8/03/2012

Empress ParaEq with Boost Review

Empress ParaEq with Boost
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I typically play a Gibson 335, Les Paul, Strat or Tele through a Tone King Meteor II (high end boutique version of a 60's fender blackface). I usually get either lost in the mix or dominate it. With this pedal I found two narrow frequencies that caused the problem and cut them. Then I add a wide range for a top boost. Problem solved--AMAZING tone that sits in the mix like in the studio.
It's a boring concept. $250 for an EQ? It's very worth it. I have owned EQ pedals before and not really understood the point. I suppose the quality of this is so superior that dialing in something useful is much easier -- I DO NOT like graphic eq's.
It's the only pedal on my extensive pedalboard that i would not ever consider replacing (although the empress superdelay, while quirky is a close second)
Really excited about this company!

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Electro-Harmonix 2880 Super Multi-track Looper Review

Electro-Harmonix 2880 Super Multi-track Looper
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The 2880 wants to be so much, but misses the mark at times and as such--arguably must take a second chair to the RC-50.
To consider it in a world where no other looper was available, it has some great features (i.e. big switches and loads of time for the four tracks it does offer); but in a world where having the option to select a different bank for a fresh series of loops on the fly exists, the 2880 has no such option. This means you must save the four tracks you just recorded (without any easily visible 'undo' or 'clear' option for each individual track) prior to creating a new set of loops OR lose what you've recorded so far in the process.
The reverse and octave features are nice for mixing layering effects and such you wish to accomplish using only the looper. The addition of a 5th mix-down track is unique, but oddly out of place given the initial limitations on recording. Quantize and Clix features should showcase some of the lofty goals the designers had for this pedal, but instead they highlight the flaws and limitations (no visible BPM, slider to change value, single sound).
If you consider yourself a pedal collector or an organic-loop purist (although this model eschews that analog philosophy for a digital stab at recreating analog action) you might want to add and keep this in your arsenal for its rich history and on-board, on-the-fly mixing and layering options.
If you are looking for a looper with on-board versatility, a deep rhythm section, multiple track recording with multiple storage banks--look elsewhere.

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Chauvet 4 Bar Lighting System Review

Chauvet 4 Bar Lighting System
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I bought two of these units and they are very easy to transport and set up. My only issue is that when I set them to flash to music I couldn't turn the sensitivity down enough to slow the lights to an acceptable level. The band I was working for asked me to turn them off.


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DBX DriveRack PA+ 2 x 6 PA Management Processor with Display & USB Review

DBX DriveRack PA+ 2 x 6 PA Management Processor with Display and USB
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It's a good and reliable product. However DBX should include some more aditional features in its products like USB control interface for managing the processor with your laptop.

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8/02/2012

Mackie Thump TH-15A 2-Way Powered Loudspeaker (Single Speaker) Review

Mackie Thump TH-15A 2-Way Powered Loudspeaker (Single Speaker)
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These speakers are clean, clear powerful. Very tight and clean bass (no low end "mud". The speakers have a very useable eq section. They have low impedence in and outs that make joining two or more of these (or other active speakers) as easy as plugging in another low impedence mic cable and going to another speaker. This keeps the signal clean and you don't need to utilize additional outputs on your mixer.
The sound is great. I have owned a pair of Behringer (B212) active speakers and a JBL 15 inch speaker in a cabinet driven by a QSC amp for a few years and have generally been pleased with the sound but I was looking for more natural, punchier low end (and I hate lugging the very heavy QSC amp). These Mackie speakers have the sound I was looking for and are actually lighter than my smaller Behringer speakers. I am now useing the Behringers on stands with the Mackies on the floor (I leave the QSC and JBL cab home). It is a very big sound.
Note: After I bought one of these to try, I had trouble getting a second one. Everbody I contacted from Musicinsfriend, Sweetwater and Guitar Center, were all out out of stock and waiting for backorders. Don't be surprised if you hear this when buying these. They are currently a very in demand item. The price on these does not vary much and $350.00 is the going price across the board.


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Electro-Harmonix Stereo Polychorus Pedal Review

Electro-Harmonix Stereo Polychorus Pedal
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This is a great chorus pedal, except the expensive out-weighs the greatness.
EH pedals need to bring their prices down a tad
other than that an awesome pedal.
I play bass through it and it works great.
So really great for whatever instrument you want to run through it. Many knob configuration can also let you get some weird sounds out of it.


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Zoom H4 Handy Recorder Review

Zoom H4 Handy Recorder
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I got both the Zoom H4 and the Edirol R-09. The Zoom goes back, the Edirol stays, even though the Edirol cost $100 more.
Why, then, 4 stars for the Zoom? I'd really like to give it 3-1/2 stars, so it was a tossup between 3 and 4. However, if you know what you are getting into, the 4 stars are well-deserved.
The Zoom has a huge variety of features that the Edirol lacks. The Zoom may even sound the slightest bit better (more open, slightly better high end) when both are used to record with their built in mics. However, this functionality comes with a price--a much more complicated interface.
The Zoom does everything. It records directly to wav and mp3. It's a 4 track recording studio. It serves as computer interface for your guitar. It serves as an effects box. It can emulate four different types of microphones, such as the Shure SM57 and the AKG C414. It's even got a built-in metronome and tuner! If you go to the Samsontech website, you can download the manual in PDF format and be truly amazed.
In order to do all this, the Zoom H4's buttons and controls must necessarily be multi-function. On top of that, it adds a jog dial (like the wheel on a mouse: slide in either direction to change menu choices, push to select the current choice). It is necessary to go two levels deep in the menus to set recording levels manually. The Edirol R-09's interface is so simple and intuitive that many could use it without even looking at the manual. Since all I was looking for was a recorder, the Edirol was the easy choice for me.
The Edirol is quite rightly criticized for how awkward it is to insert and remove batteries. In theory, it's a lot easier to do with the Zoom H4. In practice, I found it just as awkward. I found the SD card much harder to swap out of the Zoom H4 than out of the Edirol R-09.
The Edirol R-09 has four very small rubber buttons on the back. They're too small to notice until someone bumps the surface the recorder is sitting on and the unit doesn't move! The Zoom unit has one rubber button on the back but it didn't seem to grip much.
As the side-by-side photo I uploaded shows, the Zoom H4 is a bit larger than the Edirol R-09. I did not find the H4 so much larger as to be a burden. I did find the Edirol's screen easier to read, however!
One other thing worth noting in the picture is the microphones. A quick glance gives the impression that the way the Zoom's microphones extend from the body makes them particularly vulnerable to damage. However, a closer inspection shows that there is a very stiff thick wire surrounding them, like a sports car's roll bar. They may even be better protected than the Edirol's microphones. I could imagine a problem if the Edirol were grabbed from the sides at the top in a forceful way to remove it from a carrying case.
One other Zoom plus: The Zoom has a true automatic gain control, where the Edirol's is a compressor circuit. The Zoom prevents clipping at high volume where the Edirol boosts low volumes without guarding against clipping.
A Zoom minus: Both devices have level meters. The Zoom has no peak indicator that I could find. The Edirol, in addition to its meters, has an impossible-to-miss LED that blinks when the unit peaks. This makes it very easy to adjust levels properly by using Up and Down buttons on the side of the unit, which can be done even while recording.
One final comment that won't mean much except to other die-hard MiniDisc users who stuck with the MiniDisc despite its shortcomings because its fidelity is so good. The Edirol R-09 is the unit that got me to finally abandon the MiniDisc. If you're a MiniDisc user looking for the features in the Zoom H4, I suspect you'll be very happy to abandon the MiniDisc in favor of the Zoom H4.

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The Zoom H4 Handy Digital Recorder fits in your palm and is ideal for recording live musical performances interviews podcasts meetings classes and seminars. The H4 allows you to record 24-bit/96 kHz digital audio as well as in MP3 format with bitrates up to 320kbps.

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