Showing posts with label monitors. Show all posts
Showing posts with label monitors. Show all posts

10/17/2012

Behringer B2030A Active 2-Way Reference Studio Monitor (Set of 2) Review

Behringer  B2030A Active 2-Way Reference Studio Monitor (Set of 2)
Average Reviews:

(More customer reviews)
I purchased these with the assumption that I was not going to get the quality sound I wanted as opposed to KRK monitors (WAAAY overpriced) for my small studio. Boy was I wrong! The sound quality is better than expected to say the least. They're HEAVY, thus you won't be too worried about knocking them over (like the smaller KRK's or M-Audio Studiophiles I've seen). Took these over to a friends house for mixdown of video's he's been working on, and adjusted the settings for his video editing hardware and room dynamics. He then changed his mind after about some 5 hours of video editing. Not the best, but I'll be putting my money into what I can use rather than a name (KRK, JBL, Tannoy, Genlec are just TOO much. . .even for just one monitor). And it'se never about what you got, it's what you do with it.
There are going to be reviews bashing them, but when I have audio engineers telling me "good choice, cuz the KRK's are sometimes WAAY too bassy", I feel I've done my job and research into finding what I can afford.
Just a quick note. . .do give these "burn in" time. meaning give them some time to run before going all out on those mixes. Similar to tube preamps for guitar heads/cabs. . .burn em in slowly so you can get the full effect later. I haven't had these long enough, but I can say they are the best part of my studio.

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9/26/2012

M-Audio Studiophile BX8a Deluxe 130-watt Bi-amplified Studio Reference Monitors Review

M-Audio Studiophile BX8a Deluxe 130-watt Bi-amplified Studio Reference Monitors
Average Reviews:

(More customer reviews)
I picked up a pair of BX8a Deluxe speakers on Amazon for a great price. I did some reading online and read about speakers randomly dying after purchase, but the price was just too good and I decided to roll the dice.
Well, 2 months in, my right speaker went bad and never would work properly again. When I would turn it on, the woofer would pop, go full throw, and emit a 60Hz hum. Very bad stuff. I looked at my return / repair options and found I had to return them to M-Audio to get it repaired.
I looked at the M-Audio forums and read quite a bit more about M-Audio speakers failing, and decided I'd take my chances and crack open the speaker to see if I could figure out what was wrong instead of suffering through a potentially long and painful RMA cycle.
3 hours later I had discovered the problem: a short circuit on the main amplifier board, underneath the tweeter's power amplifier chip. The amp is a TDA2052 made by STMicroelectronics. You can look at the datasheet here: http://www.st.com/stonline/products/literature/ds/1585.pdf
The short was between pins 4 and 6 of this chip, so it was connecting the negative power supply voltage to the audio input pin on both the tweeter and woofer amplifier - very bad! This explains why I could hear 60Hz power line noise on the speaker every time I turned it on.
I was about to start probing each pin on the TDA2052 to see if I could figure out what wire on the circuit board had a problem when I discovered the short between pins 4 and 6. I carefully removed the solder flux and other debris between the two solder pads and plugged the circuit board in, and the problem was gone. You can see a picture of my circuit board and the location of the short here: http://img212.imageshack.us/img212/3357/img0054un5.jpg
As to why the short-circuit suddenly occurred 2 months after purchase - I can only speculate. One possibility is the dreaded "tin whiskers" problem that has been plaguing electronics manufacturers for years. You can read about it here: http://nepp.nasa.gov/WHISKER/
Since lot's of people are reporting random failures of these speakers, this is a possibility. There are a couple ways to remedy this, but they all involve tweaking the manufacturing process of the circuit board, and this might not be an option because it would impact the cost and profit margin on these speakers. The other possibility is that the assembly quality control is not good enough on these circuit boards and they are not adequately stress tested / verified before being put into the finished product. Again there is a cost issue and I'm just speculating.
Overall I must say the speakers are an excellent value for the price. The speaker box construction is solid, the speakers are decent, and the electrical design is good enough - simple and effective. I am impressed with this product, and it is unfortunate such a great product is subject to such a high failure rate from what looks like a manufacturing/quality issue and not a design problem. I just hope M-Audio can remedy the issues long term as I'd like to see them continue to develop quality products.


Click Here to see more reviews about: M-Audio Studiophile BX8a Deluxe 130-watt Bi-amplified Studio Reference Monitors

Recording professionals around the world trust M-Audio Studiophile reference monitors for exceptional sonic accuracy. The new Studiophile BX8a Deluxe system builds on this legacy with new waveguides and enhanced driver integration for greater high-frequency clarity and refined sound. The magnetically shielded monitors feature 8-inch curved Kevlar low-frequency drivers plus high-temperature voice coils and damped rubber surrounds for durability and fidelity. The 1-1/4-inch natural silk, waveguide-loaded tweeters deliver a high end that's both clear and easy on the ears. Custom-tuned crossovers distribute 130 watts of bi-amplified power for optimal frequency handling by each driver.

Deluxe Edition The Studiophile BX8a Deluxe monitors update the best-selling M-Audio BX8a system with a variety of enhancements. The new waveguide delivers a cleaner sound. Custom amplifier tuning enhances the integration between the high and low frequencies, delivering refined spectral balance and a smoother response. An elegant new industrial design completes the package.
Kevlar Low-Frequency Drivers To insure a lifetime of service, we constructed the BX8a monitor's 8-inch low-frequency driver from woven Kevlar. Kevlar's high mechanical and thermal resilience makes it ideal for use in speaker cones. Our engineers also created a curved conical design that improves room dispersion. High-damping reliable rubber surrounds provide percussive musical bass, and insure that the cone reaches its optimal excursion for accurate reproduction. And our high-temperature voice coils reduce power compression, guaranteeing that your monitors will deliver full performance hour after hour.
Silk-Dome, Waveguide-Loaded, High-Frequency Drivers Our high-frequency domes are made from natural silk to counter the high Q ringing that is inherent in the poorly crafted metallic materials often found in other monitors. In addition, our new waveguides refine the high-frequency response. M-Audio's FerroFlow technology uses ferrofluid liquid cooling to dissipate heat for maximum efficiency and extended usage.
Bi-Amplified Efficiency Active monitors have a distinct advantage over unpowered monitors because the built-in power amps are specially designed to work with the drivers and crossovers in a tuned system. Bi-amplification further refines the concept by dedicating separate power amps to the highs and lows. Combined with a finely tuned crossover, this design insures that both the high- and low-frequency drivers are asked to deliver only the frequencies they are most efficient at reproducing.
Rear-Ported Cabinet Design The Studiophile BX8a Deluxe monitor's cabinet is integrally designed with its other components for optimal performance—right down to rounded corners for reduced edge diffraction and superior imaging. Custom rear-port design audibly reduces the turbulence and resulting distortion caused by poorly designed ports.
Magnetic Shielding Unchecked, the electromagnetic waves emanating from your speakers can wreak havoc with your computer's video monitor or a nearby TV. The BX8a Deluxe is magnetically shielded so that all of your electronic equipment can coexist without interference.
What's in the Box Two BX8a Deluxe Speakers, Two Detachable AC Power Cords, User's Manual

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9/15/2012

Yamaha HS10W 10" Powered Studio Monitor Review

Yamaha HS10W 10 Powered Studio Monitor
Average Reviews:

(More customer reviews)
speaker did a great job until today where it seems to be blown. is there any type on manuf. warranty on this?

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9/14/2012

Shure PSM 200 Wired Personal Monitor System with Hybrid Bodypack Receiver, P2RE2, H2 Review

Shure PSM 200 Wired Personal Monitor System with Hybrid Bodypack Receiver, P2RE2, H2
Average Reviews:

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We have a smaller church of 100 to 125, and this product has worked well for several years. My wife leads with the piano and vocals. Sharing "real" monitors with everyone else just wasn't working, and she'd strain her voice. The PSM 200 system works great and solved that problem. She just uses the two inputs to monitor her own voice and the piano, so the downside is she can't hear the others on the team. After a couple years, I bought a second Bodypack (here on Amazon) and gave it to the Drummer. The drummer just listens in on the same piano and lead vocals, and that keeps her in sync with where the music is headed. Works for us.

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Whether you're playing live or rehearsing, you need to hear yourself to be your best. That's what monitoring is all about. Yet some performers still struggle with booming floor wedge monitors and loud stage volume. Introducing the PSM200 - the personal monitoring break through that performers have been waiting for. Featuring smart, versatile components that grow with you as your needs change, the PSM 200 series is a practical alternative to floor wedges for performers who want to start out In Ear and stay there. The P2R Hybrid Bodypack Receiver is the world's first bodypack receiver to function as a wired receiver, a wireless receiver, or both at the same time. This and other unique features, along with excellent sound quality, make the P2R an exceptional value. The PSM 200 model P2RE2 is a wired personal monitor system featuring the P2R Hybrid Bodypack Receiver and the clear SCL2 Sound Isolating Earphones.

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9/04/2012

KRK RP8G2 Rokit G2 8In Powered Studio Monitor Ea Review

KRK RP8G2 Rokit G2 8In Powered Studio Monitor Ea
Average Reviews:

(More customer reviews)
*If you do electronic music (like I do) or hip-hop, consider the Rokit 8's*
I acquired these about 3 weeks ago to do my mixing and mastering. Having previously did my music on non monitor speakers, these take a lot of the guess work out.
Here are a few things to know:
1. A lot of people who get these aren't aware of what a monitor speaker is and what it does. Only the best recordings and mixes will sound good on them. That's what they're for; listening for flaws and defects in a recording. Monitors are unforgiving in that way and they're supposed to be. Basically, if you can make your mixes sound good on a monitor, they will sound good on any system.
2. These are $500 a pair. That's in the budget range for this class of speakers. However, for their price they are exceptional. There is a gain control on the back of each speaker. More importantly, there is also a high end/treble control. This is important for adjusting them to your room environment.
3. Something else to note; These monitors are not completely flat in their response. They tend to be a bit heavy on the mids and low mids. At first this will throw you a bit off but once you're used to their response, you will be perfecting your mixes and masters in no time.
Some reviews have claimed that there is sometimes a high frequency hum. I've found that this tends to be a DAW related issue. This happens from time to time in Cubase 4 but not in Mixmeister. Also, you should try to have them as close to ear level as possible. The bass is excellent and if you EQ just right, these things will really boom! These are excellent for electronic and hip-hop music. the high ends are crisp as well. The front firing bass port is smart, no interference with walls. The KRK just below and to the left of the tweeter light up to let you know they are on. Having the switches and knobs on the back is a bit inconvenient but it's not a huge deal.
Overall, I'd say these are good monitors for the money. Just be aware of the few minor pitfalls.

Click Here to see more reviews about: KRK RP8G2 Rokit G2 8In Powered Studio Monitor Ea

The KRK RokitG2 Series takes value-priced monitors to a new performance level. All of the great stuff that Rokit's have been known for (front-firing bass port, soft-domed tweeter, glass aramid composite yellow cone) are still there, but the G2 Rokit's feature refined voicing and a new curved baffle that looks great, reduces diffraction and provides even better monitoring accuracy.

No Pain With Gain Why compromise gain structure to achieve a comfortable listening level? As musicians and recording people ourselves, we've asked that question too. So each Generation 2 Rokit comes with an Input Volume Control that provides an adjustable gain range from +6dB to -30dB. Just another way the Rokit lets you focus on your mix, and not on compatibility concerns.
Catch a Wave, for a 3D Mix Recessed tweeters may look the same, but they don't perform the same. KRK has designed a superior tweeter wave guide for the Rokit that provides optimal high frequency pattern control and focuses the sound outward, away from the cabinet. More conventional designs direct sound along the plane of the cabinet where waveform interaction can cause phase problems and increased diffraction. KRK knows a properly engineered high frequency wave guide is a critical component to great sound, and one key to our award winning performance.
You've Got Connections At KRK our focus is your mix. But it doesn't stop at creating accurate monitors. We live this stuff and appreciate the need for monitors that not only sound great but work easily into your particular set up. That's why you'll find plenty of input options with your Rokit, sure to accommodate any studio environment. So if it's RCA, Quarter-Inch (balanced/unbalanced) or XLR inputs you require, Rokit has got you covered.
Even More Accurate Than Before We took a great monitor series and made it better. Our engineers and listening panel took the Generation 2 Rokits' speaker voicing to even more accurate levels. What you hear is what you are intended to hear, coloration is not part of the spec. This performance is brought to you by drivers that are custom-designed by our world-class studio monitor engineering team, for clear, low-distortion performance.
Take Control While your Generation 2 Rokit leaves the factory voiced to our demanding specs, KRK also knows that no two rooms "sound" the same. As such, each Rokit comes equipped with a High Frequency Level Control. This feature provides specific adjustment of high frequency output most commonly affected by room acoustics. It's just one extra level of control that KRK gives you to ensure the most accurate mix for your particular room's acoustics.
Don't Be Square, Curves Ahead Our new Rokit looks different, so it can sound better, and in a wider "sweet spot." Traditional rectangular speakers suffer from diffraction as sounds leaving the edge of the cabinet are reflected back into the original sound field, and at different time intervals. This phase distortion creates a "narrow" or boxy" sound. The Generation 2 Rokit series eliminates this issue with radically engineered curved surfaces, so diffraction is virtually eliminated. Simply put, you'll get better sound in a wider area.
Let's Be Up Front Take a look at competitive monitors and you'll find ports on the back of the cabinet. These rear-firing ports tend create bass coupling with walls and corners amplifying low frequency information which will color your mix. The superior design of the KRK Generation 2 Rokit's include front-firing ports, which are just the right shape and taper to reduce port turbulence. You'll appreciate the clean and accurate bass performance, this approach delivers, even at high SPL's.
Power Up! A great sounding monitor doesn't stop with a great cabinet and custom drivers. Our true bi-amplified amplifier system provides discrete low-distortion power for each driver. While our active crossover systems provide smooth and accurate frequency response, and again, accurate diffraction control.
KRK Rokit 8 Specs
Drivers: 8-inch Glass Aramid Composite Woofer; 1-inch Neodymium Soft Dome Tweeter with Ferro Fluid
Input: XLR (3-pin), RCA & 1/4-inch TRS--10k Ohm, Balanced / Unbalanced
Amplification: HF: 20 Watts/LF: 70 Watts
Freq Response: 45Hz - 20kHz (+/- 1.5 db)
Video Shielding: Yes
Dimensions (H x W x D): 15 x 10 7/16 x 12 inches (38.1 x 26.5 x 30.4 cm)
Weight:26.1 lbs (11.8 Kg)

What's in the Box KRK Rokit 8 Powered Monitor, AC power cord, Owner's manual

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8/19/2012

Casio PX-330 88 Key Digital Stage Piano with Tri-Sensor Scaled Hammer Action Review

Casio PX-330 88 Key Digital Stage Piano with Tri-Sensor Scaled Hammer Action
Average Reviews:

(More customer reviews)
I am a professional jazz pianist of some 30+ years. I recently bought this keyboard as a much needed gigging and practicing piano that was light weight, had built in speakers, 88 note key weighted action and a good piano sound. You will find all of this and more in the PX-330. I don't think there is any other keyboard currently being manufactured that provides all these features at this low a price point.
Pros:
- great weighted action... a bit mushy but one can certainly adapt to it easily.
- good piano sound, but not without its faults (see below) It reminds me of the sound of the Kurzweil pianos.
- auto arranger with tons of grooves for practicing and jamming.
- good selection of song style presets... it even has "Giant Steps" for all you jazz pianists to practice on. Any tempo, Any key.
- some interesting world beat grooves are included along with standard pop, rock, latin, etc. grooves
- weighs only 25 lbs... this is one of the best features of all!
- skinny... easy to carry
- built in speakers lead to instant gratification when turning on the keyboard and playing. You just sit down and play. No muss, no fuss.
- good contruction. Uses alot of plastic. Not as good as Roland or Yamaha but good enough
- pitch bend wheel is a surprise bonus
- nice LCD display is a big improvement over previous models
- line inputs let you bring in a submix from an mp3 player, iPod, or mixer
- two separate 1/8" mini stereo headphone outs
- good for education and dual playing... the keyboard can be split into duet mode each playing the same sound
- the auto harmony feature is very good and alot of fun to play around with. (dual voice, three voice, etc.)
- memory card slot for saving your patches and performances
- excellent price and value for the money
Cons:
- piano sound is good but suffers from too fast a decay in the middle register. It's difficult to make a melody "sing" or play in a smooth legato style. This decay problem would be fine in pop or rock music, but for solo jazz and classical it is a definite flaw. It is not so noticeable when playing with a rhythm section.
- there is no way to adjust the volume of the primary piano sound when using splits or accompaniments. You can decrease/increase the accompaniment, but cannot increase the main voice independently.
- there is no way to adjust the reverb wet/dry depth. I find this particularly irritating, since certain styles of music require more reverb. Access to a heavier reverb would also help cover over some of the flaws in the piano sound. However, you can adjust the reverb wet/dry depth on the individual accompaniment parts. Why they didn't include this feature on the main sound is a mystery to me.
- labeling of buttons is too dark and hard to see, especially in dim lighting
- buttons lack tactile "feel", are shallow, and can easily be missed in the heat of a performance. Combine this with hard to see labels and you have a recipe for disaster. However, most of the buttons do have LED lights which helps in seeing what is engaged.
- unit comes with a cheap sustain pad/switch which easily flips over when playing. For serious playing you will need to buy a separate sustain pedal. Or use gaffe tape.
- the polarity of the pedal is reversed and cannot be changed internally like many other keyboards. This forces you to buy Casio's pedal unit. A work around is to buy a sustain pedal with a polarity switch, or a regular sustain pedal which you can adapt reversing the polarity of the wires.
- the unit supports half-pedaling which is great, but only if you buy the Casio pedal board.
- the much ballyhooed "acoustic resonance" feature is barely discernible and for all intents and purposes contributes nothing to the piano sound.
- multiple button and combination button pushes can easily make for confusion. You will need to sit down and really learn this keyboard to effectively use its features esp. during performance.
- some of the auto accompaniment parts are pretty cheesy, and with a few exceptions the non-piano sounds are just so-so.
- at maximum volume there is some distortion in the piano sound coming out of the built in speakers.
- when using split keyboard mode, the sustain pedal sustains both zones... If you are playing bass with your left hand, it will sustain when you pedal for the piano sound. Not good.
- Flimsy 1/4" jacks will not last in the long run.
I do not mean do denigrate this product by listing all the cons... overall, it's an excellent low priced piano packed with features not found in other brands that cost more. I just wish I could get comfortable with the fast decay in the middle register, and have more control over the effects. The sustain on the lower split is an oversight that should be corrected.
I have Synthogy Ivory on my laptop, and on more important gigs I use the PX-330 as a controller for the Ivory piano. I bring the output of the Ivory back into the line inputs. Now that's a righteous piano sound! Nevertheless, I am happy I bought this keyboard and am sure it will serve me well as I continue to make music.

Click Here to see more reviews about: Casio PX-330 88 Key Digital Stage Piano with Tri-Sensor Scaled Hammer Action

The new Casio Privia PX-330 redefines the digital piano category with unprecedented sound quality and performance in a sleek package that is supremely portable. Featuring all new grand piano samples and a new Tri-Sensor 88-note scaled hammer action keyboard and weighing only 26 lbs., the Casio Privia PX-330 is versatile enough for any home, studio or stage.

Realism, Expression and Dynamics The grand piano sounds in the PX-330 delivers an unprecedented level of realism and expression. Four dynamic layers of stereo piano samples are integrated with Casio's proprietary Linear Morphing System, for a grand piano sound with seamless transitions and a superior dynamic range. For added realism, the PX-330 simulates the sound of the open strings when the dampers are raised by the pedal using Acoustic Resonance DSP. The PX-330 also has 128-note polyphony, enough horsepower for the most demanding musical passages and the ability to layer sounds and use the damper pedal without worry of dropped notes. The result is a grand piano experience that is unsurpassed at any price.
Truly Expressive Touch The Privia PX-330 features a new Tri-Sensor 88-note scaled hammer action keyboard. Casio's superior engineering has resulted in an authentic piano touch that captures every detail and nuance of your performance. This scaled hammer action provides the weight, feel and resistance of a piano without sacrificing the portability of the instrument.
Performance, Studio or Stage The superior keyboard action, piano sound and built-in USB MIDI interface make the PX-330 the perfect instrument to integrate into your studio. When you're ready to take the PX-330 to a gig, the built-in registration memory allows you to instantly recall splits, layers and combinations of sounds. The PX-330 also has 1/4-inch outputs for great live sound from your amp or the house's PA system.
16-Track Recorder, Pitchbend Wheel and Much More While it's easy to connect the PX-330 to your computer, you can easily create and compose music using internal 16 track recorder. Utilizing the PX-330's 250 on-board sounds and 180 rhythms you can record up to 16 tracks. Accepting SD memory, you can save your songs and take them with you or load standard MIDI files that you've downloaded from the web. With these flexible tools you can capture moments of creativity and remember song ideas. It also works great as a practice tool. A built-in metronome and optional accompaniment mean you can practice in-time and later listen back to what you just played. A pitchbend wheel gives you full expression for 250 tones. You can even plug in other instruments or an MP3 player into the keyboard and hear it through the internal speakers and headphones.
Professional, Versatile and Portable Design Whether you're at home, working on a studio or out on stage, the PX-330 was created to tackle it all, making it a valuable investment. With its light weight, you can easily take the PX-330 from home, to rehearsals, to the gig and back with no worries. It connects effortlessly to your computer via USB and connects just as easily to a live mixer for use on stage. The Casio PX-330 is now the indisputable leader in the digital piano arena.
8 Digital Effects Add a little more depth and variation to the built-in tones with 4 reverb and 4 chorus effects, along with brilliance and acoustic resonance settings.
Duet Function The new duet functions allows teachers and pupils to play parallel to each other. The PX-120 can be divided into two keyboard areas, which can be transposed individually.
Two Headphone Connections The PX-330 features two headphone connections, ideal for the duet function.
Stereo Line In/Out Connect to a PA system or studio equipment, or connect other sound sources with the line inputs.
Powerful Speaker System The PX-330 features built-in speakers, with 2 x 8 Watts of output power, to fill a room with sound.
3-Pedal Unit Support With the optional SP-30, the PX-320 has up to three pedals with half-damper effect. This "half-damper" effect simulates a "half-pedaled" damper pedal.
What's in the Box Privia PX-330 Keyboard, AC Adapter, Music Stand, User's Manual

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8/11/2012

Behringer B2031P Ultra-Linear Reference Studio Monitor Pair Review

Behringer  B2031P Ultra-Linear Reference Studio Monitor Pair
Average Reviews:

(More customer reviews)
Pros:
- "Ultra-Linear" means flat & accurate, which these are.
- Sound is very clean & clear. Not too bright, and not harsh.
- Can be had for

Click Here to see more reviews about: Behringer B2031P Ultra-Linear Reference Studio Monitor Pair

When it comes to your recordings, you want honesty. In fact, considering how important your music is, you should demand it! That's why we designed the B2031P Reference Monitors to speak nothing but the TRUTH. They sound great hooked up to your stereo or your video surround system, and are critical tools for any recording studio--where every note you play or sing is under the microscope.

Built on a Legacy The TRUTH B2031P monitor has all the great features of the TRUTH B2031A active monitor with one exception; you provide the amplification. Due to their high-resolution performance, B2031P two-way reference studio monitors are perfect for nearfield monitoring applications: from small mixing environments to multi-channel surround setups. Our TRUTH monitors have been so wildly successful that we've sold thousands upon thousands of them to some of the most critical ears on the planet.
Don't Let the Size Fool You TRUTH B2031P monitors provide ultra-linear frequency response from 55 Hz to 21 kHz. The internal crossover point is fixed at 2.0 kHz for optimal performance of the two-way system. And the B2031P can handle input levels up to 150 Watts.
Rock-Solid Bass Bookshelf-style home stereo speakers can really fool you when it comes to bass output, mainly because they are not designed for critical listening applications. That's why audio/video engineers and producers listen to projects through studio reference monitors or studio-grade headphones. The B2031P's long-throw 8.75" polypropylene-diaphragm woofer delivers smooth, deep bass all the way down to 55 Hz.
Why the Polypropylene Woofer? We're glad you asked. Polypropylene is light and strong, enabling the speaker cone to respond very quickly to fast transient peaks. This low-mass cone material is also much stiffer than paper, important for not only maintaining bass content integrity, but critical for midrange accuracy and definition. The deformation-resistant aluminum die-cast chassis maintains suspension integrity and provides highly efficient voice-coil cooling, even under extreme operating conditions.
Non-Fatiguing, Wide "Sweet Spot" B2031P's HF (High Frequency) content comes courtesy of an ultra high-resolution 1.0" ferrofluid-cooled tweeter mounted on our proprietary wave-guide. While some of our competitor's studio monitors have a highly focused "sweet spot" (the optimal listening position for a pair of loudspeakers), our wave-guide is designed to create a much more generous, broader listening zone. That means you won't wear a hole in the carpet in that one spot where everything sounds great. You are free to move around inside the stereo image to find the ideal spot in the mix for subtle instrument or effects placement opportunities.
You also won't suffer the ravages of "monitor fatigue-syndrome," an ailment that comes from listening to harsh high-mids and treble content for hours on end, even during those all-night mix-down sessions that can really test your nerves.
What's in the Box Pair of Behringer B2031P Monitors, User's Manual

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