12/03/2011

Schecter Damien Elite-7 FR Seven String Electric Guitar Left Handed Review

Schecter Damien Elite-7 FR Seven String Electric Guitar Left Handed
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Bought this guitar a couple months ago and it was the best $600 I've spent...
Its very comfortable and not too heavy at all, the neck plays fast and the action is nice and low so there's not much needed effort to fret the strings. The EMG pickups are amazing, and when played a loud volumes, sounds extremely heavy and crunchy.
The Floyd Rose special system is amazing, I did all types of dive bombs whammy tricks and it never went the slightest out of tune.
This guitar is perfect for metal/hardcore music or anything heavy. I would highly recommend buying this, it's well worth the money.
PROS:
Great pickups
Great Floyd Rose system
Fast neck
Low action
Very comfortable
Stays in tune
Looks great
CONS:
Whammy bar feels a little far off the body (a little difficult to strum and hold whammy bar at the same time with pick hand)
Cutaway a little shallow (a little difficult to reach 24th fret on 1st 3 string, very difficult for last 3)

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ESP LTD M100FM Electric Guitar (See Thru Black Cherry) Review

ESP LTD M100FM Electric Guitar (See Thru Black Cherry)
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Bought this as a secondary, practice guitar. I am quite happy with it. The action is quite low, which I like and the floyd rose isn't too bad (not an original). I've read that this type of floyd rose jumps out of tune too easily, but I have not experienced this at all.
The fretboard is nice and thin, though I prefer my Jackson's more. The strings that came with it were pretty bad, but after installing some XL's the sound was much better. The downside of this guitar, which is why I gave it 4 instead of 5 stars is the pickups. Normally, it doesn't bother me much especially for a practice guitar, but these are quite horrible. The sound is just bearable after adding some better strings and there is hardly any sustain. The sound is also a mix of cheap crunch + muffle. For this price range though, it's expected and easily remedied if you choose to install a different pair. Overall, I like this guitar. It looks nice, plays comfortably and makes for a nice secondary.

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Hartke 410XL Bass Guitar Amplifier 4x10 Cabinet, 400 watts Review

Hartke 410XL Bass Guitar Amplifier 4x10 Cabinet, 400 watts
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Many thanks to Larry Hartke for my Hartke Endorsement and to The Music Stand in Smithfield RI for supplying Harke Bass Amps. The Harke 410XL Bass Cab is a perfect fit for my sound and style and for venues large and small. I am simply amazed by the tight, clean "PUNCH" this cab delivers and simply could not be happier with the results: HAPPY DANCING FANS!!!
Thanks Hartke and The Music Stand!
- Ernie Leblanc
Proud Endorser of Spector, RotoSound & Hartke Bass
Providence, Rhode Island USA
[...]

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Takamine G Series EG522C Acoustic Electric Classical Guitar, Natural Review

Takamine G Series EG522C Acoustic Electric Classical Guitar, Natural
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A great guitar if you're not looking for a top of the line classical, but still want good quality. I like how it's versatile, and the sound is nearly perfect for being a cutaway.

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12/02/2011

Steinberger Synapse SS-2F Guitar with Gigbag, Antique White Review

Steinberger Synapse SS-2F Guitar with Gigbag, Antique White
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I've always liked the efficiency of the minimalist Steinberger. I mean, why have more guitar than you need? The day I got my Steinberger Synapse it already had problems. An annoying buzz from deep in the guitar. I contacted Gibson who referred me to one of their local warranty luthiers. He removed the buzz after a week in the shop. Since there's so little to the guitar, I wondered how they could miss something so fundamental. I wanted to go a guage lighter on the strings. Double-ball end are hard to come by, so I loaded regular single-ball end into the guitar. The hex screws that were supposed to hold the strings didn't. The head-end has a design flaw so that any string under a certain gauge will wiggle right out of the clamp that is supposed to hold the string. The last straw came when I went to adjust the action and intonation. There is a hex bolt that keeps the bridge pieces from flopping around. I needed to loosen that to do anything that moves the bridge, like adjusting action and intonation. The problem is, the hex screw was half-way underwater, that is the head of it was so low perpendicular to the body of the guitar, that in order to insert a hex wrench you would need to drill a divot into the guitar body to insert the wrench. I can only assume this is problem of execution, because the instruction manual pictures show the screw head above the guitar body. Now I have to pack up a a brand new guitar for RMA at Gibson. Who knows what I'll get back. Support from Gibson has been slow. I don't think they care too much about their Steinberger brand. Now that I know how poor their execution is on making a guitar, there is no way I would buy a Les Paul.

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Squier by Fender Vintage Modified Jazz Bass, 2 Tone Sunburst Review

Squier by Fender Vintage Modified Jazz Bass, 2 Tone Sunburst
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First of all, since there are no helpful reviews on this bass, I thought I would try and write a constructive one. Also, since obviously anyone considering a Squier is looking on the budget end of the spectrum- its pointless to point this is NOT the same as an American Jazz Bass, but is never the less quite a solid bass.
My first impression was very positive and optimistic. It seemed to be set up decently. I tweaked the intonation and adjusted the truss rod a touch to lower the action a bit. The Tobacco Sunburst finish is excellent for a bass in this price range even if the wood itself leaves a bit to be desired (more on that later). The neck, while much thinner in width and narrower at the nut than most Fender neck profiles, has a very subtle radius that allows for ease of play. Like I said, with a minor tweak of the truss rod- the action is quite good. I can play quick lines at the 12th fret, and get little to no buzz whatsoever while playing on the lower frets. This is often a problem with budget basses and the particular model I got my hands on shines here I think. I was also surprised at how good of quality the rosewood fingerboard is for this price range, and the frets were finished nicely. Most of all I liked the smooth satin finish on the back of the neck that allows for effortless movement and is not "sticky". Also a personal preference for some.... But hey, now you know what to expect. Honestly, one thing I had to get over was the "Squier" moniker on the headstock. A lot of the budget "made overseas" models Fender has cranked out years ago have earned some disdain by musicians for good reason due to low quality. It looks like Fender is turning that around somewhat these days, especially with the Vintage Modified line.
As far as electronics - the Duncan Design pickups are more than adequate. They significantly outperform any other Squier Jazz bass pickup I have heard or tried. I thought the low end is smooth and paired with the basswood body is very warm, the mid range somewhat flat or neutral to my ear, and has balanced highs that I think are neither harsh nor particularly "sparkly". Overall a good pickup with that classic Fender "Toney-ness". I get a bit of hum that is normal with single coil J pickups but dialing in a blend of the bridge and neck pickup together alleviates this, and sounds fatter anyway.
Obviously being a Squier - this bass is made overseas to keep the price point lower. The Vintage Modified models are made in Indonesia, specifically. Its biggest detractor and difference between it and an MIA Fender is the lack of a 1-piece body. My basswood body, upon close inspection- appears to be 4 pieces of wood glued together with seams running lengthwise, rather than the single seam down the middle with book matched grain. It definitely takes away from the look, but even with a Sunburst finish it does not look bad. Another review on here had terrible things to say about the wood grain itself, this might be something to consider and look closely at...... in the end it might be better to buy one of these in person where you can inspect the wood grain and how the grain of the separate body sections match up.
So how does this Sunburst model compare to the other models? Well for one, this one has a thinner neck, smaller headstock, and no block inlays on the fretboard. (I do love the vintage vibe of the oversized headstock on the Maple and Gloss Black models). It has a rosewood fingerboard instead of maple, which is my personal preference. This model has a basswood body instead of maple, so noticeably warmer or subdued tone and smoother lows are to be expected, and has characteristically less trebly bite and attack.
I like my sound more melodic and smooth, and value less the attack or punchiness that comes with Maple.
I bought the VMJ for the sole purpose of getting back into playing again without spending more than $300. I play at church, run it through a passive DI / splitter, using a Hartke 120 watt combo for stage volume and the DI signal going straight through the board. For passive pickups and no outboard preamp, it is surprisingly adequate and usable. Most of all, I feel like I am playing a "real" bass and not a knock-off.
For the price - I think anyone who is not in the market for an American Fender, or is considering a MIM bass, should definitely check these out. I have played other Squier Basses and the Affinty basses, and they don't come near as close to a MIM Jazz bass in terms of feel and sound.


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Gold Tone LS-8 Lap Steel Guitar (Eight String, Two Tone Tobacco) Review

Gold Tone LS-8 Lap Steel Guitar (Eight String, Two Tone Tobacco)
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I've used the 6 string version of this guitar for years. I've gigged it as a "Hawaiian" musician all around San Diego. I always regarded the 6 string guitar as an excellent guitar.
In time though I came to realize that to really explore the instrument you need the other 2 strings. With 6 strings I found myself constantly using work-arounds to compensate for the missing lower strings... which can be confusing on the gig as it's not always intuitive where these notes are. With 8 strings you have two complete strings courses so that your straight bar positions cover nearly 2 octaves.
I use A6 tuning, no variation, so the upper 4 strings are one octave higher than the bottom four. The intervals are the same as C6 with a hi G string, so the transition - should I ever need to play in C6 - is very simple.
The neck is a little wider and thus the guitar is heavier, but this guitar is otherwise identical to the 6 stringer. The finish is superb. String spacing is a little wider than older lap steels but very comfortable. The single coil pickup is responsive and articulate. The Kluson tuners (well, Gotoh Klusons) are quality and the buttons are metal rather than plastic... although I have nothing against plastic buttons.
My only complaint: the "fretboard" (which incidentally features actual frets) only extends to the 19th fret. Often I have to go above that which can be a pain, but you'd be surprised how quickly you get used to it. Still. To the good folks at Goldtone: I realize this is supposed to be a somewhat-identical copy of the Oahu Tonemaster... but I don't think the Tonemaster ever came with 8 strings. So in this case it is permissible to use an extended fretboard, at least to the 24th fret. At least think about it.

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