.

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The KRK RokitG2 Series takes value-priced monitors to a new performance level. All of the great stuff that Rokit's have been known for (front-firing bass port, soft-domed tweeter, glass aramid composite yellow cone) are still there, but the G2 Rokit's feature refined voicing and a new curved baffle that looks great, reduces diffraction and provides even better monitoring accuracy.

No Pain With Gain Why compromise gain structure to achieve a comfortable listening level? As musicians and recording people ourselves, we've asked that question too. So each Generation 2 Rokit comes with an Input Volume Control that provides an adjustable gain range from +6dB to -30dB. Just another way the Rokit lets you focus on your mix, and not on compatibility concerns.
Catch a Wave, for a 3D Mix Recessed tweeters may look the same, but they don't perform the same. KRK has designed a superior tweeter wave guide for the Rokit that provides optimal high frequency pattern control and focuses the sound outward, away from the cabinet. More conventional designs direct sound along the plane of the cabinet where waveform interaction can cause phase problems and increased diffraction. KRK knows a properly engineered high frequency wave guide is a critical component to great sound, and one key to our award winning performance.
You've Got Connections At KRK our focus is your mix. But it doesn't stop at creating accurate monitors. We live this stuff and appreciate the need for monitors that not only sound great but work easily into your particular set up. That's why you'll find plenty of input options with your Rokit, sure to accommodate any studio environment. So if it's RCA, Quarter-Inch (balanced/unbalanced) or XLR inputs you require, Rokit has got you covered.
Even More Accurate Than Before We took a great monitor series and made it better. Our engineers and listening panel took the Generation 2 Rokits' speaker voicing to even more accurate levels. What you hear is what you are intended to hear, coloration is not part of the spec. This performance is brought to you by drivers that are custom-designed by our world-class studio monitor engineering team, for clear, low-distortion performance.
Take Control While your Generation 2 Rokit leaves the factory voiced to our demanding specs, KRK also knows that no two rooms "sound" the same. As such, each Rokit comes equipped with a High Frequency Level Control. This feature provides specific adjustment of high frequency output most commonly affected by room acoustics. It's just one extra level of control that KRK gives you to ensure the most accurate mix for your particular room's acoustics.
Don't Be Square, Curves Ahead Our new Rokit looks different, so it can sound better, and in a wider "sweet spot." Traditional rectangular speakers suffer from diffraction as sounds leaving the edge of the cabinet are reflected back into the original sound field, and at different time intervals. This phase distortion creates a "narrow" or boxy" sound. The Generation 2 Rokit series eliminates this issue with radically engineered curved surfaces, so diffraction is virtually eliminated. Simply put, you'll get better sound in a wider area.
Let's Be Up Front Take a look at competitive monitors and you'll find ports on the back of the cabinet. These rear-firing ports tend create bass coupling with walls and corners amplifying low frequency information which will color your mix. The superior design of the KRK Generation 2 Rokit's include front-firing ports, which are just the right shape and taper to reduce port turbulence. You'll appreciate the clean and accurate bass performance, this approach delivers, even at high SPL's.
Power Up! A great sounding monitor doesn't stop with a great cabinet and custom drivers. Our true bi-amplified amplifier system provides discrete low-distortion power for each driver. While our active crossover systems provide smooth and accurate frequency response, and again, accurate diffraction control.
KRK Rokit 8 Specs
Drivers: 8-inch Glass Aramid Composite Woofer; 1-inch Neodymium Soft Dome Tweeter with Ferro Fluid
Input: XLR (3-pin), RCA & 1/4-inch TRS--10k Ohm, Balanced / Unbalanced
Amplification: HF: 20 Watts/LF: 70 Watts
Freq Response: 45Hz - 20kHz (+/- 1.5 db)
Video Shielding: Yes
Dimensions (H x W x D): 15 x 10 7/16 x 12 inches (38.1 x 26.5 x 30.4 cm)
Weight:26.1 lbs (11.8 Kg)

What's in the Box KRK Rokit 8 Powered Monitor, AC power cord, Owner's manual

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8/22/2012

JBL LSR2310SP Powered Studio Subwoofer Review

JBL LSR2310SP Powered Studio Subwoofer
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This thing is CRAZY! It is the loudest speaker I have ever heard. Deepest bass I have ever felt. Have to keep it turned way down. Would be good for parties. For mixing I feel like I almost dont use it. Though it does give you great control of the super lows, but not all samples have super lows. I love it. Could ask for nothing more. But it is huge. Bigger in size than I imagined. But worth it,,,

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8/07/2012

Mackie HR624mkii 6-inch2-Way Studio Monitor (Single Speaker) Review

Mackie HR624mkii 6-inch2-Way Studio Monitor (Single Speaker)
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I should write something elaborate because I'm "first to review" on this product.. but I'm gonna keep it short. These speakers are the best studio monitors in their price range for sound quality, build, bass response, clarity, flatness and realistic / reliable / clean monitoring of pro music creation. Great options for crossover, options for room size, three types of inputs. They sound amazing. They sound very similar to the HR824s but have a bit less low end (and the 624s are better for smaller room.) The sound is close enough that I can monitor on both 624/824 and get reliable results. I've heard Genelec is comparable in quality (some of their products are much higher end though.) Mackie gives you similar results for a cheaper price. I don't know of better studio monitor setup than these Mackies.
One note - which you probably know if you are a producer / engineer. These are studio monitors with VERY flat and honest response - they will bring out mistakes as much as they bring out the nice parts. For listening to music for enjoyment I use a pair of Bose speakers or some Grado headphones. The Mackies are for work and critical listening.. not for casual listening and enjoyment as much as reference.

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1/29/2012

SKB Mini Gig Rig Review

SKB Mini Gig Rig
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I expected this to stack on my current roto shockmount SKB rack OK. I was mistaken. This thing is much bigger than the roto shockmount. Looks like I'm going to have to buy the roto roller in order to stack this safely on another rack. Still, it is a decent rack. It's a little heavier than I would have liked but that's OK. I'm not gonna be a wimp about it. It could be worse. In the end, I think it's a decent rack for my purposes which are to rack my mobile recording gear. Adding the roto roller to this will provide just enough rack spaces and the two pieces make this workable as far as weight. It's a keeper for me.

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