Showing posts with label speakers. Show all posts
Showing posts with label speakers. Show all posts

11/13/2012

M-Audio Solaris Multipattern Condenser Microphone Review

M-Audio Solaris Multipattern Condenser Microphone
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Happy with product, only took about a week. It actually came with a shock mount which that wasn't list to come with it. Thanks

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The Solaris is a large-capsule condenser microphone that sounds as good as it looks. Beneath the stylish exterior lies the best-sounding solid-state electronics available at any price. Vintage design principles merge with incredibly tight manufacturing standards to yield no more than +/-1dB of deviation across the entire 20Hz-20kHz frequency range. The industry-thinnest evaporated gold diaphragm also delivers incredible sensitivity. Multi-pattern architecture provides flexibility that makes it ideal for just about any miking situation--included capturing vocals, guitar, piano, drums and live events. It's like having three mics in one.

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11/11/2012

Bose T1 ToneMatch Audio Engine Mixer Review

Bose T1 ToneMatch Audio Engine Mixer
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I've had over a dozen mixers in my life and the Bose T1 is by far the best I've ever owned.
The Pros:
It has the best Pre Amps I've ever heard! Same quality you would find in many high end studios.
It replaces a rack full of processors I no longer need including a guitar tuner.
It's extremely compact, light weight and almost fits into the palm of your hand.
It can hang on a Mic stand which I believe is the only mixer to do that.
It's user friendly and a novice can run it.
You can record with the built in USB straight into a computer without an interface.
It can be used with ANY brand of speakers and not just Bose.
It can save your settings, removing the need to "re-EQ" everything when you play the same room twice. This is a HUGE time saver.
Bose has software on their web site that lets you "back up" all your settings in case your T1 gets broken or stolen. This is an invaluable feature.
It's reasonably priced considering everything you would have to buy separately for the same set up.
The Cons:
It doesn't come with a power supply. Bose makes you buy it separately.
It doesn't have FireWire.
It needs more Mic inputs.
It runs in Stereo but there's NO Panning.
Running a monitor mix through the AUX is not user friendly.
I give it 4 out of 5 stars because of the Cons. Otherwise, it's light years ahead of the competition and there's nothing else out there like it. It's in a class of it's own.

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11/09/2012

Electro-Voice EVID 4.2 Surface Mount Passive PA Cabinet (Pair) Review

Electro-Voice EVID 4.2 Surface Mount Passive PA Cabinet (Pair)
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We used these speakers for our surround sound and they are great! Easy to mount and connect, swivel nicely to point wherever you want them to go.

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11/04/2012

Behringer Ultratone K3000FX Keyboard Amplifier (15 inch with Tweeter) Review

Behringer Ultratone K3000FX Keyboard Amplifier (15 inch with Tweeter)
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I bought this amp a year ago, or so. I found it to be very well made, not cheap in any way; lots of features and flexibility. Even though this is a keyboard amp, I bought it for use with mic, acoustic guitar, and bass. It handles all well, with no distortion. So far, I have not used this for any gigs, just for home practicing. The only reservation I have is that, for the advertised 300 watts, it doesn't seem all that loud. But for small venues that I typically play, it should be be adequate. I have another small Behringer practice amp that has proven to be a real workhorse. I have had no disappointments with Behringer products so far.

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10/25/2012

JBL JRX112M 12-Inch Classic Two Way Portable Loudspeaker in a Black Carpet Covered Cabinet Review

JBL  JRX112M 12-Inch Classic Two Way Portable Loudspeaker in a Black Carpet Covered Cabinet
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This is a great stage monitor. It has decent output and really makes the vocals crystal clear. No more fighting to be heard over the guitars.
The shipping from this company was fantastic. I think I received the package within 5 days of ordering it. It was inside a large box, secured with plastic rip tags and bundled up inside plastic protective wraps inside the box. It's heavy. Be aware.
The only issue I have with this stage monitor is it needs to be hooked up with a wire. I wish it was wireless so that I wouldn't have to worry about overloading our circuits.
It does not come with a cover.
Overall, great buy. If I wanted a wireless, I should have done more extensive research on the product. It's my fault, so I can't really complain too much.

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10/17/2012

Behringer B2030A Active 2-Way Reference Studio Monitor (Set of 2) Review

Behringer  B2030A Active 2-Way Reference Studio Monitor (Set of 2)
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I purchased these with the assumption that I was not going to get the quality sound I wanted as opposed to KRK monitors (WAAAY overpriced) for my small studio. Boy was I wrong! The sound quality is better than expected to say the least. They're HEAVY, thus you won't be too worried about knocking them over (like the smaller KRK's or M-Audio Studiophiles I've seen). Took these over to a friends house for mixdown of video's he's been working on, and adjusted the settings for his video editing hardware and room dynamics. He then changed his mind after about some 5 hours of video editing. Not the best, but I'll be putting my money into what I can use rather than a name (KRK, JBL, Tannoy, Genlec are just TOO much. . .even for just one monitor). And it'se never about what you got, it's what you do with it.
There are going to be reviews bashing them, but when I have audio engineers telling me "good choice, cuz the KRK's are sometimes WAAY too bassy", I feel I've done my job and research into finding what I can afford.
Just a quick note. . .do give these "burn in" time. meaning give them some time to run before going all out on those mixes. Similar to tube preamps for guitar heads/cabs. . .burn em in slowly so you can get the full effect later. I haven't had these long enough, but I can say they are the best part of my studio.

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10/08/2012

Behringer PMP980S 900-Watt 10-Channel Powered Mixer Review

Behringer PMP980S 900-Watt  10-Channel Powered Mixer
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You guys are my heros. Right out of the box the Mixer showed its real colors. Set everything the way it should be and it worked like a champ in the studio. I can't wait to try it on a gig we have in a large building with about 800 people.
When this happens I will rewrite this and let you know.
Thanks for all you do.
Regards,
Jerry
I had a very good response out of this unit. My School reunion,very large room,seating 600+ so you know I had to be good in front of all my schoolmates
I used 4 mains with 1 monitor,a laptop,1 Cordless Mike,1 Wired Mike,all speakon cables and a light setup.
There was no squeals or Hums.In one of the reviews i read where the unit would pop real loud when turning on the power. This was solved by hooking the 2 speakon speaker cables to the unit last after the power was switched on.
This unit was every thing you would need as a DJ.I was very please and got lot of positive comments from everyone.Lots of hand shakeing and hugs saying fantastic job.
Very powerful and easy yo set up.
By the way: I got rebooked for the next reunion.
Thanks Amazon for everything,
DJ&J Entertainment


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10/07/2012

Behringer Europort EPA150 Ultra-Compact 150-Watt 5-Channel Portable PA System with Digital Effects and FBQ Feedback Detection Review

Behringer Europort EPA150 Ultra-Compact 150-Watt 5-Channel Portable PA System with Digital Effects and FBQ Feedback Detection
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I was needed a PA system for a indoors and outdoors small parties where quality sound is required in the range of 100 feet. This system has meet all my expectations: sound was loud and clear, plenty of controls, ability to mix the sound from several sources. I really liked it.

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9/26/2012

M-Audio Studiophile BX8a Deluxe 130-watt Bi-amplified Studio Reference Monitors Review

M-Audio Studiophile BX8a Deluxe 130-watt Bi-amplified Studio Reference Monitors
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I picked up a pair of BX8a Deluxe speakers on Amazon for a great price. I did some reading online and read about speakers randomly dying after purchase, but the price was just too good and I decided to roll the dice.
Well, 2 months in, my right speaker went bad and never would work properly again. When I would turn it on, the woofer would pop, go full throw, and emit a 60Hz hum. Very bad stuff. I looked at my return / repair options and found I had to return them to M-Audio to get it repaired.
I looked at the M-Audio forums and read quite a bit more about M-Audio speakers failing, and decided I'd take my chances and crack open the speaker to see if I could figure out what was wrong instead of suffering through a potentially long and painful RMA cycle.
3 hours later I had discovered the problem: a short circuit on the main amplifier board, underneath the tweeter's power amplifier chip. The amp is a TDA2052 made by STMicroelectronics. You can look at the datasheet here: http://www.st.com/stonline/products/literature/ds/1585.pdf
The short was between pins 4 and 6 of this chip, so it was connecting the negative power supply voltage to the audio input pin on both the tweeter and woofer amplifier - very bad! This explains why I could hear 60Hz power line noise on the speaker every time I turned it on.
I was about to start probing each pin on the TDA2052 to see if I could figure out what wire on the circuit board had a problem when I discovered the short between pins 4 and 6. I carefully removed the solder flux and other debris between the two solder pads and plugged the circuit board in, and the problem was gone. You can see a picture of my circuit board and the location of the short here: http://img212.imageshack.us/img212/3357/img0054un5.jpg
As to why the short-circuit suddenly occurred 2 months after purchase - I can only speculate. One possibility is the dreaded "tin whiskers" problem that has been plaguing electronics manufacturers for years. You can read about it here: http://nepp.nasa.gov/WHISKER/
Since lot's of people are reporting random failures of these speakers, this is a possibility. There are a couple ways to remedy this, but they all involve tweaking the manufacturing process of the circuit board, and this might not be an option because it would impact the cost and profit margin on these speakers. The other possibility is that the assembly quality control is not good enough on these circuit boards and they are not adequately stress tested / verified before being put into the finished product. Again there is a cost issue and I'm just speculating.
Overall I must say the speakers are an excellent value for the price. The speaker box construction is solid, the speakers are decent, and the electrical design is good enough - simple and effective. I am impressed with this product, and it is unfortunate such a great product is subject to such a high failure rate from what looks like a manufacturing/quality issue and not a design problem. I just hope M-Audio can remedy the issues long term as I'd like to see them continue to develop quality products.


Click Here to see more reviews about: M-Audio Studiophile BX8a Deluxe 130-watt Bi-amplified Studio Reference Monitors

Recording professionals around the world trust M-Audio Studiophile reference monitors for exceptional sonic accuracy. The new Studiophile BX8a Deluxe system builds on this legacy with new waveguides and enhanced driver integration for greater high-frequency clarity and refined sound. The magnetically shielded monitors feature 8-inch curved Kevlar low-frequency drivers plus high-temperature voice coils and damped rubber surrounds for durability and fidelity. The 1-1/4-inch natural silk, waveguide-loaded tweeters deliver a high end that's both clear and easy on the ears. Custom-tuned crossovers distribute 130 watts of bi-amplified power for optimal frequency handling by each driver.

Deluxe Edition The Studiophile BX8a Deluxe monitors update the best-selling M-Audio BX8a system with a variety of enhancements. The new waveguide delivers a cleaner sound. Custom amplifier tuning enhances the integration between the high and low frequencies, delivering refined spectral balance and a smoother response. An elegant new industrial design completes the package.
Kevlar Low-Frequency Drivers To insure a lifetime of service, we constructed the BX8a monitor's 8-inch low-frequency driver from woven Kevlar. Kevlar's high mechanical and thermal resilience makes it ideal for use in speaker cones. Our engineers also created a curved conical design that improves room dispersion. High-damping reliable rubber surrounds provide percussive musical bass, and insure that the cone reaches its optimal excursion for accurate reproduction. And our high-temperature voice coils reduce power compression, guaranteeing that your monitors will deliver full performance hour after hour.
Silk-Dome, Waveguide-Loaded, High-Frequency Drivers Our high-frequency domes are made from natural silk to counter the high Q ringing that is inherent in the poorly crafted metallic materials often found in other monitors. In addition, our new waveguides refine the high-frequency response. M-Audio's FerroFlow technology uses ferrofluid liquid cooling to dissipate heat for maximum efficiency and extended usage.
Bi-Amplified Efficiency Active monitors have a distinct advantage over unpowered monitors because the built-in power amps are specially designed to work with the drivers and crossovers in a tuned system. Bi-amplification further refines the concept by dedicating separate power amps to the highs and lows. Combined with a finely tuned crossover, this design insures that both the high- and low-frequency drivers are asked to deliver only the frequencies they are most efficient at reproducing.
Rear-Ported Cabinet Design The Studiophile BX8a Deluxe monitor's cabinet is integrally designed with its other components for optimal performance—right down to rounded corners for reduced edge diffraction and superior imaging. Custom rear-port design audibly reduces the turbulence and resulting distortion caused by poorly designed ports.
Magnetic Shielding Unchecked, the electromagnetic waves emanating from your speakers can wreak havoc with your computer's video monitor or a nearby TV. The BX8a Deluxe is magnetically shielded so that all of your electronic equipment can coexist without interference.
What's in the Box Two BX8a Deluxe Speakers, Two Detachable AC Power Cords, User's Manual

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9/24/2012

KRK K10S Powered Subwoofer - 10 Inch, 225 Watts Review

KRK K10S Powered Subwoofer - 10 Inch, 225 Watts
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I purchased this subwoofer as part of a 'system' (which includes 2 KRK RP8 speakers) for my Korg M3 Keyboard Workstation. I was using my old computer speakers until I got this setup. This subwoofer is impressive, however, I must say my days of having 'golden ears' is long gone. Too many years of exposure to loud sounds (concerts, guitars, motorcycles) and age (51) means I don't have the kind of ears that are particularly discriminating. However, the new keyboard needed a sound system that covered lots of frequencies, the bottom end in particular. I looked into a lot of 'studio monitor' systems, and decided that KRK offered the best options in terms of price/performance. I also must admit that I didn't audition any speakers by listening. It was purely a documentation type review. That said, I'm thrilled with what I've got. The subwoofer has a volume control (which needs to be barely cracked off zero to create a balanced sound with the RP8s), and a variable crossover frequency, to allow a good mix with the other monitors (again, this is something someone with good hearing could take advantage of, which I don't; I left the crossover at 130Hz, the top end). KRK offers a tool which is said to create optimized settings for any room, but I didn't see a need for that. You WILL need cables, though, 4 total, two from the mixer/keyboard, and two more from the subwoofer to the other monitors. The nice thing about KRK is that they provide a number of different options for those connections, at least the input to the subwoofer (only XLR or RCA on the output side of the subwoofer). The input to the subwoofer can be XLR, 1/4" (like a regular guitar/amp cord) or even standard RCA (stereo type) cables, those these latter are unbalanced (which essentially means that a long run may end up being noisy, since there is no shielding in this kind of cable). I used old guitar cables at first, while I waited for my the XLR cables which I ordered from Amazon to get here. I'd be lying if I told you that I could tell any difference between the types of cables, sonically. They are equally secure in terms of solidity of connection. Still, if you want the best possible performance, get XLRs.
I'm very happy with this unit. I've read that it puts out 150 watts, and other places say 225, and I'm too lazy to look up the details in the product documentation. Suffice to say, the power is ridiculous, and would, I believe, easily fill a small concert venue. In my office, a 10'x12' room with cathedral ceiling and hard floor, it's way overkill. In fact, with the 8" drivers of the main monitors (the RP8s), I may have been able to get away without the subwoofer. However, because of the synthesizer portion of the keyboard, I definitely wanted to take advantage of the low end it can produce. The K10S definitely fills that part of the sonic spectrum for me. KRK used to make a 12" subwoofer, with even more wattage, which is what I wanted originally, but the K10S is more than I need as it is,
You have the option to remove the grill, to expose the really cool yellow rimmed speaker cone, but probably not a good idea; the grill provides protection (but the RP8 monitors come without grills; they are an extra cost option). One other thing, if, like me, you like to keep things 'clean', the subwoofer doens not come with a cover. I had one made, to keep the dust off.
Overall, highly recommended.

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The KRK K10S powered subwoofer is designed to extend the low frequency portion so your mix can be properly engineered. The K10S cabinet has radically curved surfaces for a great look and amazing performance. The front-firing bass port and KRK's trademark yellow glass-aramid composite woofer ensure accurate and powerful low-end punch. A sturdy grill which is removable protects the woofer and adds to the sleek appearance of the unit. A high power amplifier and active crossovers provide smooth and accurate reproduction. To accommodate any studio environment, the K10s has RCA, 1/4 inch (balanced/unbalanced) or XLR inputs for all your input options.
KRK K10S Powered Subwoofer Features:
225 Watt (peak) powered subwoofer for studio use
SPL rating of 110db music and 113db peak
Frequency response of 34 Hz- 50Hz to 130Hz variable
10 inch high excursion glass aramid composite woofer
Variable and sweepable low pass filter
80Hz high pass filter
Radically curved front baffle design for amazing performance
Front firing port provides low frequency extension without boundary coupling
Bypass control using standard footswitch
A New Standard in Low Frequency Monitoring For years, KRK subwoofers have been the choice for accurate low frequency monitoring in studios large and small. Now, the K10s provides a new standard for even better performance and accuracy, raising the bar once again. Whether you are mixing in a 2.1 or 5.1 surround environment or just looking to upgrade the low-frequency extension of your existing monitors, the K10s will provide the low frequency detail and accuracy that will help you to create a better mix. Let's Be Up Front Take a look at competitive subwoofer monitors and you'll find ports on the back of the cabinet. These rear-firing ports tend to create bass coupling with walls and corners over-amplifying low frequency information which in turn colors your mix. The superior design of the KRK10s includes front-firing ports which are just the right shape to reduce port turbulence. You'll appreciate the clean and accurate bass performance this approach delivers, even at high SPLs. Feel the Bass You need to feel the bass and our proprietary signature yellow woofer delivers tight, clear low end response. Our engineers and listening panel took the K10s speaker voicing to even more accurate levels. Featuring a sweepable 50 Hz – 130 Hz low pass filter, your K10s provides flexible control for any monitoring system. What you hear is what you are intended to hear, coloration is not part of the spec. This performance is brought to you by drivers that are custom-designed by our world-class studio monitor engineering team, for a clear, low-distortion performance. Take Control Professional engineers like the ability to hear how the sub is affecting the mix. Your KRK subwoofer is equipped with a bypass feature which allows you to defeat the sub and provide full range audio to your recording monitors. To use the bypass function, you will need to use a standard latching 1/4 mono footswitch.

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9/15/2012

Yamaha HS10W 10" Powered Studio Monitor Review

Yamaha HS10W 10 Powered Studio Monitor
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speaker did a great job until today where it seems to be blown. is there any type on manuf. warranty on this?

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9/07/2012

Randall RX412 Cabinet Black Review

Randall RX412 Cabinet Black
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I love Randall products. I still own and use one of the original G3 300 watt heads every day. Never played a Randall amp I did not like and Randall has some incredible cabs! That being said, this cab is not one of them!
Shortly after I first started playing guitar, my mom bought me a Randall head/cab combo for Christmas. This was the cab that came with it. Now that I have played my thousands of shows and used gear from almost every company, I can tell you avoid this cab at all costs!!! It has a mono input, which I don't like. It only handles 200 watts, no very good at all IMO. All that is just things I don't like, someone else may be suited just fine but the real problem is this cab sounds like GARBAGE! The Jaguar speakers are crap! I used it for recording once and thats where I truly heard how terrible it is! Tons of distortion in your sound (not good distortion either, I mean downright noise/breakup), unclear uneven tone. Just horrible.
One good thing about this cab is, its smaller and more compact than your usual 4x12. Not as much breathing room for the speakers, but still easier to carry around. I tried installing 4 new speakers in it but not just any 12 in can be dropped into this cab. I had to do some routing out to make them fit, it was a mess. Dropping in speakers shouldn't require anything but a screw driver and soldering iron. Needless to say I am trying to sell this POS now.
Honestly if you are a beginner that feels you need to own a 4x12, I would say go with something better. For maybe 1 or 2 hundred more you can get a decent cab. OR MY BEST SUGGESTION! Buy a cab shell and get installed the speakers you want. I use a Behringer Ultrastack cab loaded with 2 Celestion GT75s, an Eminence Man O War, and an Eminence Governor and it is a beast! Think about it, you buy this cab for $350, get to where you realize you need better gear and then have to buy a new cab for maybe $500, $600, $700 or more?! Look how much you have spent! Do yourself a favor and buy top notch each time so you don't have to keep doing upgrades. Buy a shell of a cab for $100, put $400 dollars worth of grade A speakers in it and you have spent just $500 on a cab that fits your individual needs and that you will probably never have to upgrade from. It saves money trust me. AVOID THIS CAB AT ALL COSTS! Its not even good for a beginner because they will never hear their real tone. This thing could make a Peavey 5150 sound like complete crap.

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9/06/2012

Bose L1 Compact Portable Line Array System Review

Bose L1 Compact Portable Line Array System
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I am a professional mobile DJ in the Pittsburgh area, and I rely primarily on the Bose® L1 Model II sound system (with two B1® bass units) for my performances. When I need extra boost, I expand my sound by adding a Bose® L1 Classic sound system (the original L1 system) and two more B1® bass units to my Model II system.
However, there are times when I don't need the "muscle" of the full system, such as small venues for birthday parties, outdoor wedding ceremonies, etc. For that, the Bose® L1 Compact sound system is perfect! It will provide excellent sound for 100-150 people. It is an amazingly fast setup and tear-down, and it is light enough to be truly portable. Completely set up, it weighs just 29.2 pounds, so it is great for those tough small venues that have limited space, limited access, stairs, etc.
The sub-bass sound is built into the bottom unit, and there are 1/4" jack inputs for your sound source. The unit is designed to work with the T1 ToneMatch® sound engine (mixer with many presets that can contour the sound nicely). If you are using the ToneMatch, however, be advised that you will have to purchase a power adapter for the ToneMatch. (The ToneMatch is powered from the pedestal base amplifier of the Model II®, but the L1 Compact® will not power the ToneMatch.)
The midrange sound comes from a small, narrow enclosure containing six small speakers/drivers placed at precise angles to deliver sound at a 178-degree "throw" left and right. The sound WILL cover a large area evenly, which is great for those times when the sound has to be softer (dinner music, pre-ceremony music for weddings, etc.). Everyone in the coverage area hears the music at the same volume, which avoids the problem of traditional speaker systems (really loud near the speakers but diminishing volume as you get further away). I was very skeptical of this feature when I first heard about the even sound coverage, but a year and a half of using the Bose® L1 systems has made me a believer. It's sweet!
Another nice feature is that there is a 1/8" stereo input jack for iPods (also works well when sending sound directly from your headphone output of a laptop). This lends a great deal of versatility to the system.
Example 1: I did a wedding reception recently where the father of the bride had a DVD he wanted played after dinner and projected onto a large screen. The location of the LCD projector was quite a distance from my main table, and the hall had not provided for the sound of the DVD show. I brought in the Bose® L1 Compact system and set it up next to the projection table, connecting the sound directly from the laptop that was running the DVD to the Compact system using a 1/8" to 1/8" stereo jack from the laptop to the iPod input on the Compact. The sound was perfect! Far better than any portable speaker system I have heard in the past from photographers/videographers who bring portable sound with them for their PowerPoint shows. It was a simple one-cable connection without anything else.
Example 2: I did wedding ceremonies both outside and inside for crowds of about 150 people or so using the Compact system. I ran all the music from my MacBook Pro through the ToneMatch®. I also connected two Shure wireless mics through the ToneMatch as well (one on the officiant, and one on the groom, which picked up the bride as well.) Additionally, I connected my Sennheiser wireless handheld (for any "emergency" announcements that might have been necessary) through the ToneMatch. This was a more complex setup that involved power for three microphones, one laptop, and the Compact System®.
For both applications, the Compact® delivered great sound and covered the area perfectly. I could not have asked for better sound.
There are two "sides" for input. One side is for line inputs (from mixer, musical instrument, iPod, laptop, ToneMatch®, etc.), and the other side is for a microphone input. Each side has its own volume control, which is crucial if you're a single performer. You can set your voice and instrument levels perfectly. As a DJ, though, I do not use the microphone side, so I cannot comment on how well the two sides work for single performers.
There are two official setups for the L1 Compact®. One setup is to leave the speaker in the base unit (the way it arrives). You would have to put this on a table for good sound coverage. If you used it from floor level, the sound would be muddy. This setup would be perfect if you are supplying the sound system for a keynote speaker at a conference, as an example. The unit could sit on the table next to the podium where the speaker is standing, and the sound the audience would hear would be fabulous--VERY crisp and clean.
The second official setup is to use the two extender sticks to elevate the speaker unit about six feet off the ground, which is the way you would want to set up the unit for full-room coverage for music, especially if there will be dancers!
I saw the unit being used with only one of the extender sticks, which put the speaker unit at "head level" for a seated audience. I don't know why you would use that setup, but it works fine that way (the extender sticks are identical, so there doesn't seem to be any reason you CAN'T use this setup.) Be advised, though, that Bose® does not recommend this setup.
So let's get to the bottom line:
PROs: Compact, portable, sleek. Easy setup with a tiny footprint. Great sound for what it is, delivering full bass, midrange, and highs for up to 150 people. Excellent choice for small venues, whether you are a DJ or a single performer. Great system for speakers at business meetings, conferences, church groups, etc. The sound is crisp, clean, and clear. The bass is far better than anything of comparable size, and the quality of the unit is excellent. This system is what I use for my backup system (to the L1 Model II®). It doesn't take up much space in the car, and if something WERE to happen to my L1 Model II® system during a performance, then I have a better backup system than 99% of the DJs out there.
CONs: While the bass response is very good for the size of the system, it cannot really compare to using two Bose® B1 units with a Model II system. THAT system can provide a chest-thumping bass resonance, but this system would be hard-pressed to do that. Don't get me wrong here: the bass response is very good, but it isn't what you would want for a larger venue where the bass has to carry out all over the area. And, as one should know right up front, it is NOT a unit for larger venues. It is fine for small areas, but if you have a louder, noisier, larger area, the Compact system would not be up for the task.
BOTTOM LINE: If you want terrific sound from a light, portable unit for a small venue, this system can't be beat! If you want a high quality backup system for your main sound system, it would be tough to get a better system with a better sound. If you play larger venues with noisy crowds or if you need a driving bass sound to resonate throughout the venue, then consider another alternative. (And remember, if you use a ToneMatch® sound engine with this, you have to buy the power adapter.)
RATING: Four stars because of its intrinsic limitations. It cannot be a system for a larger venue for 150-200 or more people, but it can be your answer for smaller venues and smaller crowds.
For what it is, though, it is Super!
NOTES:
* Response to reviews: Another reviewer here has stated that there are plug-ins for only voice and guitar, but that is inaccurate (see above for input variety). And as for effects such as reverb, delay, and other effects, those can be created nicely with the Bose® T1 ToneMatch audio engine, as stated above.
* The bass response difference I mentioned above between the Model II and the Compact units is approximately one half octave at the low end, according to Bose. Many people cannot hear the difference, but trained ears can. The limited power and bass response are the reasons I could not give five stars. Still, all in all, a great product!

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9/04/2012

KRK RP8G2 Rokit G2 8In Powered Studio Monitor Ea Review

KRK RP8G2 Rokit G2 8In Powered Studio Monitor Ea
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*If you do electronic music (like I do) or hip-hop, consider the Rokit 8's*
I acquired these about 3 weeks ago to do my mixing and mastering. Having previously did my music on non monitor speakers, these take a lot of the guess work out.
Here are a few things to know:
1. A lot of people who get these aren't aware of what a monitor speaker is and what it does. Only the best recordings and mixes will sound good on them. That's what they're for; listening for flaws and defects in a recording. Monitors are unforgiving in that way and they're supposed to be. Basically, if you can make your mixes sound good on a monitor, they will sound good on any system.
2. These are $500 a pair. That's in the budget range for this class of speakers. However, for their price they are exceptional. There is a gain control on the back of each speaker. More importantly, there is also a high end/treble control. This is important for adjusting them to your room environment.
3. Something else to note; These monitors are not completely flat in their response. They tend to be a bit heavy on the mids and low mids. At first this will throw you a bit off but once you're used to their response, you will be perfecting your mixes and masters in no time.
Some reviews have claimed that there is sometimes a high frequency hum. I've found that this tends to be a DAW related issue. This happens from time to time in Cubase 4 but not in Mixmeister. Also, you should try to have them as close to ear level as possible. The bass is excellent and if you EQ just right, these things will really boom! These are excellent for electronic and hip-hop music. the high ends are crisp as well. The front firing bass port is smart, no interference with walls. The KRK just below and to the left of the tweeter light up to let you know they are on. Having the switches and knobs on the back is a bit inconvenient but it's not a huge deal.
Overall, I'd say these are good monitors for the money. Just be aware of the few minor pitfalls.

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The KRK RokitG2 Series takes value-priced monitors to a new performance level. All of the great stuff that Rokit's have been known for (front-firing bass port, soft-domed tweeter, glass aramid composite yellow cone) are still there, but the G2 Rokit's feature refined voicing and a new curved baffle that looks great, reduces diffraction and provides even better monitoring accuracy.

No Pain With Gain Why compromise gain structure to achieve a comfortable listening level? As musicians and recording people ourselves, we've asked that question too. So each Generation 2 Rokit comes with an Input Volume Control that provides an adjustable gain range from +6dB to -30dB. Just another way the Rokit lets you focus on your mix, and not on compatibility concerns.
Catch a Wave, for a 3D Mix Recessed tweeters may look the same, but they don't perform the same. KRK has designed a superior tweeter wave guide for the Rokit that provides optimal high frequency pattern control and focuses the sound outward, away from the cabinet. More conventional designs direct sound along the plane of the cabinet where waveform interaction can cause phase problems and increased diffraction. KRK knows a properly engineered high frequency wave guide is a critical component to great sound, and one key to our award winning performance.
You've Got Connections At KRK our focus is your mix. But it doesn't stop at creating accurate monitors. We live this stuff and appreciate the need for monitors that not only sound great but work easily into your particular set up. That's why you'll find plenty of input options with your Rokit, sure to accommodate any studio environment. So if it's RCA, Quarter-Inch (balanced/unbalanced) or XLR inputs you require, Rokit has got you covered.
Even More Accurate Than Before We took a great monitor series and made it better. Our engineers and listening panel took the Generation 2 Rokits' speaker voicing to even more accurate levels. What you hear is what you are intended to hear, coloration is not part of the spec. This performance is brought to you by drivers that are custom-designed by our world-class studio monitor engineering team, for clear, low-distortion performance.
Take Control While your Generation 2 Rokit leaves the factory voiced to our demanding specs, KRK also knows that no two rooms "sound" the same. As such, each Rokit comes equipped with a High Frequency Level Control. This feature provides specific adjustment of high frequency output most commonly affected by room acoustics. It's just one extra level of control that KRK gives you to ensure the most accurate mix for your particular room's acoustics.
Don't Be Square, Curves Ahead Our new Rokit looks different, so it can sound better, and in a wider "sweet spot." Traditional rectangular speakers suffer from diffraction as sounds leaving the edge of the cabinet are reflected back into the original sound field, and at different time intervals. This phase distortion creates a "narrow" or boxy" sound. The Generation 2 Rokit series eliminates this issue with radically engineered curved surfaces, so diffraction is virtually eliminated. Simply put, you'll get better sound in a wider area.
Let's Be Up Front Take a look at competitive monitors and you'll find ports on the back of the cabinet. These rear-firing ports tend create bass coupling with walls and corners amplifying low frequency information which will color your mix. The superior design of the KRK Generation 2 Rokit's include front-firing ports, which are just the right shape and taper to reduce port turbulence. You'll appreciate the clean and accurate bass performance, this approach delivers, even at high SPL's.
Power Up! A great sounding monitor doesn't stop with a great cabinet and custom drivers. Our true bi-amplified amplifier system provides discrete low-distortion power for each driver. While our active crossover systems provide smooth and accurate frequency response, and again, accurate diffraction control.
KRK Rokit 8 Specs
Drivers: 8-inch Glass Aramid Composite Woofer; 1-inch Neodymium Soft Dome Tweeter with Ferro Fluid
Input: XLR (3-pin), RCA & 1/4-inch TRS--10k Ohm, Balanced / Unbalanced
Amplification: HF: 20 Watts/LF: 70 Watts
Freq Response: 45Hz - 20kHz (+/- 1.5 db)
Video Shielding: Yes
Dimensions (H x W x D): 15 x 10 7/16 x 12 inches (38.1 x 26.5 x 30.4 cm)
Weight:26.1 lbs (11.8 Kg)

What's in the Box KRK Rokit 8 Powered Monitor, AC power cord, Owner's manual

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VocoPro PV-802 (PAIR) Professional Stereo 400W Powered Vocal Speakers Review

VocoPro  PV-802 (PAIR) Professional Stereo 400W Powered Vocal Speakers
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I bought these speakers for home indoor/outdoor party use, like listening to music and karaoke. The sound quality of it is what you'll expect from an 8" woofer, if you want a fuller sound, buy a powered subwoofer and you will have a good portable PA system. This pair of speaker has a lot of power and I am happy with my purchase.

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8/30/2012

JBL MRX525 15-Inch Premium 350-Watt Two-Way Portable Loudspeaker Review

JBL  MRX525 15-Inch Premium 350-Watt Two-Way Portable Loudspeaker
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I have a live sound company. I have a small trailer and no employees. I cater to the local scene and have even worked shows with international touring bands. I need to have lightweight yet good sounding speakers. NO, these are not as nice as the JBL SRX series or some of the other pro cabinets BUT...Everybody loves how they sound. I have four of these cabs and mate them to EAW LA400 subs. Yes-I know people say you don't need a sub with these but yes, you do. I run a lot of metal and hardcore shows and subs are essential. Maybe for acoustic shows you can get away without subs..but I always have them.
I run my system in stereo and power these cabs with a Crown XTi 4000 amp. Each set gets an XTi amp. These speakers really like to be turned up. For a smaller room with less screaming metal needs you may want to go with the smaller MRX cabs. I also have a set of those.
Most reviews tell how great the speaker sounds, the highs, the tasty lows. Honestly, so much depends on the room and the way the PA is tuned. Great equipment sounds bad when set up improperly. My board is one of the following: Allen & Heath GL2400, Presonus Live,or a small Mackie. I also use a DriveRack for processing. With proper set-up these speakers will cut through the stage sound and push the vocals through the metal mayhem. I have also used them at acoustic shows and yes they do sound sweet. I could spend more money on SRX cabs and someday I might. But right now these cabs work great because they are not power-hungry and don't need monster 20-amp amplifiers or a three-way system. They are very light and easy to carry. Lastly, they sound great and people constantly compliment me on the sound. If you want to move up from more generic cabs..you won't be disappointed. DJ, metal, acoustic, trance, worship..I have done it all!

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8/11/2012

Behringer B2031P Ultra-Linear Reference Studio Monitor Pair Review

Behringer  B2031P Ultra-Linear Reference Studio Monitor Pair
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Pros:
- "Ultra-Linear" means flat & accurate, which these are.
- Sound is very clean & clear. Not too bright, and not harsh.
- Can be had for

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When it comes to your recordings, you want honesty. In fact, considering how important your music is, you should demand it! That's why we designed the B2031P Reference Monitors to speak nothing but the TRUTH. They sound great hooked up to your stereo or your video surround system, and are critical tools for any recording studio--where every note you play or sing is under the microscope.

Built on a Legacy The TRUTH B2031P monitor has all the great features of the TRUTH B2031A active monitor with one exception; you provide the amplification. Due to their high-resolution performance, B2031P two-way reference studio monitors are perfect for nearfield monitoring applications: from small mixing environments to multi-channel surround setups. Our TRUTH monitors have been so wildly successful that we've sold thousands upon thousands of them to some of the most critical ears on the planet.
Don't Let the Size Fool You TRUTH B2031P monitors provide ultra-linear frequency response from 55 Hz to 21 kHz. The internal crossover point is fixed at 2.0 kHz for optimal performance of the two-way system. And the B2031P can handle input levels up to 150 Watts.
Rock-Solid Bass Bookshelf-style home stereo speakers can really fool you when it comes to bass output, mainly because they are not designed for critical listening applications. That's why audio/video engineers and producers listen to projects through studio reference monitors or studio-grade headphones. The B2031P's long-throw 8.75" polypropylene-diaphragm woofer delivers smooth, deep bass all the way down to 55 Hz.
Why the Polypropylene Woofer? We're glad you asked. Polypropylene is light and strong, enabling the speaker cone to respond very quickly to fast transient peaks. This low-mass cone material is also much stiffer than paper, important for not only maintaining bass content integrity, but critical for midrange accuracy and definition. The deformation-resistant aluminum die-cast chassis maintains suspension integrity and provides highly efficient voice-coil cooling, even under extreme operating conditions.
Non-Fatiguing, Wide "Sweet Spot" B2031P's HF (High Frequency) content comes courtesy of an ultra high-resolution 1.0" ferrofluid-cooled tweeter mounted on our proprietary wave-guide. While some of our competitor's studio monitors have a highly focused "sweet spot" (the optimal listening position for a pair of loudspeakers), our wave-guide is designed to create a much more generous, broader listening zone. That means you won't wear a hole in the carpet in that one spot where everything sounds great. You are free to move around inside the stereo image to find the ideal spot in the mix for subtle instrument or effects placement opportunities.
You also won't suffer the ravages of "monitor fatigue-syndrome," an ailment that comes from listening to harsh high-mids and treble content for hours on end, even during those all-night mix-down sessions that can really test your nerves.
What's in the Box Pair of Behringer B2031P Monitors, User's Manual

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