Showing posts with label analog. Show all posts
Showing posts with label analog. Show all posts

11/05/2012

Empress Tremolo Review

Empress Tremolo
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I got an Amazon gift card for my birthday with the instructions to buy something fun with it, to splurge a little. This is what I chose. I don't really *need* a tremolo (I'm not a performer), but it sure is fun to play with!
I researched a lot of tremolo pedals before deciding on this one (thanks, ProGuitarShop! I owe you one). I chose it primarily because of what I heard, but also due to the impressive amounts of controls that are available. If there's a certain trem sound you're trying to achieve, I can almost guarantee you can get it with this box! I won't go over all the controls because that's in the product description. I can tell you that tap tempo is *awesome*, almost a must-have. It will spoil you. The tube style trem is great for all-around applications, while the square style is a lot of fun to play with. I haven't used the triangle much yet, but then again I just got the box.
Besides tap tempo, another feature that is unique and awesome is the rhythm settings. Check around on YouTube for some demos of them. It's a nice touch that really sets this product apart from other tremolo effects.
On the negative side, there are a few small things that I don't like, though not deal-breakers. First, the tempo LED will continue to flash as long as the unit has power. That can be annoying for home hobbyists like myself. Second, there is no way to save presets. Finally, this unit does not run on battery power, yet an AC adapter must be purchased separately.
Even with those few minor concerns, I still rate this product as five stars due to sound and features.

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9/18/2012

Korg microKorg XL Analog Modeling Synthesizer with Vocoder (black) Review

Korg microKorg XL Analog Modeling Synthesizer with Vocoder (black)
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The MicroKorg XL is really a MicroKorg in name only. Whereas the original MicroKorg shared a synth engine with the MS-2000, this one uses the engine found in the R3 and Radius. This is not necessarily a bad thing as those are fine sounding synths, but you'd be better of with a synth like the R3 (which is about $100 more). Although the MicroKorg XL has a cool, faux-vintage look, the construction of the board is pretty shoddy and I doubt it would be good for carting away to gigs or traveling with. It's made from rather cheap, weak feeling plastic unlike the far sturdier R3 or original MicroKorg. Also, while the sound editing is arguably better than the oddball matrix on the original MicroKorg, it pales when compared to the easy editing on a R3. Basically, this is not a bad board soundwise, but you'd be better off saving $100 with an original MicroKorg or putting in an extra $100 for an R3. The MicroKorg XL is not a happy medium, and makes compromises that do not benefit the synth user.

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8/15/2012

Boomerang III Phrase Sampler (E-156) Review

Boomerang III Phrase Sampler (E-156)
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Great Loop pedal. (The best on the market!) Great customer service. Made in the USA. Get one, you'll love it!!!!

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7/31/2012

Moog Music MF103 Moogerfooger Twelve Stage Phaser Pedal Review

Moog Music MF103 Moogerfooger Twelve Stage Phaser Pedal
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I just bought this pedal and I must say, I will never again buy any other chorus/flange/phase shifter pedal again! I have a Boss BF-3 stereo flange and an Electro-Harmonix small cone full-chorus unit and neither of them even come close to the prestige of the Moog stage phaser. The tones and sounds that this pedal produces are like none that I have ever heard before. This pedal comes fully load with an extremely diverse collection of sounds that opens your ears to a whole new world of noises! An excellent choice.

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7/12/2012

Moog Music MF101 Moogerfooger Low Pass Envelope Filter Pedal Review

Moog Music MF101 Moogerfooger Low Pass Envelope Filter Pedal
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Wow, someone actually wrote as a review "My husband uses this in his band a lot...don't know anything about it...", now I have seen it all. Why would any body think that an endorsement like that could possibly be helpful in any way? Oh great, well if it's good enough for your husband then I'll take TWO!! Holy smokes, what else do you see him using that I might want? Thanks for nothing, luckily anyone else who is looking at this will surely know what this is and it goes without saying it's value and quintessentially uniquely classic moog filter sound. Thanks for nothing though, Little Lost Long Island Girl.

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6/30/2012

Moog MF-107 FreqBox Effects Pedal Review

Moog MF-107 FreqBox Effects Pedal
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I dont own this, but the sample from the Moog website is awesome. I'd love to get this.

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6/28/2012

Korg microKorg Analog Modeling Synthesizer with Vocoder Review

Korg microKorg Analog Modeling Synthesizer with Vocoder
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The MicroKorg is probably the finest synth you'll ever get at that price. It's very small (same size as many of those toy keyboards you grew up as a kid, but this is no toy), and has 37 keys, although the big criticisms here is Korg opted for toy keyboard-sized keys, rather than full-sized keys (the similar sized and similarly priced Alesis Micron, also 37 keys, used full-sized keys). It's a four note polyphonic virtual analog synth capable of fantastic analog sounds, with all the great sounds of the '70s, '80s, and '90s! It's essentially a Korg MS-2000 in a small package, but with an 8-band vocoder (instead of 16-band), and a superior arpeggiator, great for all you electronica and techno buffs out there, or those who want to create Tangerine Dream-like rhythms without the bulky gear that group had to use back in the glory days of the mid '70s. I've been aware of vocoders for ages, and of course, was a huge trademark in Kraftwerk's sound (they started using vocoders starting with 1973's Ralf & Florian, which is one album prior to their famous breakthrough, Autobahn), I am so happy to now personally own a vocoder, that is, one included in a synth. It has a condensor microphone for use of a vocoder, although you can hook up any standard microphone too. Like most any synth made in the last 20-25 years, it's MIDI, so you can have it interact with other MIDI synths, drum machines, your computer, or any other MIDI device.
Although it comes with an AC adapter for home and studio use, you'll be happy that you can use 6 AA batteries, so you can bring it with you on your next camping adventure (plus it has a headphone jack too, since hooking it up to speakers might be a bit difficult in the Great Outdoors).
It's also fully programmable, you can alter the sounds already included, or you can erase one of the settings and start from scratch. I really love the features you can do here. You can have it polyphonic, or monophonic for use of soloing, or retro-'70s analog sounds. It has two oscillators, you have many different choices of waveforms. You can edit the arpeggiator so you can get it to do different rhythms (it can do up to a sequence of 8 notes). I also really like the delay feature, to get that echo sound when you release the note, it really gives it a fuller sound. You can get it to pan for that wonderful stereo effect, or select a phasor. You can even program it to have the pitch wheel and modulation wheel do things, such as altering pitch, the resonance, vibrato, etc. There'e two edit knobs, and five more knobs to help you with the programming. But I very much suggest you read the instruction manual, or you might have a hard time programming it. But once you get a hang of it, you'll have a ton of fun programming your own sounds and see what you can do. Despite the keys itself, it's actually a fully professional synthesizer.
The MicroKorg might be geared for the younger audience, thanks to its low price and many of the techno sounds it can do, but Jean Michel Jarre uses one and he's hardly young. Not to mention you can make it do a lot of non-techno sounds too, like classic '70s analog sounds, or '80s polyphonic synth sounds (like what you hear on Van Halen's "Jump") so it doesn't just appeal to the young segment.
It's great see many professional musicians using it from Jean Michel Jarre right down to Nick Rhodes of Duran Duran. I even saw a documentary directed by Hans Fjellestad called Moog, which was about Robert Moog and of Moog synthesizers, and they showed several techno/electronic groups where the main emphasis was on their Moog gear (naturally), but one group was clearly shown with a MicroKorg.
This is no 88 key workstation, that's for sure. In some cases that's a good thing, especially if you like in a small apartment and you're concerned about space, but for such a small synth, I am completely blown away at what this can do. You really need to try and buy this synth, you won't be disappointed!

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6/20/2012

Moog Music MF102 Moogerfooger Ring Modulator Pedal Review

Moog Music MF102 Moogerfooger Ring Modulator Pedal
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Got the pedal, and it is amazing. Five stars for the pedal, worth every dime. The time it took to ship it wasn't amazing, but I guess you get what you pay for. I purchased the pedal on December 24th, and received it on January 4th. It was boxed well, and is a sturdy pedal. Definitely the best pedal I have ever purchased. I have thus far ran it through a couple of different amplifiers, a Roland FP-3, a MIDI laptop setup, a 1975 Rhodes, and an electric violin and all of them were really fun to play with. I would definitely recommend the pedal but if you want it quickly, pay for the faster shipping.

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11/24/2011

Electro-Harmonix Micro Synthesizer XO Analog Guitar Microsynth Review

Electro-Harmonix Micro Synthesizer XO Analog Guitar Microsynth
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First and foremost, this is NOT a polyphonic pedal meaning that it only handles single notes. Secondly, do not expect to plug this baby in and be able to know what you're doing right off the bat. There is a fair learning curve that comes with this pedal, but once you understand each parameter, you will have access to hundred of combinations of those parameters and unique, exciting sounds.
The octave section of this pedal features parameters for three octave voices and your original, dry signal. The sub-octave can make your guitar sound very bass-like, but can also break up and become glitchy with lower notes (some guitarists actually prefer the bass microsynth to handle these lower notes). The octave up didn't particularly impress me, but was useful when used with the original, dry signal - don't expect any tycobrahe octavio tones from this. The square wave is VERY synthy and can add a whole mess of nasty to your signal.
Moving down the line of parameters, the attack delay is next. This is a really neat effect that could probably be a single stompbox in its own right. You can get some cool bowed type sounds from this.
Finally, the filter sweep section of the pedals - this section is where things can get really crazy. The start and stop parameters control the frequency where the signal begins and where it ends. With both sliders down, you can get a low-pass filter type of effect. Both sliders fully up will preserve the original frequency throughout without any sweep. The rate control handles how quickly the sound progresses from the start to stop parameters. You can get some cool envelope filter type quacks when this is set lower or some drawn out synthy sweeps when it is fully up.
The two parameters I didn't really touch on are trigger and resonance. One controls the sensitivity that triggers the filter sweep. The other (resonance) can sort of be described as the intensity of the sweep sound.
Bottom line: great pedal with many, many possibilities for the open-minded guitarist.

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