Showing posts with label midi. Show all posts
Showing posts with label midi. Show all posts

11/24/2012

Native Instruments KORE 2 Review

Native Instruments KORE 2
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Sorry you had a bad experience with NI and Kore, and I know it's not helpful but I haven't experienced any of the issues you did. It recognized all my Komplete 7 stuff after a plug-in install and database rescan (which took what felt like a day, but still it worked.) I can't comment on their tech support because frankly I have never needed it. The hardware could be a bit more solid, and it took some getting used to but it's a time saver once you get it down. Frankly I don't really think it's worth the extra money, and I'd get just the software version if I could go back in time.. unless you are just really into gadgets and flashy lights more than anything. Kore makes it so easy to tweak, edit, combine, and interface with the overwhelming # of sounds you get in the Komplete package, I can't imagine working without it.
Waves may be putting out good software-- as far as I know it's mostly effects, not virtual instruments and synths like Kore and Kontakt from NI.. and at $4,750 + the mercury package may be a steal but I'll never know. I'd rather eat and wear clothes. :)

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11/15/2012

SoftStep Foot Controller Review

SoftStep Foot Controller
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This thing is amazing! It's is a huge step beyond what has been available 'til now (FCB-1010, etc).
The Max5 based software still a little buggy (as of Jan-2011, V.1.03) and could be better, and hopefully will be soon if the quality of the pedal is any indication.

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The Keith McMillen Softstep USB MIDI Foot Controller represents a huge leap forward in footpedal controllers. Together with the included KeyWorx software (Windows and Mac), it allows you to add feet-on control of your MIDI keyboard, effects units, music software or anything that can be controlled via MIDI or OSC. Its a dream come true for musicians and DJs who could benefit from an extra set of hands, as well as not so obvious applications like video effects, computer gaming, robotics and pyrotechnics.Popular software titles like Pro Tools, Abelton Live, Amplitube, Logic and MainStage as well as hardware from Avid (Eleven Rack), Line 6 (POD) can all be controlled by the SoftStep.The Keith McMillen SoftStep is portable and, while its build is rugged and spill-proof, is extremely compact and lightweight. At just 1.3 lbs and 1 tall when lying flat, it gets its power via the USB connection making it easy to pack up and hit the road. Together with the included KeyWorx software youll be able to set up commands for each of the SoftSteps 11 multi-touch key surfaces. You can select programs, bring a browser window forward, scroll through folders and open documents, control the cursor, send out keystrokes and mouse clicks, zoom in and out, control volume and more! A 4-character LED display, 10 dual-color key LEDs, and EL under-glow give you performance feedback thats easy to read even on dimly lit stages. * About the optional Keith McMillen SoftStep MIDI Expander:The SoftStep MIDI Expander enables you to use the SoftStep USB MIDI Foot Controller to control your MIDI world. The MIDI expander provides a MIDI In and a MIDI Out that shows up on your computer as SoftStep MIDI Port 2. The SoftStep MIDI Expander is easy to set up and use. Just program your SoftStep with our easy-to-use control mapping software, plug in your MIDI rig, and you're ready to send and receive data to external MIDI hardware. The SoftStep MIDI Expander is needed to use the SoftStep without your com...

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11/14/2012

Mackie MC Extender Pro 8-Ch. Control Surface Extension Review

Mackie MC Extender Pro 8-Ch. Control Surface Extension
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Of course we all know what this unit does! Like its mother the MCU Pro its solidly built and now equipped with really cool Alpine motorized faders! Worked straight out of the box! I use it with Sonar and Reaper and its simply perfect! However!
This unit requires two short midi cables to connect with the main MCU Pro so why, why, why do Mackie ship this with a USB cable??? I mean it doesn't even have a USB port! Maybe someone at the LOUD factory was a little hung over when they packed my unit! Anyhow, that aside! I recommend this product to anyone!

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11/12/2012

Casio CDP-100 88-Note Weighted Hammer Action Digital Piano Review

Casio CDP-100 88-Note Weighted Hammer Action Digital Piano
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I purchased a used version of this based off the previous reviews. I definitely agree the weighted keyboard has a nice feel to it (this is coming from someone who's used acoustic pianos in the past) and the keyboard itself is very slim & not too heavy...easy to carry around.
What was really disappointing was the sound...it sounds a little masked, not sharp/crisp. I'm not very picky, I just wanted a full keyboard to practice on, but this was something that bothered me. I actually was able compare it to a Casio WK-200 (which is a cheaper keyboard) & surprisingly the CDP-100 sounded worse than it's cheaper counterpart.
I brushed off someone's previous comment about the sound because I figured it couldn't be that bad. It is that bad, so take this into consideration if you're planning to purchase.


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11/11/2012

M-Audio ProKeys Premium Stage Piano Review

M-Audio ProKeys Premium Stage Piano
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The Piano sound is truly the best sound you can find for even under $1000, and this is only $500.
Thats the good news.
The other sounds are ok, the organ sounds being the worst, and the electric piano being the best non-piano sounds. The worst part (and the reason i wouldnt buy it again) is the touch. If you plan on just pounding out chords, itll be fine, but if you play classical, jazz, or even most pop-styles that require a bit of touch, you will hate this piano. They say it is "Hammer-Action" but really they should be called "way-over-weighted". These are the heaviest keys i have ever played, and I wish i would have played it before i bought it online.

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The ProKeys 88 is the premium digital stage piano that doubles as a great MIDI controller. It's loaded with large, realistic samples 14 world-class instruments in all, including split/layer capabilities. We paired those great sounds with an 88-key hammer-action keyboard, delivering a realistic feel to satisfy the most demanding pro. The ProKeys 88 is also a great master controller keyboard, including a built-in USB MIDI interface for easy direct connection to your PC or Mac, MIDI In and Out jacks to communicate with other MIDI gear, pitch and modulation wheels, sequencer controls and more. ProKeys 88 pulls out all the stops in creating the ultimate playing experience in an affordable digital stage piano.


Ultra-Realistic Piano Our goal in designing the ProKeys 88 was to create an extremely musical and realistic piano experience. The caliber of a digital piano is greatly influenced by the quality and the size of the samples, so we started by giving the ProKeys 88 a generous amount of memory. Then, rather than dividing it up amongst a bunch of sounds you're not likely to use, we focused on the 14 sounds that are the bread and butter for many keyboardists--paying special attention to the stereo grand piano.

More Than a Stage Piano The ProKeys 88 delivers all the staple keyboard sounds needed by many musicians. Its flagship stereo grand is supplemented by an alternate grand designed to really cut through in popular music. The ProKeys 88 has electric pianos covered too. And the Clavinet brings one word to mind: "funky." Acoustic and electric basses give you the option of layering a ride cymbal for jazz tunes. Vibes, ensemble strings and an inspiring warm, lush synth pad round out a great sonic palette for the gigging keyboardist.
88-Key Hammer Action Of course, a realistic digital stage piano must have a full 88 keys that are properly weighted. The ProKeys 88's full-range clavier features hammer action that feels just like the real thing. It features three velocity curves tailored to different touches, as well as a fixed velocity for synth work.
Splits and Layers The ProKeys 88 keyboard also features split and layer capabilities. Put a bass in your left hand and keys in your right. Chord with an organ while playing a piano lead. Layer lush strings over a piano. You can even have a split and layer simultaneously for a total of three sounds at once.
Control Your DAW When it comes to communicating with the outside world, most digital stage pianos offer little more than a MIDI jack. In sharp contrast, the ProKeys 88 inherits much from M-Audio's years of experience pioneering mobile MIDI controllers. It incorporates a full USB MIDI interface that communicates with your PC or Mac via a single, simple USB connection--perfect for recording with virtually all MIDI sequencer software on the market. (The instrument features class compliancy with Windows XP and Mac OS X without installation of additional drivers.) You can even control your sequencer remotely via front-panel Start, Stop and Tempo buttons.
MIDI In and Out jacks allow full communication with all standard MIDI gear as well. The ProKeys 88 also features performance controls that are rare on digital stage pianos, including pitch wheel, modulation wheel, two footswitch inputs, and expression pedal input. The three different ranges available via the ProKeys 88's combined split and layer functions can each transmit on a separate MIDI channel as well. You also get dedicated front-panel buttons for program change, channel, bank MSB, bank LSB and local on/off.
Built-in Effects There's no need to mess around with additional gear to add basic effects to your ProKeys 88. On-board EQ lets you easily tweak the tone on the fly. You also get three different built-in reverb spaces that simulate different acoustic environments. Chorus fattens up sounds like the electric pianos and basses. And what's a vintage Wurlitzer electric piano without tremolo? Experiment with different effects on the ProKeys 88 to create signature sounds of your own.
Full Pedal Complement Every digital piano has a sustain pedal jack. But what about the sostenuto pedal (the middle pedal on an acoustic piano)? ProKeys 88 has it. There's also an expression pedal for foot-control of volume. And all three of these pedals serve as MIDI controllers for outboard gear as well.
Headphones and Pro Audio Outputs Ever need to practice privately? ProKeys 88 includes a 1/4-inch stereo headphone jack so you can play without anyone else hearing you--at home or at a sound check. Of course, it wouldn't be an M-Audio product without high-fidelity 1/4-inch unbalanced audio output with specs like 20Hz-20kHz frequency response and 108dB dynamic range.
What's in the Box ProKeys 88, Software Driver CD (drivers and applications), USB cable, Printed User Manual, Power supply (12V DC), Sustain Pedal

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10/06/2012

Akai MPK 49 Controller Keyboard Review

Akai MPK 49 Controller Keyboard
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First of all, the pads DO suck. MPC's are known for their pads so you'd think Akai would at least be able to put the same type of pad/contact design on their MPK line. Instead they put a bunch of pads with no play that feel like buttons and make the keyboard housing vibrate when you pound them. On top of that they placed the contacts so far away it's damn near impossible to get 127 velocity on the pads without going Full Level. Even my LPD8 feels better than this thing. And even though they look like the MPC1000 pads, the 1000 pads are twice as thick as the ones here. I would have loved for them to have put the 1000 pads on this. At least then I'd be able to play back a chopped loop without feeling like I'm dialing a phone number.
The best part of the controller is the control surface. The transport keys, knobs, and sliders feel great. The LCD screen looks great.
Something unique about the controller is that it has built in MIDI settings that mimic classic MPC functions (16 level, MPC swing, note repeat). Too bad the pads keep you from fully enjoying these features.
The keys are decent but slightly noisy because they vibrate on release. The controller is also one of the few 49 key controllers out there with aftertouch. I prefer the lever-like feel of the Axiom when it comes to using aftertouch but the keys here are not a dealbreaker.
There's also a simple arpeggiator you can use. It's fairly simple in that there are only 5 settings you can use to separate notes in a chord. If you've used a more sophisticated arp (like the one on a Yamaha KX8), you'll be disappointed though.
The MPK is a good controller but Akai could have done way better than this. If you're using this for the keys and control surface it's a decent investment. But if you're thinking of buying this for the pads so you can drum and play back chopped loops, get an MPD instead.

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More than just a USB/MIDI controller, the Akai MPK49 USB/MIDI Controller Keyboard helps you maximize your musical ideas on-stage or in the studio. It combines a high-quality, 49-key, semi-weighted keyboard with aftertouch and 12 genuine MPC drum pads. It also offers 48 total accessible pads via 4 pad banks, and you can control up to 72 different parameters via 24 assignable Q-Link knobs, faders, and buttons as well as optional footswitches.


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9/17/2012

Yamaha QY100 Music Sequencer Review

Yamaha QY100 Music Sequencer
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This is the best drum machine out there, because it's the only one I could find that allows you to substitute any yamaha keyboard sound for a drum. In other words, instead of the limit sounds you get from other drum machines (snares, kicks, symbols, and maybe bass), you get EVERY sound with this thing. So what you can do with this thing is take, for example, the kick on any preset drum loop this thing has, and replace that kick with a trumpet or guitar or strings. And obviously with such an awesome feature like that, it would be important to be able to set the "key" for those other instruments, which this thing does better than any other with its built-in miniature keyboard (look at the photos to see, it has a two octave keyboard of white and block keys) which you can use to "record" the key changes of your sequence. So you take, for example, a preset sequence/loop and you hit "record" and you begin to play along with the keys, and it records that as a song. You can then play back that song in any tempo, and it's like you got a whole band accompanying you. And more than this, this thing has a full-feature synth so you can edit every sound, make it dull, make it echo, add any effect, adjust the equalization of any sound, resonance, cut-off certain frequencies, etc. The only thing I wish this thing would do is light-up better in the dark. It can be hard to see in the dark. I had to use a book-reading light to see it in some live settings.

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9/07/2012

M-Audio Prokeys Sono 88 Review

M-Audio Prokeys Sono 88
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I bought it for my wife,alas it didn't work.I suppose, because it was packed not enough secure and also it has very light weight and therefore fragile.I 've sent it back and had my money back but not the shipment money

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8/20/2012

Akai XR20 Beat Production Station Drum Machine Review

Akai XR20 Beat Production Station Drum Machine
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I sent my XR20 midiclock, balanced its levels with some other gear, and voila! Amazing results. Funky, groovy, sounds awesome through my Korg KP3 Kaoss pad. Cool modes on this machine, too: it plays bass and synth. And one-shot FX. And there's tons and tons of samples--and you can switch drum kits on the fly. And you can switch patterns on measure boundaries only! Which keeps live jams with it from running out of control. And it does fills. And it sounds great. AND it has a microphone input, which means that I can send my voice into it! And it looks awesome. And the user interface is really well designed. And it's small. And it runs on batteries. And and and and and...

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Create beats wherever you roam with the Akai XR20 Beat Production Station, perfect for making hip-hop and R&B wherever and whenever inspiration strikes. The XR20 features sounds of standard and electronic drums, single (one-shot) hits, bass and synth sounds to easily create the maximum mix in minimal time.
More than 700 pre-loaded sounds cover a range of drums, percussion, effects and instrument samples, while an integrated effects engine includes Reverb, EQ and Compression, enabling users to make complete backing tracks. Plug in a microphone and mix vocals with your beats. In Pattern Play mode, you can trigger different patterns from each pad, so you can tailor the beats to flow with the energy on-stage. Bright blue pads light with the beat to illuminate your performances as you light up the club. The XR20 runs on wall or battery power, so it's flexible and portable.
Key Features
Over 700 sounds produced by Chronic Music
99 preset patterns and 99 user patterns
Backlit LCD
Bright, glowing, backlit pads that follow the beat
Microphone input and headphone output
Pattern Play Mode -- different patterns can be triggered from individual pads
Drum Roll / Note Repeat feature for realism and expression
Battery power capability and AC adapter

Specifications
Inputs:
One 1/4-inch mic
Two 1/4-inch footswitch
One MIDI

Outputs:
One 1/4-inch stereo pair (main)
One 1/4-inch stereo (aux)
One 1/4-inch stereo headphones
One MIDI



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Casio PX3 Digital Stage Piano Review

Casio PX3 Digital Stage Piano
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Received my PX-3 from JR Music through Amazon a little over a month ago. It arrived on the date promised with no problems with the packaging or the setup. The PX-3 is what it is; a lightweight, small footprint, digital piano and midi controller. That is what I wanted and I am very happy with it.
It fits on my desk, it is easy to move around, and it is not flimsy. I'm big and play rather heavily and it seems stout enough.
I like the feel of the matte keys and the piano action. The piano samples are good, I don't use the EP tones much but they sound fine to me.
It works my JV-1010, "Band-in- a-Box" and "Power-Tracks" with no problems. Setting up the layers for internal tones and external controls is easy after reading the manual. On the controller side I would have liked knobs, sliders and after-touch. It is possible to change the volume of an individual zone on the fly, but it takes a lot of coordination if I'm playing at the same time. Even given that, as a controller it is a lot easier to set things up on it than my old SL161 and it has the nice piano action.
I received the free gig bag for registering the piano from Casio within a month, it is very nice.


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8/17/2012

Korg KP3 Kaoss Pad Dynamic Effects Sampler Review

Korg KP3 Kaoss Pad Dynamic Effects Sampler
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first thing, i am no where near a pro with effects and recording equipment, that said, i have a long history with korg, and know from exp they make really good effects and at good prices. this machine is addictive. i want to let potential buyers know what you can do with the kaoss right out of the box, with about 20min w the manual. so it is basically an effects processer, instrument(drum machine and synth) and a sampler(w 4 banks a-d) i have a 400 disc player, and ran the rca through the korg line in, and line out into a 8 track digital recorder. and its just fun. i hit random play, and rarely get past the first 30 seconds of a song. the kaoss makes it very easy to sample any line in, and loops them, you can use up to 4 at a time,and you can save your fav samples on sd cards (2gb max,which you can buy on amazon for 7$,i like kingston) thats just the beginning, once you get a sample or samples, you have a hundred dif effects(phaser, grain,delays, re-verb common effects and sounds in the korg library) so you get a sample, you loop it back and you can manipulate it in a infinite number of ways. it also has bpm, a feature that syncs the beats in the machine to music from the line in, so it does the timing for you, and the beats loop in increments(4,8,16} the touch pad(which is huge) act as the knobs on effects and synths. so the clip its playing changes with every move of your finger. , every time you change the effect it opens a new world of the same sample.
now the drum machine and synth, there could have been more banks here and less effects, but some i imagine would say the opposite. i very much like that it loops seamlessly, and you can change the measures, but not as versatile as traditional drum machines. the touch pad responds very well, though when you tap faster as in a drum roll, it will hold up, but the sound is more in the held position anyway.and its somewhat user friendly, i say that cause i hate manuals, i just like to play, so i have figured out about 20% of this machine, and still i cant help to smile just looking at it. i have been looking into samplers for 15yrs and this is the least expensive, most fun, and easiest to use machine i have ever seen. . i, you can be silly, serious, either way it will impress(it will process anything w rca jacks, so there is no limit, there is allot of rhythm in the most common tv shows, radio programs, even the worst lp has sumthing sweet korg gives one year warranty,
update drum machine and synth work welly well w my microkorg, play one w your right and other with the left hand, ,my guitar through the mic input is really cool, you press hold on the effects, and you can change the sound completely after each riff, not so good w my bass, distorts at low levels

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Embraced by DJs, musicians, and producers alike, the Korg KP3 Kaoss Pad Dynamic Effects Sampler is intuitive, immediate, and just plain fun to use. By simply touching, tapping or sliding your finger over the touchpad, the Korg KP3 allows you to control multiple effects parameters and manipulate samples in real time. On stage or in the studio, these gestures and moves can become truly powerful and expressive performance elements.
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7/21/2012

Casio PX-130 88-Key Digital Stage Piano Review

Casio PX-130 88-Key Digital Stage Piano
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My first keyboard was a Casio. My brother bought it for me when I was 12. It was little more than a 24 note toy, but it was mine and I was proud to own it. As I grew into my music and more serious about performing, I became jaded and picky about my instruments. Casio had a well earned reputation for being cheap, low end starter boards. The most expensive keyboard I ever owned was a Yamaha DX7 FD. Until now, I never owned a full sized, 88 note keyboard, let alone, a keyboard with realistic action.
Enter the Casio PX-130.
Exit all my preconceptions about Casio.
Look and Feel: I love the classic, uncluttered look of the instrument. It has minimal buttons and lights. There is no screen. It first and foremost wants to be a piano. It succeeds. It will look right at home in a studio, a church, or a living room. As for feel, when playing, I have to remind myself that it is not an acoustic. My fingers are convinced that these keys are attached to a big, wooden cabinet in the form of a traditional piano. I did not get a chance to see one of these in a store before buying. I was worried the keys would feel cheap. Needless to say, my expectations were blown away from the first touch. You will not be disappointed.
Sound: If you know what a piano sounds like, you know what this sounds like. I won't pretend to know how all the high end electronic pianos sound, but they can't possibly be head and shoulders above this one. Just as my fingers are easily convinced they are playing an acoustic piano, my ears are equally convinced. If you are thinking about buying an acoustic piano for your home, do it only for the value of a classic piece of furniture, not for the sound. This casio sounds so much better than 90% of the pianos I've played in the homes of people I have visited. The speakers are more than sufficient for most common uses. High notes sound like they originate from the right of center while the opposite is true for low notes, just like you would expect from an acoustic piano. Such full and realistic sound from such a compact package is shocking. You will not be disappointed.
Features: This keyboard has several other sounds besides the traditional piano. To my ear, they are all quite good. Not everyone will find use for all of the sounds, but all of the sounds will be useful to many people. I will not take the time here to describe each sound. There are YouTube videos that do a good job of that. IMO, this keyboard would be well worth it just for the piano sound; the others make for a great bonus. You can split the keyboard to play two different sounds, or you can combine two different sounds to make one composite sound. There is a library of songs built into the memory that are readily accessible. You can even transfer files from your computer to be played on the keyboard. Speaking of computers, this is a great companion for a midi enabled computer, Mac or PC. I use a Mac. After connecting a USB cable, I was instantly able to use the keyboard to trigger the midi in all three of my music creation programs: GarageBand, Logic Studio, and Band in a Box. I experienced no detectable latency in any of the programs. It just worked. You can even record your performances directly in the piano's memory and send them to your computer for editing and use with other programs. There are many useful features. You will not be disappointed.
Value: It is worth every penny of the asking price. Even so, you can find even better deals if you are willing to do a bit of searching. Yes, this is a Casio. No, this is not even the top model in the Privia line. Do not let the low price or the name brand trick you into passing this one up. From now on, I will look at Casio before looking at Yamaha or Roland. Yes, I feel just as silly writing such a thing as you do reading it. But there it is. I have got to believe that the Casio PX-130 is the best keyboard value going right now.
Cons: By no measure can this be considered a toy. Having said that, it is still made out of plastic. Nor is it that good polycarbonate stuff Apple uses for the white MacBook line. It is not industrial grade anything. It is just plain old cheap plastic. I suggest you buy a good case if you are going to travel with it. Also, be prepared for a small learning curve. Because there are so few buttons, most of the functions can only be accessed through the use of a function key paired with one or more of the 88 playable keys. That is a slightly annoying, but acceptable trade-off for having an uncluttered look. Finally, I wish there was more than one USB port. Once you have such a useful device, you will think of many ways to use another USB port or two. That is more of a wish list item than a complaint.
Conclusion: Despite the minor gripes, I gladly gave it five stars. In fact, I plan to buy another one specifically for travel. I do not write many reviews, but I felt it was important to do my part in getting the word out about this product. Casio should be rewarded for what they have done. They have successfully reinvented themselves and we are the beneficiaries. You will not be disappointed.

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The new Casio Privia PX-130 redefines the digital piano category with unprecedented sound quality and performance in a sleek package that is supremely portable. Featuring all new grand piano samples and a new Tri-Sensor 88-note scaled hammer action keyboard and weighing less than 25 lbs., the Casio Privia PX-130 is versatile enough for home, church, school or on stage.

Realism, Expression and Dynamics The grand piano sounds in the PX-130 delivers an unprecedented level of realism and expression. Four dynamic layers of stereo piano samples are integrated with Casio's proprietary Linear Morphing System, resulting in a grand piano sound with seamless transitions and a superior dynamic range. For added realism, the PX-130 simulates the sound of the open strings when the dampers are raised by the pedal using Acoustic Resonance DSP. The PX-130 also has 128-note polyphony, enough horsepower for the most demanding musical passages and the ability to layer sounds and use the damper pedal without worry of dropped notes. The result is a grand piano experience that is unmatched at any price.
Expressive Touch The Privia PX-130 features a new Tri-Sensor 88-note scaled hammer action keyboard. Casio's superior engineering has resulted in an authentic piano touch that captures every detail and nuance of your performance.This scaled hammer action provides the weight, feel and resistance without sacrificing the portability of the instrument.
Education Features In addition to the superior keyboard action and piano sound, the PX-130 is the perfect instrument for music education. Featuring Casio's Duet mode, the keyboard can be split into two equal ranges, allowing student and teacher to play at the keyboard simultaneously.The PX-130's built-in 2 track recorder and metronome allows you to practice any tempo and later listen back to what you just played.The recording features can also be used to capture moments of creativity and remember song ideas. The optional SP-32 pedal board simulates an acoustic grand piano by providing all three pedals - soft, sostenuto and damper.
Connect and Create It's easy to connect the PX-130 to your computer with its built in USB MIDI interface. The PX-130's 88-note weighted scaled hammer action keyboard makes it an ideal controller keyboard for using with music software applications. The USB connection also allows you to move songs to and from the computer into PX-130's flash ROM, allowing to you save songs you've created.
Versatility, Portability and Design Whether you're at home, church, school or on stage, the PX-130 was designed to tackle it all, making it a valuable investment. With its light weight, you can easily take the PX-130 from home, to the classroom or even to the gig and back with no worries. It connects easily to your computer via USB, and its Duet mode is perfect for student and teacher practice. The technology in the Casio PX-130 allows you to do it all.
Plenty of Variety Choose from 16 built in tones, and combine if desired--layered or split. Further define your sounds with four digital reverbs, four choruses, along with a brilliance and acoustic resonance setting.
Two Headphone Connections The PX-130 features two headphone connections, ideal for the duet function.
Powerful Speaker System The PX-130 features built-in speakers, with 2 x 8 Watts of output power, to fill a room with sound.
Accessorize With the optional SP-32 three-pedal unit, add damper, soft, and sostenuto pedals to the PX-130.
Optional Custom Wood Stand The CS-67 custom wood stand is available for adding a bit of elegance and holding your PX-130 at ideal level.
What's in the Box Privia PX-130 Keyboard, AC Adapter, Music Stand, User's Manual

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7/13/2012

Akai APC40 Abelton Controller Review

Akai APC40 Abelton Controller
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I've been drooling over this since it was announced, and I am so happy that I finally broke down and bought one. It's a shame that there are no reviews up yet, so let me be the first to say that this controller is amazing. Make sure that you erase any previous midi mapping that you've done and then restart Ableton, and you'll find that it has perfectly automapped itself. At first I thought that it was a little strange that there's no manual included... but after five minutes, I realized that it DOESN'T NEED A MANUAL. That's just how intuitive it is, from top to bottom.
The hardware itself is up to usual Akai standards: the knobs and faders feel weighty and responsive. This thing is both larger and thinner than I thought it would be, but after playing around with it the size feels perfect. The two-way communication is killer- just drop an audio clip into Live and it will instantly appear on the grid, color-coded to match its status. Recording and triggering loops couldn't be easier, and the entire interface perfectly emulates what you're used to seeing on the screen.
In the upper right-hand corner you have control over the pan and sends A through C for tracks 1-8, which is really nice. My only complaint is that I would have preferred to have it become all the sends for whatever track is highlighted, but I'll get used to the new workflow. Part of what makes Ableton Live great is that it accommodates so many different styles of music, so making a universal controller for the program was a bit of a challenge. Akai really stepped up and once you get your hands on it, you'll see what all the hype is about: this really is the be-all and end-all of hardware for the program.
One downside I've found is that navigating the plugins can be sort of clunky. First you highlight a track and then the knobs in the lower right are assigned to the first plugin you've placed there. Then you use the left and right buttons to scroll through each unit, and when you do the knobs reassign themselves to control the appropriate effects. I find that having to click through them all is sort of difficult, but there's nothing stopping me from using the mouse like I used to. I guess the only thing that is stopping me from handing out a 5-star rating is that the APC40 sort of forces you to use the workflow they've designed. Remapping the controls isn't difficult, but everything is laid-out and labeled in such a way that it sort of corrals you into getting used to doing things their way.
This review is starting to look a little long, so I'll just sum it up: I absolutely love this thing. I wish I had picked it up sooner and if you are AT ALL considering this purchase, just do it already. Well-constructed, well-programmed, and absolutely worth the money. Like me, you're probably used to using an assortment of controllers and you're wondering if you need to spend the cash. Well, this thing will replace all of those and more, and you'll quickly get used to the layout. Just do it!

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Working in partnership with software developer Ableton, the Akai APC40 Performance Controller offers a control surface that's specifically designed for performance with Ableton Live software. Designed to be a powerful, intuitive controller for electronic music performance artists, DJs, hip-hop producers and traditional musicians using Ableton Live on stage and in the studio, the Akai APC40 transforms your experience from one of constructing tracks with software on a computer to one of fluid, effortless, musical creation.

Key Features
Designed in partnership with Ableton for Ableton Live
Unique clip matrix with multicolor lighting displays current clip status
No mapping required; every knob, button, and fader is customizable
Bidirectional communication between APC40 and Ableton Live
Solid, professional feel with rugged, metal chassis and premium controls
Comes with Akai APC40 edition of Ableton Live Lite, free upgrade patch for full versions of Live
Works with standalone editions of Ableton Live
Works with most MIDI recording, sequencing, and performance software
USB plug-and-play connection for Mac and PC
Premium controller with rugged, metal chassis

Direct Design Because Akai Professional and Ableton designed the APC40 specifically for Ableton Live, you don't need to map its controls to talk to the software. Just connect your laptop to the APC40 via USB--thanks to its plug and play capabilities, you won't need to install any drivers. It comes pre-mapped for instant use with Ableton Live software, so if you're new to it, you'll find using the APC40 to be easy to get around on. And if you're an experienced Live user, you'll be happy to note that you can custom-map every single knob, button, and fader on the APC40 to completely customize the controls for the way you like to work.
Virtual View Because of the bidirectional communication between the APC40 and Ableton Live software, the APC40 can receive feedback from the software and display it on its clip matrix of 40 triggers and on LED rings surrounding each knob. The clip matrix gives you an instant view of clip status: what's loaded, what's playing, and what's being recorded. Each state displays on the matrix in a different color so you can get a quick picture of clip state. You can shift your clip focus and get an overview of the clips you have loaded for your set.
The APC40 has 16 knobs, each surrounded by a ring of LEDs. These LED rings make it easy to see your settings on dark stages, indicating the currently selected parameters' values.
Premium Feel The APC40 is built with a rugged, metal chassis and slip-proof rubber detailing. All of the knobs and faders are solid and precise for pinpoint performance. It even features a high quality, replaceable crossfader for transitioning between clips and loops assigned to "A" or "B."
Creative Control The APC40 comes with Ableton Live Akai Professional APC40 Edition software, which is fully functional for performance and production. Owners of standalone editions of Ableton Live 7 or 8 can also work seamlessly with the APC40. Live 7 with the latest automatic update has full support for the APC40 and all versions of Live 8 are APC40-ready.
The APC40 has two banks of eight knobs. The first set controls Global parameters so you'll always have instant access to your main sends, pans, and other essentials. The second bank of eight knobs is dynamically reassigned to the Track you select. You can control eight track parameters at a time, and as you switch channels, the Track knobs follow your focus. For example, you might be working with the Beat Decoder on track two. When you switch to track four, the eight Track knobs that you had been controlling the Beat Decoder with are now controlling the Flangeverb on track four. You'll even notice that the settings for each knob load on the light rings so you'll immediately see each knob's status.
The APC40 also enables special clip-status views and feedback that only the APC40's matrix can display. The matrix is not limited to only 40 clips: you can scroll and shift, enabling you to access, control, and perform with an unlimited number of cells.
The APC40 has a wide range of controllers. The eight Global knobs can access four banks of controls; the eight Track knobs control nine different track parameters each. This gives you a massive total of 72 controllers that are dynamically reassigned each time you switch tracks. Channel faders, bus faders, and a crossfader give you smooth control of key values. You have even more control power with special controls including Tap Tempo, Tempo Nudge, record enables, solo/cues, and two assignable footswitch inputs.
Specifications
Dimensions: 16.88 x 13.13 x 2.62 inches (WxDxH)
Weight: 5.8 pounds
Power supply: 12V 2.0A pin-positive, included
Communication: USB-MIDI with proprietary hardware/software handshake
Inputs: USB, Two assignable footswitch inputs
Mac system requirements: G4 or faster/Intel Mac recommended, 512 MB RAM/1 GB recommended, OS 10.3.9, 10.4 or later. recommended, QuickTime 6.5 or higher, DVD-ROM drive, USB port
PC system requirements: 1.5 GHz or faster, 512 MB RAM/1 GB recommended, Windows XP or Vista, Windows-compatible sound card/ASIO driver support recommended, QuickTime 6.5 or higher, DVD-ROM drive, USB port


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6/28/2012

Korg microKorg Analog Modeling Synthesizer with Vocoder Review

Korg microKorg Analog Modeling Synthesizer with Vocoder
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The MicroKorg is probably the finest synth you'll ever get at that price. It's very small (same size as many of those toy keyboards you grew up as a kid, but this is no toy), and has 37 keys, although the big criticisms here is Korg opted for toy keyboard-sized keys, rather than full-sized keys (the similar sized and similarly priced Alesis Micron, also 37 keys, used full-sized keys). It's a four note polyphonic virtual analog synth capable of fantastic analog sounds, with all the great sounds of the '70s, '80s, and '90s! It's essentially a Korg MS-2000 in a small package, but with an 8-band vocoder (instead of 16-band), and a superior arpeggiator, great for all you electronica and techno buffs out there, or those who want to create Tangerine Dream-like rhythms without the bulky gear that group had to use back in the glory days of the mid '70s. I've been aware of vocoders for ages, and of course, was a huge trademark in Kraftwerk's sound (they started using vocoders starting with 1973's Ralf & Florian, which is one album prior to their famous breakthrough, Autobahn), I am so happy to now personally own a vocoder, that is, one included in a synth. It has a condensor microphone for use of a vocoder, although you can hook up any standard microphone too. Like most any synth made in the last 20-25 years, it's MIDI, so you can have it interact with other MIDI synths, drum machines, your computer, or any other MIDI device.
Although it comes with an AC adapter for home and studio use, you'll be happy that you can use 6 AA batteries, so you can bring it with you on your next camping adventure (plus it has a headphone jack too, since hooking it up to speakers might be a bit difficult in the Great Outdoors).
It's also fully programmable, you can alter the sounds already included, or you can erase one of the settings and start from scratch. I really love the features you can do here. You can have it polyphonic, or monophonic for use of soloing, or retro-'70s analog sounds. It has two oscillators, you have many different choices of waveforms. You can edit the arpeggiator so you can get it to do different rhythms (it can do up to a sequence of 8 notes). I also really like the delay feature, to get that echo sound when you release the note, it really gives it a fuller sound. You can get it to pan for that wonderful stereo effect, or select a phasor. You can even program it to have the pitch wheel and modulation wheel do things, such as altering pitch, the resonance, vibrato, etc. There'e two edit knobs, and five more knobs to help you with the programming. But I very much suggest you read the instruction manual, or you might have a hard time programming it. But once you get a hang of it, you'll have a ton of fun programming your own sounds and see what you can do. Despite the keys itself, it's actually a fully professional synthesizer.
The MicroKorg might be geared for the younger audience, thanks to its low price and many of the techno sounds it can do, but Jean Michel Jarre uses one and he's hardly young. Not to mention you can make it do a lot of non-techno sounds too, like classic '70s analog sounds, or '80s polyphonic synth sounds (like what you hear on Van Halen's "Jump") so it doesn't just appeal to the young segment.
It's great see many professional musicians using it from Jean Michel Jarre right down to Nick Rhodes of Duran Duran. I even saw a documentary directed by Hans Fjellestad called Moog, which was about Robert Moog and of Moog synthesizers, and they showed several techno/electronic groups where the main emphasis was on their Moog gear (naturally), but one group was clearly shown with a MicroKorg.
This is no 88 key workstation, that's for sure. In some cases that's a good thing, especially if you like in a small apartment and you're concerned about space, but for such a small synth, I am completely blown away at what this can do. You really need to try and buy this synth, you won't be disappointed!

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10/30/2011

Parker Fly Mojo Electric Guitar (Taxi Cab Yellow) Review

Parker Fly Mojo Electric Guitar (Taxi Cab Yellow)
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The guitar synthesizer has long been the albatross of the guitar world. Many great designs have been launched over the years all sharing similar problems. Most guitar synthesizer rigs have been confusing and cumbersome. The biggest problem with guitar synthesizers is the interfaces. One of the first guitar synthesizers on the market the Roland GR 300 had a 24-pin controller that connected to nothing but the GR 300 guitar synthesizer.
Making this even more inconvenient was only one manufacturer made a guitar option 24-pin ready for the unit. Ibanez's synthesizer controller guitar was as confusing as the synthesizer itself. The guitar was covered with tiny knobs and switches that were impossible to navigate on a dark stage.
The other problem with this unit was the 24 pin connector. These connectors were not carried by most retailers due to their cost and lack of demand for the cables. If you needed a cable the only way to get one was to have your local retailer order one from Roland.
Fast forward decades later and Roland has reworked its synthesizer interface and not only are the cables easier to find but there are a lot more guitar options out there for Roland's new 13 pin connector. The only issue is Roland is still the only synthesizer option for that connector. The big problem here is the Roland connectors are not midi.
The one guitar maker to actually achieve the feat of making a truly midi guitar was the original Parker Guitars over ten years ago. Parker outfitted their NiteFly with a Virtual DSP Corp.'s MidiAxe guitar-to-MIDI converter system. This gave the guitar a honest to goodness midi connection onboard. The only outboard gear the guitar needs is a small phantom power supply that connects to the end of the midi cable.
This beautiful instrument solved so many issues for the guitar synthesizer player. Bulky pitch to midi converters and cumbersome 13 and 24 pin floor units were no longer necessary The Parker Midi Fly now gave the guitarist the ability to interface with any synthesizer on the market.
I own a Roland GR 33 guitar synthesizer and I love the horn and synthesizer pad patches but the piano sounds on the Roland GR33 can't touch my Kurzweil 1000 px. My other synthesizer module the Emu Proteus gives me a pallet of Allan Holdsworth like patches to play with. The cool thing is you can buy an Emu Proteus module online for under 30 dollars a Kurzweil 1000 px might set you back $100. Synthesizer modules are cheaper than stomp boxes and slide neatly into your equipment rack. They all connect conveniently with a midi cable bought over the counter for 10 dollars at any music store, Best Buy Stores even carries them!
Parker also made the electronics on the original Midi Fly very simple. There is one small knob and two small switches on the lower horn on the guitar. The knob is for volume and the switches control tracking and octave respectively.
The new Midi Axe (which isn't Midi) returns to a Roland Musical Instrument configuration. It has a 13 pin connector and more knobs on it than a 1960 NASA control panel. You can connect via midi to the for-mentioned devices but only after passing through a bulky floor controller - back to the future.In my opinion Parker Guitars who is now owned by Washburn Guitars parent company US Music has just sent guitar technology back 20 years. They have also destroyed the name of a classic axe by naming a non midi Roland Synthesizer controller after the famed Midi Fly.
This is a big swing and a miss for Washburn, Parker and US Music. Don't even get me started on US Music's redesign of the classic Parker headstock and body style on the new Parker DF models. These are just a bad ideas all around.


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