PreSonus StudioLive 24.4.2 Review

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(More customer reviews)This board, hands down, is one of the best and most intuitive boards on the planet. The PreSonus StudioLive 24.4.2 is a multidimensional board with several layers of access and control. After only a couple of days working with the mixer, I was flying through the setup and menus. The pres on this board are phenomenal and sound great with virtually any microphone. But wait, there's more! Not only can you setup and save "Scenes" for the board, with the new VSL software, changing the board from rehearsal mode, to recording particular instruments, to a live setup is as simple as drag-and-drop. There are virtually endless ways to use the StudioLive. For my group, Foolsbane, it is imperative that we be able to quickly record rehearsal and analyze various aspects of a song. With the bundled Capture software, it's as easy as opening the software, arming the tracks, and hitting record. The PreSonus StudioLive 24.4.2 has quickly become an indispensable tool for both the studio and on the road. Hurry and get yours today! I guarantee you won't be disappointed.

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Mackie Onyx 32 Mixer (4 Bus, 28 Onyx Preamps and 2 Stereo Channels) Review

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(More customer reviews)Esta mezcladora es un equipo increiblemente genial, logramos superar todas las desventajas que habíamos tenido tiempo atrás. Tiene una consistencia robusta en los componentes, todos los controles demuestran gran calidad. El manual es sencillo e incluso puedo mencionar que aprendí muchas cosas del manual ya que no se limitan a explicar cuestiones técnicas sino más bien se obtienen ejemplos prácticos. El control que me proporciona sobre lo que quiero tener en el monitor/phones es increible. Todo lo que siempre había querído hacer para poder monitorear la mezcla ahora es posible. La calidad de la ecualización es estupenda realmente no es dificil lograr una equalización adecuada en pocos segundos. El compresor/limitador es un recurso importantísimo que va por el mismo precio. El control de las líneas auxiliares es genial.

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PreSonus StudioLive 16.4.2 16-Channel Digital Mixer w/ FireWire I/O Review

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(More customer reviews)I bought the StudioLive about a month ago and have been playing with it since then in preparation for winter concert season. The first thing I did was connect a mic to every input and test the gain, routing, and outputs for every channel. Everything worked flawlessly, sounded great, and was easy to do.
Sound Quality
The sound quality on this is amazing. I've been working with Mackie mixers and the low-end A&H one, and the sound is cleaner (absolutely no audible noise even at very high gain). Some people might be worried that the digital EQ would be harsh, but believe me, this sounds just as "analog" as the analog boards I use, and it's actually more precise and more flexible. The quality of the compressor is also great. I've previously only used kind of low-end compressors, and this blows them out of the water. The tone is not colored at all, and I don't hear any weird digital artifacts. I've also pushed the compressor up to limiting, and it's a very smooth sound, not harsh and fuzzy like most digital limiters I've used.
Ease of Use
I love the simplicity and power of the FAT channel. It's great to be able to set up one channel, copy it to all the others, and tweak from there. Routing is also a piece of cake, and the FX interface is intuitive. Overall I think this is very well designed for use in live situations where adjustments have to be immediate.
Features
This is the only board anywhere near this price range that does everything I want - great, clean preamps and mixing; flexible, powerful, sweet-sounding EQ; excellent dynamics processing on every channel (and even the buses!); crystal-clear A/D for recording, with built-in firewire; recording pre or post FAT channel; analog direct outs on every channel right after the preamp; built-in effects that actually sound good.
I think it would be hard to find a live mixer with better sound than this for anywhere near this price. You might be able to find slightly better compression and FX on outboard gear, but it would cost at least $100/channel, and be a pain to patch together in live settings. Not only that, but patch bays and cables add noise that this mixer doesn't have. Plus, this takes no setup time (turn it on, recall settings, go) and is a lot easier to transport (even though the SKB case for this thing is HUGE!). So really I think this is a huge win.
I'm replacing a 16ch mixer, two 8U racks of outboard gear, 2 insert snakes and 2 patch snakes, and an A/D computer interface (E-MU 1616M) with this one piece of equipment that sounds better, cost less in total, and is 100x easier to setup and use. To me, that says 5 stars any day.

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StudioLive is the most powerful and flexible sixteen-channel digital mixer the world has seen. Loaded with sixteen high headroom Class-A XMAX microphone preamplifiers, built-in 28x18 FireWire recording and playback engine, 'Fat-Channel" processing with 4-band EQ's, compressors, limiters and gates, DSP effects, six aux buses, four sub-groups, extensive LED metering, mixer save and recall, channel-strip save/recall/copy/paste, talkback and more, breaking new boundaries for music performance and production

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PreSonus Eureka Pro Recording Channel Review

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(More customer reviews)The Eureka has gotten a lot of buzz. The box feels solid and substantial. It comes with gain, hard/soft compression, three band parametric eq, and master volume. The patch order of the eq and compresion can be switched, depending on your needs. Other useful features include phase inversion, variable impedence, and a saturation knob. A backlit analog meter can display incoming signal level or gain reduction. Inputs and outputs are both TRS and XLR. An effects insert point is included. An optional digital output card is available.
I bought the Eureka on the recommendation of a trusted music salesperson (yes, they exist) to power my Royer 121 ribbon mic. There were no preamps anywhere close to this price that he would consider recommending. As it turns out, he did me a great favor. The Eureka does a very solid job with the Royer mic (although I haven't heard the Royer on anything else, so I can only speak to the pairing of the two). Better yet, it gives me new options for almost every other piece of gear I own. I have an inexpensive Precision bass that really benefits from this box - the compression and preampe give it the fullness of a better instrument, while the eq helps to control the noisiness and unevenness between strings. The variable impedence allows users to try those DIY tricks on Shure SM57 mics without pulling out a soldering iron. Other budget-to-midrange mics also benefit. I run my Mojave tube mic through the Eureka to control peaks with good results. I haven't found anything that doesn't benefit at least a bit from the Eureka. I have even heard of mixes being run through the Eureka (one side at a time) to remove the dreaded "digital chill". Between the quiet operation and the versatility of the Eureka, it is no wonder that it is quickly becoming a "best kept secret" among many home recordists and even sine professionals.
Downsides: The knobs are close together and seem vulnerable to being bent. Three sweep eq's with no shelving eq are less than I'd prefer, but they do their job. The optional digital card can take signals from two Eurekas run in tandem, but the signal from the second Eureka must pass to the card in the "analog domain" before it is converted to a digital signal. As with any analog gear, favorite settings must be written down instead of being saved to memory for instant recall. None of these issues is a deal-killer - they just illustrate how hard I had to work to come up with any complaints at all.
If you're looking for a way to bring your home recording quality up a notch, or a way to give old gear a new lease on life, the Eureka may be just the ticket. Its quality sound, versatility and bang-for-the-buck put it in a niche that will make many bugdet-minded recordists very happy.

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Mackie Onyx 820i FireWire Recording Mixer Review

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(More customer reviews)After an existing audio interface went bad, I ordered the Mackie Onyx 820i as a replacement (not from Amazon), setting out to love the thing. I did at first, but after noticing some limitations, I am exchanging it for a different setup. My biggest gripe is the low output to the DAW. At detent, the highest level captured in a waveform was -22dB. At full gain (firewire send is pre-fader, so gain is only option for adjusting level unless you route everything - and I do mean everything - through a preamp) I was capturing -16dB, regardless of instrument (this introduced a lot of noise when recording guitar). A follow up call to the vendor from which I purchased it revealed that other customers had noted the same characteristic. Some would argue that this is just fine when recording in 24-bit, but I'd prefer to make that adjustment on my own rather than having hardware make the decision for me. Gripe #2 - no control panel. The only setting you can adjust outside of the DAW software is buffer size.
Maybe this thing needs someone smarter than me at the wheel, but all the same, I'm going with a different interface.

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PreSonus FireStudio Project 10x10 FireWire Recording Interface Review

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(More customer reviews)I purchased the Firestudio Project a year ago and have been thrilled with its performance.
The external LEDs are a huge plus for setting your levels, and the eight XLR/quarter-inch inputs are very convenient. You also have phantom power available for all inputs.
The latency with this unit is minimal with a PC running Vista in a stripped down form as recommended by one of the major music retailer web sites.
Cubase LE is fairly simple to use, and it's easy to export your individual tracks for use in other DAWs like ProTools, if you intend to mix in a studio. Another note regarding Cubase: out of the box the program defaults to 16-bit recording, and you will definitely want to change the bit depth to 24-bit, particularly if recording in a noisy home studio environment. The noise floor, especially on vocal recordings with high gain on a condenser mic, is considerably higher with 16-bit. So, make sure you have a computer that is beefy enough to handle 24-bit because it does use more system resources.
The FireStudio also comes packaged with some nice VST plug-ins including instruments by Halion, some of which are pretty passable like the Jazz Piano.
When researching interfaces, my biggest concern was compatibility with hardware, as I had read some horror stories about interfaces not working with FireWire drivers correctly on certain PCs or Macs. This one worked perfectly out of the box with a store-bought HP desktop, so my experience was great in that regard.
My only complaint is that this unit was supposed to come with the Presonus EyeQ software - a multi-band EQ and spectrum analyzer, which was pictured on the box, but not in the box. I've read that others got left out of the EyeQ party as well, and I have e-mailed tech support but not yet gotten a response after one week.

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