Showing posts with label electric guitar pack. Show all posts
Showing posts with label electric guitar pack. Show all posts

6/08/2012

Fender Artist Series Eric Johnson Stratocaster Electric Guitar 2-Tone Sunburst Maple Fretboard Review

Fender Artist Series Eric Johnson Stratocaster Electric Guitar 2-Tone Sunburst Maple Fretboard
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I've been playing guitar for the past 37 years. Lots of electric for the first 10 and then recently (6 years ago) picked up the electric again. Since then I've gone through a Ibanez Musician, Fender American Deluxe Ash Strat, Gibson ES-339, Gibson ES-335, and finally this Eric Johnson Strat. I had the hardest time with my previous strat (wouldn't stay in tune, bad intonation, don't even think about touching the whammy bar or its way out of tune), and the Gibson's were just uncomfortable to play (after you cradle a strat with it's light weight and contour fit it is really hard to go back). I cannot put this guitar down. It stays in tune for months (I kid you not) and I play the crap out of it. I love the way you can dig into a strat or not (you hit it hard it's nasty, play it soft and its clean). The tone knobs affect the neck pickup and the bridge pickup (a much better use then the typical middle pickup tone knob on the typical strat). The volume is useable from position 1 to 10. The quartsawn neck just sustains for days. I can play this acoustically and hear the wonderful sustain. The pickups are nicely wound also to provide lots of sustain and a wide range of tones. The intonation is the best I have ever had. This is a jewel of a guitar. The nitro finish will age nicely too like the strats of old. This is basically a modified '57. The staggered tuners are a plus too (eliminates the string tree). These guitars are as good as most custom shop guitars at 3 times the price. Check these out if you get a chance.

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5/14/2012

Squier by Fender Deluxe Strat Hot Rails, Black Review

Squier by Fender Deluxe Strat Hot Rails, Black
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I've been playing for over 15 years and I started off with an original 1982 Fenders Strat American Standard. Is this axe on par with the original? In my opinion, absolutely!
Right of the box the intonation acceptable, the low E and A is a bit sharp, but barely. The pick up hieght needed to be adjusted. String hieght needed to be raised (I play with .012-.052). These adjustments are common with "new" guitars.
The tone is unbelieveable, I was amazed on how well each note rang out, I was plugged straight into a line 6 35w spider 12in. The pick-ups have such a strong output that when I plugged into my cheap zoom 505 I had to adjust the settings because it was overdriving the unit, my current guitar is a Samick Greg Bennett design HSS, this guitar blows that one out of the water. The tone is absolutely amazing.
This guitar is somewhat heavy feeling for a squire, it does not feel cheap, for an idonesian made guitar it feels like it's worth 5x more. I truely recommend this guitar to anyone, novice or pro. The only difference between this and my '82 Fender is the lack of the micro tilt neck on the squire.

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4/23/2012

Taylor SBX1 Solid Body Classic Electric Guitar, White Review

Taylor SBX1 Solid Body Classic Electric Guitar, White
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I purchased this guitar a couple of weeks ago and have given her a little time to settle in and find her place in my world. I was a bit skeptical when I first saw that Taylor was making a solid-body electric guitar. I was in the market for a new guitar and have owned nothing but acoustic guitars for the last 8 years so I figured it was time to get an electric guitar. I hold the belief that for the most part you get what you pay for and knew I wanted to get a guitar that would be with me for a long time. Fender Strats sound awesome but I personally don't like their feel. I'd love a Gibson Les Paul but was already looking at a chunk of change to buy one. I saw that this transparent white beauty was at my local guitar shop and decided that since I was "just looking" anyway, I would give her a try. I was thoroughly impressed. Taylor makes a great guitar. It may be that I come from playing acoustic guitars but I love the neck on this thing. The finish is gorgeous (you really need to see it in person to get the full effect). The pickups cover a broad set of sounds and the sound this thing produces is something I quite enjoy. Taylor makes a case specifically for it that it fits in perfectly with no slop. As of right now I'm just as in love with this thing as I was in the first place. I'd recommend it to anyone. One thing I've always heard about buying a guitar is make sure it feels good to YOU, and for ME this one is "just right".

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Martin D Dreadnought Herringbone Rosewood Guitar Kit Review

Martin D Dreadnought Herringbone Rosewood Guitar Kit
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This product requires some fairly advanced wood working skills and the directions that martin provides are awful. I love the finished product but had to consult several other resources (other than the directions) to figure out what needed to be done.

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3/16/2012

Gibson Les Paul Standard Plus Electric Guitar, Left-Handed, Heritage Cherry Sunburst Review

Gibson Les Paul Standard Plus Electric Guitar, Left-Handed, Heritage Cherry Sunburst
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If you are looking at this guitar when played you will see that the "Les Paul" lettering on the head stock and the "standard" lettering on the truss rod cover are upside down. I know this is purely cosmetic but for 3 grand this guitar should be perfect.

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Improving a legend isn't easy, but it's happened. Introducing Gibson USA's 2008 Les Paul Standard--an elegant revision of a true classic, with upgrades and new features that make it the best Les Paul Standard ever produced. Based on consumer feedback and a drive to uphold and enhance the legacy of the Les Paul Standard, Gibson USA's 2008 model sets a new guitar benchmark for excellence and achievement. Play the new 2008 Les Paul Standard from Gibson USA and experience the evolution of the greatest electric guitar of all time.

The World's Most Legendary Guitar
New Asymmetrical Neck Profile The 2008 Les Paul Standard debuts Gibson's newest neck profile--an asymmetrical design that makes it one of the most comfortable and playable necks ever offered on any guitar. The new ergonomically-correct profile is tapered, and designed to be thicker on the bass side, and thinner on the treble side, closely outlining the natural form of the hand as it grips the neck. The 2008 Standard necks are machined in Gibson's rough mill using wood shapers to make the initial cuts. Once the rosewood fingerboard gets glued on, the rest--including the final sanding--is done by hand. That means there are no two necks with the exact same dimensions. So while it still has the basic characteristics of its respective profile, each neck will be slightly different, with a distinct but traditional feel.
Chambered Mahogany Body Every new 2008 Les Paul Standard will benefit from Gibson's proven chambering technique, which leaves each guitar with perfect tone, balance, and weight. Prior to gluing the maple cap on top of the mahogany body, the expert craftsmen at Gibson USA carve out carefully mapped-out chambers in the body using a Computer Numeric Controlled (CNC) router. The positioning of the routes was established after careful examination of the resonant characteristics of the Les Paul. Gibson approached this process with the awareness that every change to the formula would have repercussions on the instrument's sound. So, in addition to relieving the stress on a player's back and shoulder, these lighter Gibson guitars also enhance the tone palette in a manner unique only to these guitars. The results are comfortable, lightweight guitars that are acoustically louder, with increased sustain and resonance.
TonePros Locking Tune-o-matic Bridge and Locking Stopbar Tailpiece The Tune-o-matic bridge was the brainchild of legendary Gibson president Ted McCarty in 1954, setting the standard for simplicity and functionality that has never been bettered. The 2008 Les Paul Standard features TonePros locking Nashville Tune-o-matic in a chrome finish, which has saddle adjustment screws on the pickup side, and pre-notched saddles for quick installation. The chrome locking stopbar tailpiece is also from TonePros. These parts come with locking studs designed to secure both components firmly to the body so that there is no lean, yielding a great union between the strings and body which results in excellent tone and sustain.
Pickups: Gibson Burstbucker Pros Gibson's drive to recapture the magic of the original "Patent Applied For" humbucker pickups of the 1950s culminated with the introduction of the Burstbucker line in the early 1990s. In 2002, Gibson followed up this innovative accomplishment with yet another breakthrough in pickup design--the Burstbucker Pro, designed specifically for the new Les Paul Standards. The Burstbucker Pro features an Alnico V magnet (instead of the Alnico II), which offers slightly higher output and allows preamps to be driven a little harder to achieve a more natural break-up. Like all Burstbuckers, the Burstbucker Pro has asymmetrical coils--true to the original PAFs--which supply a more open sound. The Burstbucker Pro Neck is wound slightly less than the original PAFs, while the Burstbucker Pro Bridge is slightly overwound for increased output. The Burstbucker Pro pickups are also wax potted to allow loud volume pressures with minimal feedback.
Revolutionary Plek Set Up The 2008 Les Paul Standard is one of the first models from Gibson USA to utilize the revolutionary Plek machine in setting up the guitar. The Plek is a German-made, computer controlled machine that carefully measures each fret, along with the fingerboard height under each string, and then automatically dresses each fret, virtually eliminating string buzz and greatly improving the overall playability of the guitar. This pioneering process does in minutes what it takes a luthier several hours--sometimes even days--to accomplish. Every fret is accurately aligned, and the guitar is properly intonated, leaving the instrument "Plek'd" and amazingly playable.
Locking Neutrik Jack Neutrik has been making superior electronic interconnection products since 1975, making them the logical choice to supply the performance safeguarding jack in Gibson's 2008 Les Paul Standard. Like many Neutrik products, the jack in the 2008 Les Paul Standard is manufactured from strong, high-grade thermoplastics and housed in a rugged diecast nickel shell. A retention spring inside the jack ensures optimum grip on any guitar cable, thus avoiding the chance of lost connection.
Locking Grover Tuners The 2008 Les Paul Standard is outfitted with locking tuners from Grover, which deliver ease of use through a standard tuner and positive locking mechanism that securely locks each string in place. Simply insert each string through the string hole, turn the dial on the bottom of the tuner to lock the string, and begin tuning. Each string can be tuned to pitch in less than one complete revolution of the post. These Grover machine heads feature completely sealed components with an improved 18:1 tuning ratio.
Gold-Plated, Custom-Made Potentiometers by Bourns The 2008 Les Paul Standard features all newly designed controls, including custom-made, gold-plated potentiometers manufactured by Bourns, one of the industry's leading makers of guitar electronics. These new potentiometers deliver accuracy and high reliability, while giving the Standard '08 a new level of sonic clarity and intensity never before seen in a Les Paul.
New Enlarged Neck Tenon The 2008 Les Paul Standard sports a revolutionary enlarged neck tenon designed by Gibson's team of pioneering engineers. The expanded neck tenon features an innovative interlocking joint that allows the neck to be dropped into the body from the guitar's top side, as opposed to sliding the neck in from the rim. When the glue is added, a solid unyielding bond is created that maximizes the wood to wood contact between the neck and the body, offering increased stability and superb transfer of vibration for enhanced tone, improved sustain, and superior resonance. It is also the largest neck tenon in the history of the Les Paul.

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12/23/2011

Yamaha Gigmaker Electric Guitar Package-Old Violin Sunburst Review

Yamaha Gigmaker Electric Guitar Package-Old Violin Sunburst
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Bought this as a Christmas gift for my 15 year-old son. He loves it. Great buy for all the components that come with the purchase. And when it was delivered, it was the size of a coffin. And just as heavy. But yet, the shipping was free. I LOVE YOU AMAZON. My biggest pet peeve is paying for shipping.

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11/21/2011

Yamaha Pacifica Series PAC112V Electric Guitar, Natural Review

Yamaha Pacifica Series PAC112V Electric Guitar, Natural
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I think Yamaha Pacifica 112v is the best inexpensive Strat-type guitar in the market. I find Pacifica 112V even better than mexican made strats. The bridge humbucker is pretty powerful and can be used for hard rock/metal tones with lots of distortion. The build quality is very good as well. Stays in tune for weeks!

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9/26/2011

Yamaha Gigmaker Electric Guitar Package, Metallic Red Review

Yamaha Gigmaker Electric Guitar Package, Metallic Red
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The good:
The guitar looks great. I'm new on this music stuff, so I guided myself for brand reputation. I bought it for my son on xmas.
The bad:
The first thing I noticed is the fact that the box containing the whole package is not labeled, tagged o whatever like the one on the picture. I was trying to surprise my son. Once he open the gift and see the image of a musician and all the stuff. I was the suprised when I see the package: just a regular brown box!
I thought "Ok. It was a wish and it was different."
On xmas morning I helped him open the box and do some review of the contains. When I see the cable to connect the guitar to the amplifier, I thought "Mmmhhh...I hope I'm wrong but this cable looks pretty cheap.". 12 hours later (same day) the cable spoiled.
In addition to that, the input to the cable on the guitar I supposed was not enough tight and eventually loose it from the guitar. I had to unscrew it, fix it and attach it again.
What is comming next? :-|


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