Showing posts with label flanger. Show all posts
Showing posts with label flanger. Show all posts

9/10/2012

Electro-Harmonix Flanger Hoax Pedal Review

Electro-Harmonix Flanger Hoax Pedal
Average Reviews:

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Pros: The Flanger Hoax is an amazingly cool delayed phaser/flanger effect that's really fun to play around with and has a plethora of awesome tones (I'm not going to try and describe all the weird, funky, spacy effects you can get out of here -- I'd recommend checking out a Youtube vid or two to get a better idea). With 9 knobs and 4 toggle switches, there is a LOT to play around with on this stompbox. There are enough different settings and sounds you can coax out of this pedal to keep you occupied for quite awhile, which really adds to its inherent value, in my opinion. However, it also means that this pedal does have a steeper learning curve than most one- to three-knobbers, so keep that in mind. If you've messed around with a modulation pedals, you'll find yourself in pretty familiar territory, but it is ill-advised to pick this pedal up the afternoon of a gig and expect to get it all squared away in an hour or two. You're going to have to pay your dues to play the blues on this pedal.
Cons: Unfortunately, your dues don't end there. Immediately after plugging this effect in and cranking up my amp, the FH starting hissing something fierce. I'm not talking sweep either, I mean a hiss. A loud, constant, obnoxious, un-changing hiss. I actually had to turn it off and put it down a couple hours after getting the pedal because it was giving me a headache listening to the constant hiss. I know EHX's mantra of "pedals are meant to be noisy," or whatever, and I can dig that an off-the-wall phaser will have a little noise, but when the hiss renders the pedal nigh unusable, that's not a mantra as much as a cop-out. I'd be interested to know if that hiss was the result of not wanting to limit the pedal's potential to rock or of just using cheap, crap parts to keep production costs down and profits high.
The documentation/instructions that come with the pedal are woefully insufficient and EHX must assume that you have a degree in electrical engineering, throwing around a lot of technical terms and even some schematics. On the other hand, consider how much time you've actually spent looking at directions of other pedals you've purchased vs. just plugging it in and twisting some knobs around. Most of us hardly look at the instructions, but on a pedal this complex with as many knobs and widgets, a little reference guide would've been appreciated.
Conclusion: The Flanger Hoax is great at what it was designed to do and it's an absolute tragedy that it's nearly prohibitively noisy. If not for the hiss, this little space-case would be a 5-star review. I'm going to keep experimenting with limiting the hiss and I'll try it on some different amps to see if it just doesn't get along with my Vox AC30. If I can't get it squared away, I'll be returning it... but I'll be sad while doing it.

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3/16/2012

Behringer GMX212 2 x 60-Watt Stereo Guitar Amplifier Review

Behringer GMX212 2 x 60-Watt Stereo Guitar Amplifier
Average Reviews:

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This is great with 99 effects presets and at least 100 watts depending on what speaker configuration you get(Jensen Or Bugera), it is fully gig capable, you can connect external speakers/cab, it has a tuner and comes with a footswitch! It is perfect if you like playing hard rock and metal. And you can have 3 amp simulations(UK:Marshall,Californa:im assuming Fender, and the 3rd is Tweed, and and 3 mode simulations(hot,hi gain,clean)and 3 speaker simulations(US,UK,and Flat) which can be combined! I have my 1st channel preset to Chorus with a little of delay to get that Randy Rhoads tone, and my 2nd channel with Flanger and delay to get a Rhoads/EVH/Hammett sound. It is a very good amp, dont let the price fool you! I compared this to my cousins 75 watt Line 6 Spider II which is more expensive and this one blew it out of the water, my cousin even wanted to trade, of course I said no way. Mine is louder and has a better tone.Id definitely choose this over a Line 6 anyday.

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The V-TONE GMX212 may look like a single guitar amp, but by flicking a few switches, it actually gives you access to a multitude of totally different amp voicings. You also get 99 effects presets in stunning 24-bit stereo sound. Plug in your guitar and let your tone odessey begin.

A Virtual Roomful of Gear The 2 x 60-Watt GMX212 is the perfect amp for the guitarist in need of a wide variety of tone. Take your pick of three amp voicings:
TWEED gives you the soulful, bluesy sound of vintage 50s amps
BRITISH gives you the hard-rocking sound of the 1960s British Invasion
CALIF gives you the sparkling clean tones of the American West Coast's most famous amps

Speaker Emulation Combine the above amp emulations with one of three speaker voicings for an even wider tonal palette:
UK simulates 4 x 12" speakers in an enclosed cabinet
US simulates 2 x 12" speakers in an open casing
FLAT is a special setting designed especially for the GMX212's 12-inch BUGERA speakers

Select from CLEAN, HI GAIN or HOT gain settings to go from clean to heavy overdrive, then apply one of 99 digital effect presets for a sound that's uniquely yours. Meanwhile, Behringer's patented DYNAMIZER circuitry captures every nuance of your playing, lending warm tube-like compression to your tone.
Effects Galore The GMX212 features an on-board, 24-bit stereo multi-effects processor with a bevy or world-class effects--chorus, flanging, phasing, rotary, auto-wah, echo, delay, compressor and various effect combinations are available, along with 99 user presets and MIDI control.
Channel Your Tone Its tonal options may be vast and sophisticated, but at its core the GMX212 handles just like a classic guitar amp. Plug into the 1/4" input jack and then take your pick of two channels, each with GAIN, LEVEL, and three-band EQ. You can use the included footswitch to toggle remotely between the two channels – go from clean and reverb-drenched to distorted and delayed at the touch of a button. Put the finishing touches on your sound with the PRESENCE and MASTER dials.
Stay In Tune Thanks to the integrated auto-chromatic tuner (controllable via the included footswitch), there's no need for an external tuning pedal.
Back Panel Discussion We have given the GMX212 an extensive back panel for even more sound routing options. There you will find a loudspeaker output for connecting an additional speaker cabinet, a headphone output with speaker simulation, an adjustable AUX IN for devices like drum machines, and an RCA INPUT allowing you to play along with a CD player. There are stereo RCA and line outputs with speaker simulation for direct recording. An additional 1/4" jack connects to external effects devices. Plug a MIDI controller such as the Behringer FCB1010 into the GMX212's MIDI IN for even further remote control over the onboard effects.
What's in the Box V-TONE GMX212, FS112 Footswitch, Power Cable, User's Manual

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