Showing posts with label gibson les paul standard plus 2008. Show all posts
Showing posts with label gibson les paul standard plus 2008. Show all posts

10/23/2012

Gibson LES PAUL STD 50'S NECK Review

Gibson LES PAUL STD 50'S NECK
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I was undecided between a Fender and a Gibson Les Paul. I checked out U-tube reviews and sounds and took the leap of faith and purchased the 2008 Gibson Les Paul Standard with 50's neck. WOW. Say it with me now... WOW. Absolutely beautiful fit and finish on this guitar. This is the type of guitar that you pass down to your children. It has a very throaty voice unlike the Fenders. Fenders were very twangy to me and that's fine if you like that sort of sound. Not for me. The guitar has a very ballsy/throaty/blues-rock sound to it. I have it paired with a Line 6 75 watt amp. They are a very good pairing. You'll love this amp as well. It provide hundreds of different sounds at the touch of several buttons. However, lets get back to this guitar. I know it's a lot of money, but you will not be disappointed. Holds it tune, and is a bit lighter as well. This is the type of instruments that you have a hard time putting down since it sounds soooo good.

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4/02/2012

Gibson Les Paul Traditional Plus Electric Guitar, Iced Tea Review

Gibson Les Paul Traditional Plus Electric Guitar, Iced Tea
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El slogan que tiene Gibson lo define todo... "Only a Gibson is good enough". Desde el momento que abres el Gigbag notas que la construcción de este instrumento es increible: los detalles de la pintura, el lacado, las terminaciones, etc.
Luego, cuando la conectas al amplificador terminas de darte cuenta que realizaste una excelente compra, ya que el sonido de la Les Paul Traditional es realmente bueno, con un sustain increible.
Por mi parte estoy feliz de haber adquirido esta guitarra... era un sueño que tenía desde niño.

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3/26/2012

Gibson 1957 Les Paul Goldtop VOS Electric Guitar, Antique Gold Review

Gibson 1957 Les Paul Goldtop VOS  Electric Guitar, Antique Gold
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I personally own 4 Gibson Les Pauls and the 1957 Goldtop VOS is head and shoulders above the others. When looking for a Goldtop, I spent 3 hours at a Gibson retailer playing nearly every Gibson LP they had in stock. I played the Slash signature, the Standard, the Traditional...I played them all through a Marshall 100 watt tube amp through a Marshall 1960 4 X 12 Cabinet. When I picked up the '57 VOS, I could feel the quality immediately. I played a few chords, ripped a quick pentatonic lick and did a tone and a half bend at the 12th fret on the second string...the sustain was amazing! My wife, who had been sitting there the entire time looking completely bored, looked up and asked, "what guitar is that?" The vintage sounding PAF humbuckers sound absolutely great! The 50s neck feels like a Louisville Slugger and the top is perfectly done. The only thing I've changed about the guitar is adding Dunlop straplocks to make sure I don't drop this beauty. This guitar is made to play and will not disappoint. Worth every dime!

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By 1957, Gibson's evolving Les Paul model guitar had already undergone several key modifications that would remain as the foundation of the iconic version known around the world today as the Les Paul Standard. But while the addition of the new Tune-o-matic bridge and stopbar tailpiece one year earlier had greatly improved the overall functionality of the Les Paul, nothing would compare with the addition of Gibson's pioneering humbucking pickup in 1957.

A truly magnificent instrument, gleaming in gold.
History"A truly magnificent instrument with its natural mahogany back and neck, while the top is in gleaming gold with contrasting ivory trim." --Original Gibson advertisement, circa 1955
By 1957, Gibson's evolving Les Paul model guitar had already undergone several key modifications that would remain as the foundation of the iconic version known around the world today as the Les Paul Standard. But while the addition of the new Tune-o-matic bridge and stopbar tailpiece one year earlier had greatly improved the overall functionality of the Les Paul, nothing would compare with the addition of Gibson's pioneering humbucking pickup in 1957.
At the direction of legendary Gibson President Ted McCarty, Gibson engineer Seth Lover began working on a tone circuit with hum-cancelling capabilities sometime in 1954, applying for a U.S. design patent--hence the name "Patent Applied For," or "PAF"--on June 22, 1955. By early 1957, the standard double-coil version of the humbucker pickup had begun to appear on Gibson ES-175s and ES-350Ts, and eventually on the Les Paul Model Goldtops of the same year.
Body Aside from the pickups, the basic specifications of those 1957 Les Paul Model Goldtops remained the same. There were, however, several minor cosmetic variations that made the 1957 version significant in the development of the Les Paul, the most noteworthy of which was the placement of the inlaid, pearl-cut Gibson logo, which was moved closer to the top edge of the headstock. Additionally, 1957 was to be the last full year of production for a Gibson model with a Goldtop finish. The popular color would not adorn another Gibson guitar until 1968.
Famous Players The 1957 Les Paul Goldtop was also the model used famously by Duane Allman during the formative years of the Allman Brothers Band and his early session work, including his work with Eric Clapton (Layla sessions), the Allman Brothers Band's legendary Fillmore recordings, as well as their first two albums--a body of work considered by many to be one of the most important in the history of rock and roll.
Near-perfect Recreation Today's 1957 Les Paul Goldtop from the Gibson Custom Shop is a near-perfect recreation of the original instrument, in all of its original brilliance and historical magnificence. The body features Gibson's traditional hand-carved maple top and solid, non-weight relieved mahogany body. The headstock is made from Holly head veneer, as opposed to fiber, just like it was in 1957, and the vintage-style tulip tuners are mounted in a straight line, also as they were on the original. The 24 3/4-inch scale length neck is made from one solid piece of mahogany, and attached to the body using a long neck tenon--one of the Les Paul's more distinguishing characteristics of the 1950s. The neck is topped by a 22-fret rosewood fingerboard outfitted with acrylic trapezoid inlays matching the size of color of the originals. Of course, two of Gibson's legendary Burstbucker pickups deliver all the subtle variations of true, classic humbucker tone by using historically "unmatched" bobbin windings and Alnico II magnets. The guitar's Antique Gold finish also matches the hue of the original model, giving this Custom Shop model the accurate and distinct appearance of this traditional Les Paul. Other historical appointments include CTS potentiometers, bumble bee capacitors, rolled creme-colored fingerboard binding, single-ply thin binding around the body, and period-correct switchwasher and jackplate. The 1957 Les Paul Goldtop comes either a V.O.S. or Gloss finish, and comes with the standard Gibson Custom case, custom care kit and certificate of authenticity.

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11/30/2011

Gibson Les Paul Traditional Electric Guitar, Desert Burst - Chrome Hardware Review

Gibson Les Paul Traditional Electric Guitar, Desert Burst - Chrome Hardware
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I got this guitar a few weeks ago... to tell the truth I haven't even played it that much, I just like to look at it... it really is a piece of art. If you have a LP you probably know what I'm talking about. Anyway, I've always played strats but I've always wanted a LP and I finally decided to take the plunge. After much research, I was actually set on a LP Standard. The new features (since 2008) seemed to make sense. I went to the store and tried the standard, the traditional pro and this one. This one was the one that felt better (and it was cheaper than the standard) and according to the sales rep, the new features of the standard do not really make a difference. The traditional pro was alright but it was just too heavy. I guess you can do your own research and ask around and read reviews but you're better off going to the local guitar store and trying them all. Choose the one that feels better to you. It goes without saying all LPs sound amazing... Overpriced? yes, worth every penny? you better believe it!! By the way, this particular color looks a little different in real life... it's a little lighter. Also, I had the tuners changed to Locking Grovers, but that's just a personal choice, all tuners are basically the same but Locking make it easier to change strings.

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With all the fat, sweet, snarling Les Paul tone that purists love, the Traditional plays, sounds, and feels like the Les Pauls that today's players grew up loving and lusting after. Taking design and visual cues from the Les Pauls of the '80s and '90s, the Les Paul Traditional starts with a Grade-A mahogany body and adds nine strategically placed traditional weight-relief holes for a beefy tone that maintains the resonance of modern Les Pauls, while losing a large portion of the weight. This is capped with a maple top, giving the Les Paul Traditional the look of the great Les Pauls that helped to bring rock back to the front of the stage in the mid '80s. Capping the Traditional with a maple top not only looks great, but it also brings out presence and definition to the tone. With the look of the great Les Paul Standards that helped to make rock king again, and every ounce of the tone thanks to legendary Gibson construction, classic tonewoods, and two genuine humbucking pickups, the Les Paul Traditional is the guitar to take your music center stage where it belongs.


Mahogany Body With AA Maple Top
Each Les Paul Traditional is made from a figured two-piece Grade-AA maple top attached with ultra-strong Franklin Titebond 50 glue to a solid, one- or two-piece Grade-A mahogany body.

These tone woods nail that legendary Les Paul combination of good clarity, definition and treble bite from the maple, and excellent depth and richness from the mahogany. This is one of the most revered wood combinations of all time, and truly offers a "best of both worlds" design in the way that mahogany and maple complement each other to offer superior resonance, sustain, depth, clarity, and definition.
'57 Classic pickups accurately recreate the tone and performance of original PAF humbuckers with a few tonal enhancements that players appreciate.

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9/10/2011

Gibson Custom ES-335 Dot Electric Guitar, Faded Cherry Satin, Plain Maple Review

Gibson Custom ES-335 Dot Electric Guitar, Faded Cherry Satin, Plain Maple
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I wasn't even shopping for one when I got it. I was looking for headphones. Honest. It called to me, though. I can still hear it. "Take me home," it pleaded. I just couldn't say no and thus acquired my first Gibson six string. Learned to play on a lovely SG style Melody Maker a long time ago and had an EB2D bass for a long time but never a six string.
What a beauty! Gorgeous finish, great looking headstock and hefty without being uncomfortable. After playing Fenders and Ovations for years I had to re-do all the patches on my multi-effects stomp box because the 335 is just too powerful compared to those guitars. Those Classic Humbuckers will take your face off if you're not careful! The neck was comfortable right from the get-go and has remained so. The tuners are precise and easy to use and the one neck adjustment I've had to perform couldn't have been easier. I can never find local replacements for the Brite Wires that came with it (nice strings!) but D'Addario EXL110s sound great on it so that's what I use. The guitar's sound is clear and unique with all sorts of tone options available for any song. It's so much fun to play I don't even bother using an amp when noodling around between gigs - another trick that's hard to accomplish on a solid body Fender. The satin finish glosses up over time and looks great. Heck, even the case is gorgeous.
The only gripes I can think of are that it could have used a bit more thorough checking prior to shipping - the B string was binding at the nut when I bought it, necessitating a trip to the local luthier/tech and the saddles don't appear to have been notched for the strings the way I'm told is normal. I also wish they'd use the same size screws for the strap pins as it's a bit of a pain to retro-fit my preferred strap locks on them with the two different holes. (My EB2D had the same oddball screw arrangement.) Rather than fussing with it, I just use "over-the-strap" twist-on Dunlop locks.
This guitar is similar to the ones I grew up seeing and hearing people like Clapton, Johnny Rivers and Justin Hayward play. Never really planned on getting one and now that I have it I'm scared to take it to some of the places I play but that's OK. Everyone needs to treat themselves to a really nice axe every now and then and this one's mine. :-)

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History speaks for itself. The ES-335 is one of the most important guitars of all time. Right from its introduction in 1958 as the world's first semi-hollowbody electric guitar it has been a mainstay of players eager to balance the gorgeous, round, mellow tones perfect for jazz and blues with the edge and sustain of a full-blooded solidbody.

Countless music legends have immortalized Gibson's ES-335.

Today the Gibson Custom Shop creates exacting duplicates of the ES-335 as it first left the Kalamazoo plant in 1958. That year just 267 were built, but the original vintage 335s grew steadily in popularity, peaking in 1967 thanks largely to Eric Clapton's high-profile use of a cherry ES-335 in the band Cream.
Body and Finishes The Custom Shop ES-335 is available with many finish options, reflecting the color choices that have evolved over the model's 50-year history. In Satin finish, trans black and cherry colors are available, with a plain maple top, back, and rims. Ebony is available only in plain maple. With the figured maple top, back, and rims option, cherry, tri-burst, antique natural, light burst, and vintage sunburst colors are available. Wine red, trans brown, Beale Street Blue, and cinnamon burst finishes are also available in limited quantities, along with gold hardware, for figured and for plain maple models.
Regardless of color, the ES-335 retains its classic proportions: 16 1/2-inches wide, 20-inches long, and 1 3/4-inches deep. The neck is one-piece mahogany beneath a 22-fret rosewood fingerboard with pearloid inlays and a single-ply binding. Additionally, there's single-ply binding on the top and back.
Hardware All hardware is nickel, and there's a classic ABR-1 bridge with a lightweight aluminum stopbar tailpiece. Neck length is 24 3/4 inches with a 1 11/16-inch nut width. Satin finish models have vintage style tulip shaped tuners, while figured and plain tops come with Grover kidney-shaped tuners. All Custom Shop ES-335s have powerful '57 Classic humbucking pickups, two volume pots, two tone pots, and a three-way pickup selector switch. They are strung with Gibson Brite Wire .010 strings and come safely nestled in a black levant case.
Famous Players Spanning numerous decades, the ES-335 has been in the hands of countless musicians. From Chuck Berry's numerous performances to Alvin Lee's incendiary performance at Woodstock to Police's 2008 tour in NYC, the ES-335 has been the instrument of choice for any players seeking gorgeous, round, mellow tones, tempered with the edge and sustain of a full-blooded solidbody electric like the Les Paul.
Nitrocellulose Finish Applying a nitrocellulose finish to any Gibson guitar is one of the most labor-intensive elements of the guitar-making process. A properly applied nitro finish requires extensive man hours, several evenly applied coats, and an exorbitant amount of drying time. But this fact has never swayed Gibson into changing this time-tested method, employed ever since the first Gibson guitar was swathed with lacquer back in 1894. Why? For starters, a nitro finish dries to a much thinner coat than a polyurethane finish, which means there is less interference with the natural vibration of the instrument, allowing for a purer tone. A nitro finish is also a softer finish, which makes it easily repairable. You can touch up a scratch or ding on a nitro finish, but you can't do the same on a poly finish. In addition, a nitro finish is very porous in nature, and actually gets thinner over time. It does not "seal" wood in an airtight shell--as a poly finish does--and allows the wood to breathe and age properly.
All VOS (Vintage Original Spec) series guitars will use a proprietary process that includes unique steps for staining, wet-sanding, and hand-rubbing; subsequently the guitars reflect what a well-cared for 40-year-old guitar looks like. The result is a remarkable patina that will delight even the most discriminating enthusiast.

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8/31/2011

Gibson Les Paul Traditional Plus Electric Guitar, Heritage Cherry Sunburst Review

Gibson Les Paul Traditional Plus Electric Guitar, Heritage Cherry Sunburst
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I have the Iced Tea burst finish which, to me, looks very similar as to what is pictured here. I bought my Les Paul in 2009 and the Traditional was one of the only models at that time that was not chambered (i.e. the body is a solid block of wood). The 57 pickups are amazing and when combined with the nice solid body give you a great warm tone. The only modification that I have made to my Les Paul is to have a bone nut installed and the tuners changed. The bone nut helps keep the strings from binding and add to the tone a little. The tuners probably could have stayed after I changed the nut, but they make some very good "aged" locking tuners (I used Grover) to give the guitar a nice vintage look. I can not emphasize enough how important the PLEK system is to giving you an absolutely perfect fret dress and straight neck. I have all of my gigging guitars plecked by Joe Glaser in Nashville, and afterwards you can drop the action down to about nothing. It makes the guitar very, very playable without any buzzing at all. I know that most guitarists feel that the days of getting a decent instrument out of a major manufacturer are long past, but I have to say that I would not trade my Les Paul Traditional for a "vintage" model unless it was to sell it and then use the money to buy another Traditional and a private jet to get to the gigs faster.

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8/28/2011

Epiphone Les Paul Ultra-II Les Paul Collection Electric Guitar, Faded Cherry Sunburst Review

Epiphone Les Paul Ultra-II Les Paul Collection Electric Guitar, Faded Cherry Sunburst
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The Les Paul Ultra-II is a different beast. This is the original ultra, i purchased one two Augusts ago with a little maintenance it has defeated many of my other pricey guitars.
The sound is a bit murky like fellow Les Pauls before it, you can assume though a nice hard driven rock sound, and a cutting edge solo tone. The treble and rhythm feature such a strong contrast against each other. The rhythm sounds good enough to be used on clean channel unlike many other Les Pauls. The gold alnico humbuckers and tuning pegs really add to a nicer interpretation along with the stylized burst scattered body.
The guitars strap peg may fall out entirely, easy to fix. With multiple sessions put down on this guitar i find no reason why not to buy it, it endures well and plays as well as it endures! I own eight guitars (some even being the elusive Stevie Ray Vaughan sig Fender, Zakk Wylde Gibson LP, Ibanez RG, Another Epi LP ect), and have played with many guitarists/musicians. They all note how well this guitar performs.
Althought it's not for sale currently i recommend you search a Guitar Center, you can find one around 500$ or less. This Epi competes well beyond the degrees of fellow higher companioned Gibson.

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