9/02/2012

Gator Studio 2 Go Laptop Mobile Recording ATA Case (4 Rack Space) Review

Gator Studio 2 Go Laptop Mobile Recording ATA Case (4 Rack Space)
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I found this product on the Gator website after looking at every one of their products, and this one finally ended up being the perfect fit for what I'm needing it for (to haul my small PA gear). It is light weight, its got wheels that are real smooth, and it's the perfect size. The only thing that is a little misleading is the "laptop or mixer" part. It works great for a lap top, but unless you have a really low profile mixer then your going to be squeezing it in there (my 8 channel mixer just squeezes in there and it makes the cover bulge because its height is a little tall). You might be able to get a little more room by removing the foam out from the cover (but I haven't done that yet just because it's so nice and I hate to cut it out). I have a 14 channel mixer that doesn't fit in the top at all, it just barely sticks out over the edge, and that was the one I wanted to fit, but oh well.
Overall, I'm very impressed with the quality of the case, the locks, the covers, even the laptop holder area, but the laptop area is a little too small if you want to fit a normal sized small mixer in there, although you can make it work like I have.
This would be perfect for a small portable recording rig with a laptop!

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M-Audio Prokeys Sono 61 Review

M-Audio Prokeys Sono 61
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I got the ProKeys Sono to use during a temp, out-of-town work stint and wanted something I could play by itself (that has its own on-board sounds) and also use to drive the Reason and Sonar software synths on my laptop.
Well, after many months of testing (through real use) I have to say it passed with flying colors (or 'colours' for our 'Commonwealth' friends).
Keyboard features include:
- 61 note keyboard with a very playable semi-weighted action somewhere between synth and hammer keyboards (well, based on the synth and hammer action keyboards I've played)
- 5 higher quality built-in sounds (grand piano, bright piano, electric piano, organ, clav)
- A set of lower quality (but still fairly usable in my book) General MIDI sounds
- 3 Adjustable settings for how the keyboard responds to velocity
- 2 stereo line-ins (RCA jacks) for getting audio into your computer to record
- 1 XLR jack for plugging in a mic
- 1 quarter inch instrument jack
- 2 quarter inch headphone jacks
- 2 quarter inch outs for monitoring the sounds coming out of the computer as well as the built-in sounds from the keyboard
I've mostly used ASIO4ALL drivers prior to buying this keyboard, which gave pretty decent performance and acceptably low latency (the delay between hitting a key on the hardware keyboard controller and hearing any software synth sounds from the computer) for playing. Happily, the ASIO driver for the ProKeys Sono delivered even LOWER latency than the ASIO4ALL drivers I had been using.
So, with the decent construction quality, the playability of the keyboard, and the better driver performance, I admit I'm quite happy with the thing. I also occasionally used the line inputs to record from an external hardware synth module, and had no problems. Some people might whine as the resolution is only 16-bit, 44.1 kHz, but having worked with way-noisy cassette 4-tracks as a teen, CD quality is still fine by me.
The one thing I didn't ever test was plugging a microphone into the thing. I had a Samson G Track USB Microphone (which I've also reviewed on Amazon) and used that exclusively for vocals while I was on the road. Therefore I can't comment on the amp quality.
Lastly, when I just felt like playing a bit, it was nice to tinkle around on the piano without having to turn on the laptop. The piano sound quality is VERY playable, with the only drawback being the 20-note polyphony for the 5 high-quality sounds (the General MIDI sounds have 40 note polyphony).
Negatives? No LCD or LED display for helping change/configure MIDI settings, or selecting the General MIDI sounds. It's workable without the display, but it would definitely help to see the values you've entered. And because of that drawback, the ProKeys Sono really is best mostly for playing soft synths, not controlling a whole soft recording environment
Summary:
Great option for driving soft syths with the added bonus of some on-board sounds and also serving as a PC/laptop audio interface. If you want more hands-on sliders and buttons for controlling your software synths and recording software, I'd go with a different option, but for the niche this keyboard is trying to fill, it does a pretty good job. Though it's probably only a 4-star rating for overall performance, the fact I had ZERO problems using it with my computer (which is RARE nowadays) bumps it up to "barely a 5".


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9/01/2012

Shure P2R Hybrid Bodypack Receiver, H2 Review

Shure P2R Hybrid Bodypack Receiver, H2
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While I think this little unit is expensive (mine was about $300 and didn't include the headphones - -1 star for price) it does work great. The singer already owned the transmitter unit so I only had to buy the receiver. This is saving my ears. I bought some Sennheiser CX200 Twist-To-Fit Earbuds that sound great to use with this. They are the in ear type that you put in very securely and they block outside noise. (One hint bring the headphone wire up over your ear from back to front and then put them in your ear, your lobe provides stress releif for the ear piece and they never come out). I'm a drummer in a 7 piece band and they knock my drums way down so that they are in the back of the mix (they are just picked up by other room mics not mic'd in the rehearsal space). I can now hear everything that everyone in the band is playing and I don't care how loud they make their amps (within reason). This is one of the best things I've ever purchased for playing in a band. I don't go home with volume induced headaches anymore. When everyone in the band gets one, the floor monitors (and attendant feedback problems) will no longer be needed and playing live should go just as smoothly as rehearsal.
One small problem with the unit is the lack of any good indicator for low battery problems. One time I couldn't get sound, checked the channel, checked the power light all good. The singer suggested I replace the battery and as soon as I did, problem solved. Keep a supply of 9Vs on hand for practice and the show.

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Ampeg Pro Series SVT7PRO 1000 Watt Tube/Solid State Hybrid Class D Bass Amplifier Head Review

Ampeg Pro Series SVT7PRO 1000 Watt Tube/Solid State Hybrid Class D Bass Amplifier Head
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Two words best describe this amp, powerful and versatile. With ample ways to adjust it's sound you can get all the power you need to drive what ever speaker cabinet you choose. I really wanted to stay completely Ampeg but cost was a consideration until I found Avatar bass speaker cabs. Ended up with a 4 tens 8 ohm model and it fits well with the Ampeg. It also leaves me the possibility of adding a second cab with a three-way 15 configuration to round out the sound...the Ampeg has plenty of power to drive it all. Many amps have a sweet spot where they sound the best but the Ampeg keeps a consistent great sound at all frequencies and volumes.

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Empress Superdelay Review

Empress Superdelay
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If you are looking for lush delays that can create ethereal textures and give the music some breath, this is the pedal for you. Its simply the best delay stompbox you can buy, with the only other being the Eventide Timefactor.

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The Empress Superdelay isn't your basic delay. Sure it does basic delay sounds, and it sounds better than anything else out there while doing them. But if all you want is a simple delay, the Empress Superdelay isn't for you. The Empress Superdelay is for musicians who want to be inspired by their pedals, not limited by them.

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Tech 21 PW-60/112 60W, 1x12 powered cabinet with Celestion speaker Review

Tech 21 PW-60/112 60W, 1x12 powered cabinet with Celestion speaker
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I use a Line 6 POD X3 live for amp modelling and effects when in the studio and playing live. I have always run the X3L into a Marshall amp and something just wasn't right. The Tech 21 Power Engine is the perfect match for the X3L and provides all the volume I need without altering the tone. Being in Australia I need 240v 50Hz but could only get a 117v 60Hz. I use a step down transformer and works great - no hum, buzz or heating issues. Thinking of getting a second one!

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60-watt multi-purposed powered cabinet loaded with one 12-inch Celestion Seventy80 speaker, 80 watts/8 Ohms.

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Line 6 POD Studio KB37 Review

Line 6 POD Studio KB37
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I'm new to creating music on a computer, and my research, along with tons of positive reviews from others, led me to the POD Studio KB37 as a good all-purpose starting point. In terms of flexibility, this package is very hard to beat. The built-in inputs and mic preamps let you record just about anything, from guitar/bass and other electric instruments to vocals and acoustic instruments (using your own mic, of course). For these uses alone, the KB37 is a great way to get sound into your computer with minimum headaches. Simply connect the KB37 to your computer with a single USB cable. It's USB-powered, so you don't even have to plug it into a power outlet.
The hardware's MIDI keyboard and control surface open up a whole new dimension. They allow you to add keyboard parts and adjust some software parameters via real-world knobs and buttons; this is much faster than clicking and dragging onscreen "virtual" controls.
The included software package reveals the KB37's full potential, transforming an otherwise great product into an incredible bargain. Sure, the Reason Adapted (synth, sampler, sequencer, and effects) and Ableton Live (multitrack recording) software are the "lite" versions of these programs, but even so, they're very versatile and powerful. If you're fairly new to DAW software, trust me, even the lite version of Reason is pretty incredible -- you'll get a lot of use out of it. It includes tons of sampled real-world instruments, fully functional and tweakable soft synths, drum machine, sequencer, effects, and a lot more. It takes quite a while to explore its impressive capabilities. Once you do, you'll know whether you want to upgrade to the full version, which is available at a discounted price. But again, the lite verion will be plenty for many users.
Finally, you get Line 6's POD Farm software, which gives you an arsenal of stompbox and rack effects for guitar, bass, vocals, and just about anything else. On top of that, it includes amp, cab, and mic preamp modeling. You get everything that most guitar multi-effects units provide and then some. Because it runs on your computer, naming and saving patches is quicker and easier than stand-alone multi-effects units, and you can save as many custom patches as you like. And, unlike stand-alone units, POD Farm is expandable. Line 6 claims that the KB37 allows you to monitor your tone, complete with effects, without a latency problem (a lag between playing a note and hearing the output). This is not an empty promise. On my modest laptop, which runs Windows Vista on an Intel Core 2 Duo T5550 (1.83GHz) with 3GB of RAM, I experience zero latency problems.
All told, for the price of one guitar multi-effects unit, you get everything you need to start a home studio. If you're a full-time keyboard player, this package probably isn't aimed at you. As its name suggests, the KB37's keyboard has only 37 keys. So, there are probably better MIDI keyboard controllers out there for you. Plus, as a keyboard specialist, you'd most likely want a full version of whatever synth software you prefer. On the other hand, if you play guitar or bass and you want all the building blocks for tweaking your tone, adding vocals, effects, *and* getting your feet wet with powerful synths, sampling, and multitrack recording, here it is for a laughably low price.


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