6/30/2012

Fender Blues Deluxe Reissue 40W 1x12" Combo Amp Review

Fender Blues Deluxe Reissue 40W 1x12 Combo Amp
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I purchased the Fender Blues Deluxe Reissue after comparing many of the other Fender amps. Prior to this, I used small practice amps at home. For rehearsals and performances I was always fortunate to have access to other more powerful amps. After much research, it seemed that the Fender Blues Deluxe would suit my needs and budget. I used it at a gig 5 days after receiving it. It superceeded my expectations. It provided more high quality sound than I thought it would be capable of. I highly recommend this product.

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Oscar Schmidt OQ40S Cuatro Review

Oscar Schmidt OQ40S Cuatro
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This Cuatro has been such a joy to have and to play. It a a beautiful looking instrument and the sound quality is great. It came with a nice looking, insulated carrying case. This Cuatro is worth every penny and I must say, that if you are to spend good money for a Cuatro, get the best that you can afford. So, aside from having one hand made in Puerto Rico, this is your best bet. I did much research on the woods and compared other "more affordable" ones, and this one was the best loved by all. I have to agree. If you love playing the Cuatro, this one's for you.

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Gretsch Guitars G5265 Jet Baritone Electric Guitar, Black Sparkle Review

Gretsch Guitars G5265 Jet Baritone Electric Guitar, Black Sparkle
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The Gretsch Jet Baritone is a long scale solid body electric guitar that comes setup as a bassVI out of the box which while interesting isn't nearly as cool as a true baritone electric guitar.
BassVI? Baritone?
What's the difference you may ask? A bassVI is essentially a six string electric guitar with a longer scale that is tuned an octave below a standard electric guitar making it a six string bass. It uses lighter gauge strings than a traditional bass but still too heavy for barr chords and is too muddy for chording anyway. A baritone on the other hand is tuned from B to B and uses strings somewhere in-between those used on a bassIV and and a standard electric guitar. A set of light gauge electric baritone strings will be from .062 for the low string to .013 for the highest. (D'Addario Electric Baritone Guitar EXL158)
Converting From BassVI to Baritone
To convert from bassVI to a true baritone entails changing the strings, adjusting the neck tension, reintonating the guitar and raising the pickup heights as these smaller diameter strings need to be closer to the magnets to get the most out of the guitar. This sounds like a lot more work than it actually is. I'm an intermediate at guitar tech work at best, and was able to do it in about an hour and a half. The truss rod adjustment on the headstock is done with an allen wrench and was a breeze to do as you don't need to detune the guitar or remove the pickguard as with some instruments. If this all seems too intimidating it is easy work for any guitar shop's tech.
A Couple Of Notes On Restringing.
There were a couple of issues with restringing the Jet. First the D'Addario EXL158s were barely long enough to fit on this beast. At first I was afraid the 3rd string wasn't long enough to use but it was... b a r e l y. The second is the way the strings attach to the Bigsby Tremelo bridge. There are small straight posts that stick out of a round bar that the strings wrap around. At first I couldn't for the life of me get the strings to stay in place while I was trying to tighten them. I finally found that if I pre-bent the base of the string at the ball end with a pair of needle nose pliers into the approximate shape of the bar they wrap around, they then easily held on until there was sufficient tension for them to stick. All of that said, it has worked well and I haven't had any problems with the strings staying in tune.
Is It Worth All That?
So, what is it like to play and is it worth the money and the work to convert it? Absolutely. The Jet is a joy to play. The neck is really nice and doesn't take anymore finger pressure that an acoustic to get a great tone. It has 2 mini humbucking pickups that share a single volume and tone knob to good effect along with a 3 position toggle switch for pickup selection. With a bit of reverb and tremolo it becomes the biggest clean guitar tone you've ever heard. Huge and clear. For recording it's a voice that sits in it's own pocket with plenty of room for standard guitars above and traditional bass below. That said, I have done entire recordings with just this guy and they sound fantastic. I use the tremolo just for subtle effects and haven't had any problems with it throwing the guitar out of tune. Using it for dive bombing will throw it out of tune but this is a known problem with all Bigsby tremolo bridges.
Would I buy this guitar again? Yeah,In a heartbeat.

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Gallien-Krueger MB200 - 200W Ultra Light Bass Amplifier Review

Gallien-Krueger MB200 -  200W Ultra Light Bass Amplifier
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I've been an electric and upright bass player for over 15 years, and have been gigging regularly for the past 10 or so.
I hate hauling heavy gear.
I absolutely hate it. I build my own cabinets so I can shave pounds off of my load-in. I run with the smallest possible rig that I can get away with for any given show.
Because of that I've been watching the ultra-light part of the amp market for quite awhile now, waiting for good Class-D amps to make their way into the live audio segment at reasonable prices.
My last lightweight amp was a Crate Powerblock, 150w @4ohms and at least 4 times the weight of this one. Only problem with it is that it's a guitar amp, so it goes into overdrive when you turn the gain up past about 12 o'clock. It served my needs for gigs where I had a good PA and just needed my amp for on-stage monitoring, but I still had to haul a big (50lb) old school 350w head for most gigs without a PA.
I tried a Bose Packlite A1 power amp, but it didn't have the oomph despite allegedly being rated at 250w.
I call BS on those specs, the Crate was louder at it's 150w.
This MB200 though is freaking awesome.
Designed for bass, 200W of CLEAN power in a tiny package, and it doesn't cost a fortune like the EA mini or micro series, Walter Woods stuff, or Genz Benz shuttles. I generally run it off my Fishman platinum pre-amp just so I have tonal control easily at hand, but I'm starting to consider leaving that at home as well. The EQ on the MB200 is very solid, it's got an XLR output with switchable pre/post output, and Speakon or quarter inch power outputs.
It fits in the pouch of my upright bass bag and can serve as my primary amp for any gig I play that doesn't have PA support, and doesn't break the bank at just over a buck a watt.
What's not to love?
Get one now.

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Moog MF-107 FreqBox Effects Pedal Review

Moog MF-107 FreqBox Effects Pedal
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I dont own this, but the sample from the Moog website is awesome. I'd love to get this.

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6/29/2012

Michael Kelly Nostalgia N10CE N10CETSB Acoustic Electric Guitar Review

Michael Kelly Nostalgia N10CE N10CETSB Acoustic Electric Guitar
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I bought this a few weeks ago and have absolutely no regrets.. it's well built from class materials..the sound is fantastic, with or without amplification...For the price this is a Great Buy....

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Agile AL-2000 Gold Hum Review

Agile AL-2000 Gold Hum
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This is a great guitar, period. Inexpensive, but not "cheap" in looks, construction, playability or sound.
Like everybody else who's bought one, I had to take a blind leap of faith -- the Agiles are only available by mail order, so unless a friend has one you can try, you're going by word of mouth.
And when I was looking into getting an Epiphone LP, the reviews for the Agile AL series stood out. They were fanatical -- I've read maybe two reviews from customers who were disappointed.
The only consistently negative reviews seem to be on Amazon, and if you read them, they seem to be from people who are against the Agiles on principle, not people who've owned them.
The hundreds of others, in forums (one has the initials "UG") and in user reviews (over 50 at a site with the initials "HC"), are more than satisfied customers -- they're thrilled customers. Including myself.
And I knew part of the reason why the second I unboxed mine and picked it up. These are SOLID instruments -- the set-in maple neck, headstock and mahogany body sure feel like one single piece of wood. And the sustain and variety of tones are there to back it up. Even with stock hardware.
And wood is the most important part of a guitar. You can replace all of the hardware, and adjust every screw and the truss rod, but the neck and the body better be good out of the box -- 'cause it's a lot easier to replace the pickups than to replace the neck.
Yes, the AL-3000 may be a better deal for you -- at twice the price (about $600) you're getting a single piece of mahogany instead of three for the body, a mahogany neck to match, a thicker maple top, and an ebony fretboard.
But that by no means rules out the AL-2000 for anybody. The solid 3-piece mahogany body, the maple neck and (thinner) 1/16" maple top, the rosewood fretboard -- not exactly unusual woods for quality instruments.
The Agile AL-2000 feels like it would take ten Pete Townshends to smash one. Read reviews, and the word "tank" will come up over and over.
I found two very small cosmetic flaws: A slight blemish about two inches below the tailpiece, which I have to really look for in the right light, and a tiny gap where the body, neck, binding and pickguard all meet, showing the slightest dollop of filler. A Q-tip and some gold paint would fix it right up, but its even less noticeable than the blemish.
That said, no one has ever accused the Agiles of being ugly. These are beautiful works of craftsmanship -- and there is a huge variety of finish styles available. If I have one regret, it might be that I didn't roll the dice on a bookmatched spalted -- you may get a great one, you may get a good one, you may get a mediocre one, but you will never get one that looks just like anybody else's.
This thing made its way from Korea to New Hampshire to Minneapolis, where the poor thing sat in 45F weather until I got home. No matter what the word of mouth was, I was planning on a pro setup, new strings and probably new pickups out of the box. I mean, it is a $220 guitar.
Unpacked it, waited not-long-enough for it to warm up (C'mon! Would you?), and tuned it. Amazing. Every single string was almost exactly 1/2 step flat. I guess those Grover Tuners that come stock really are all that. And the 1-18 ratio made tuning precise and easy.
Also amazing was the action. Super low and fast, with nary a fret buzz or dead spot to be found. Absolutely astounding was the intonation -- I'm very picky, and my usual method of open/12th harmonic/12th closed in fast triplets usually makes flaws stand out. Nope. Not on a single string.
Even the strings were already decent. 10 to 46s, standard stuff, but I'll keep using those gauges on this guitar. So, that $40 setup I was planning on was already done so well at the shop it was like I'd told them what I wanted.
It plays like a dream. It's heavy for some, but unchambered LPs feel heavy to a lot of folks. And it's beautifully balanced -- I let go, and the headstock doesn't take a dive. It stays right where I left it, with the weight on my center and left shoulder where it belongs. The neck is slightly slim and narrow compared to other LP-style guitars -- maybe a problem for thick fingers, but nice for speed. The jumbo frets, the incredibly smooth finish on the back of the neck, and the solid feel all add up to a musician's instrument.
Finally, and most importantly, the sound is beyond reproach. Nope, I didn't replace those ceramic wax-potted PUPs after all. Les Paul's own sweet, mellow jazz sound; Cream-era Clapton's "weeping woman" tone, Steve Jones' full frontal buzzsaw assault, the history and huge variety of sounds a good LP is famous for -- it's all there.
If you play this guitar with your hands, and listen to it with your ears, you will love it to death. If you look at it for its headstock, and turn your nose up at its price, you are missing out on a true prize, and possibly the best deal on an electric guitar available.

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NEW PRO BLACK ASH FAT STRAT TYPE HSS ELECTRIC GUITAR Review

NEW PRO BLACK ASH FAT STRAT TYPE HSS ELECTRIC GUITAR
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I am in my late 40's so you know what generation I rocked to and with. I have a fender Jap strat, a BB King Lucille, A Squire M70, an Ibanex Artist (1970's), and have had several Gibson Les Pauls, and I forgot to mention a fender Duo Sonic II (1960's) and a Guild electric. THIS FAT STRAT FROM jOHNSON PURE ROCKS. The humbucker and 2 single coil configuration make it a vicious screaming machine. The neck is true, the action is low and I haven't been able to put this one down yet! Highly recommend for some pure FUN!!!!!!!!!!!!!!!!!!

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NEW NATURAL CUTAWAY PRO ACOUSTIC ELECTRIC BASS GUITAR Review

NEW NATURAL CUTAWAY PRO ACOUSTIC ELECTRIC BASS GUITAR
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I would rate the service and the product very high.
The product was of excellent quality at a very good price.
The intonation of the instrument is perfect and playability is great.
The product was delivered well within the time limit.
I have decided to all of my music business with this company.
Gaylord Vermilyea
Owner
Gaylord Hawaii

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Levys CM77 Double Electric Guitar Bag Review

Levys CM77 Double Electric Guitar Bag
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There are few even semi-decent double guitar bags out there - That's a shame - So obvious you think someone would get it right as a double bag makes dragging two guitars to the gig a much easier proposition.
This was the best one I could find but it has its design flaws: Straps are not particularly heavy duty. Plastic pads on the straps are worthless and add no comfort for lugging two guitars. Same can be said for all the handles. Also the straps and handles are attached via rivets (as opposed to using super heavy stitching - I can see these things pulling loose at some point). AND the shoulder straps aren't removable. Zippers aren't particularly great and tend to stick and catch on the bag interior lining. Foam should be heavier and the quality of the nylon exterior isn't the best. My biggest complaint is that the one exterior pocket (yes there's only one - there really should be two if not more AND the one pocket here isn't that big) is closed with two belt buckle style straps. This is just stupid - While some may think it looks "cool," it's highly ineffective & a pain to close - A zippered pocket would've been substantially better here. You've got two large metal buckles that can press into and ding the guitar. Also , since it's not "zipped" shut things like patch cables, capos, pics etc. can fall out even when it's "closed".
Overall, this is useable - but should be better constructed for the price (or cost less as is. For a lesser price, this could be a good value in spite of the flaws I cite). A few years back I bought an awesome double bag for electric bass (for less $ than this) - Everything I've mentioned above was done well on that double bag- Now... if I can just find out who made it - I'll be buying their guitar version next time.

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6/28/2012

Ernie Ball Music Man Axis Floyd Rose Electric Guitar, Trans Blue Review

Ernie Ball Music Man Axis Floyd Rose Electric Guitar, Trans Blue
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I would give this guitar a 9.0 out of 10.0 stars.
Fit and finish is definitely a 10 out of 10. Versatility is 8 out of 10. Playability is 9 out of 10.
Musically it sounds fantastic. Having the Floyd Rose flush against the body makes the harmonics jump off the fret board for lots of whammy bar squeals, if you like that sort of thing.
The neck scale is slightly longer than my Les Pauls, but the neck is also narrower. I also had to adjust the setup including adjusting the truss rod in order to get it suitable for me. The action was quite high when the guitar arrived, and I lowered it a bit. It's still a bit higher than some of my other guitars. I've gotten used to it now, but to lower it further would probably require "shimming" the neck, which is something I'm not prepared to do.
Although the looks are fantastic, the one downside is you don't get to choose the "details". The guitar had more of a flamed maple top, where I would have preferred a quilted maple top. Also the neck is more striped and swirled maple rather than the birds eye maple that some Axis have. One other minor issue is the fret markers are tiny black dots rather than the larger mother of pearl type. If those kind of issues bother you I would suggest going for the Ball Family Reserve instead of this.

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Schecter S-1 Electric Guitar (Vintage Ivory) Review

Schecter S-1 Electric Guitar (Vintage Ivory)
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I have an extensive guitar collection.
I bought this on a whim not knowing what to expect.
The guitar really looks to be made well.
I must say that this guitar rivals any of my Gibson and Fender electrics.
It has great action (Quick).
The strings are right on the board; No buzzing and you can bend notes easily.
The pickups capture crisp tones with lots of range and variation.
It's a little heavy but thats OK; a good strap will take care of that.
It doesn't come with a case so you may need a gig bag or an after market hard shell.
I would highly recommend this guitar to anyone.

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Hofner Icon Series Vintage Violin Bass Transparent Black Review

Hofner Icon Series Vintage Violin Bass Transparent Black
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To qualify this, I have only been playing the bass for a few months at the time I'm writing this review...
I fell in like with the look of the Hofner Icon at the local Guitar Center and bought it. After a month of practice, lessons, and research, I happened upon a Hofner 500/1 vintage '63 reissue violin bass (hand made in Germany) at a hole-in-the wall music shop in downtown Chicago and fell in LOVE with it and it's amazing flatwound strings! I dropped nearly $2,000 and brought this beautiful instrument (such high quality that it should qualify as a piece of furniture) and returned my Icon with no regrets.
I may actually purchase another Icon soon and throw some flatwound strings (Hofners from North Coast Music) and use it for my travel bass when on vacation.
Here's what you need to know about the available Hofner basses:
ICON ($400ish)
-Made in China with Chinese electronics that can be quirky
-Fit and finish is adequate for the price point
-Regular roundwound strings with some fret buzz depending on setup
-Hollow body
-A pain in the butt getting a case sometimes! Go EBay or Amazon!
-Available in lefty (often with a case oddly)
CONTEMPORARY ($700ish)
-Made in China with German electronics
-Fit and finish adequate...slightly better than the Icon
-Has regular roundwound strings
-Hollow body BUT has a sound block inside giving it more sustain and a more modern, hence "contemporary" bass sound
-Has a neck bridge so you can slap on a McCartney-style Hofner strap!
-Available in lefty I believe?
-No case
GERMAN-MADE HOFNERS ($2,000 +)
-Hand-made in the Fatherland
-Fit and finish are amazing! Beautiful wood, stain, finish, feel
-Hofner (Pyramid) flatwound strings that give the most mellow "thump" and feel like butter!
-Comes with either a German vintage bullet case or flight case
-Available in lefty of course!

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Luna 23 Inch Flora Concert Ukulele Review

Luna 23 Inch Flora Concert Ukulele
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I loooove this ukulele. The sound is beautiful, and it's wonderfully made. Not to mention the lovely design. Previously I was playing on an Oscar Schmidt, and I loved that one but when as soon as my Luna was tuned and ready to go... wow the first chord I could just tell the sound was amazing.
The only thing I do NOT like is where the plug for electric capabilities is located. It makes it so that I can't sit and play, so I had to crochet a strap haha. But that's about it, everything else is amazing.

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Korg microKorg Analog Modeling Synthesizer with Vocoder Review

Korg microKorg Analog Modeling Synthesizer with Vocoder
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The MicroKorg is probably the finest synth you'll ever get at that price. It's very small (same size as many of those toy keyboards you grew up as a kid, but this is no toy), and has 37 keys, although the big criticisms here is Korg opted for toy keyboard-sized keys, rather than full-sized keys (the similar sized and similarly priced Alesis Micron, also 37 keys, used full-sized keys). It's a four note polyphonic virtual analog synth capable of fantastic analog sounds, with all the great sounds of the '70s, '80s, and '90s! It's essentially a Korg MS-2000 in a small package, but with an 8-band vocoder (instead of 16-band), and a superior arpeggiator, great for all you electronica and techno buffs out there, or those who want to create Tangerine Dream-like rhythms without the bulky gear that group had to use back in the glory days of the mid '70s. I've been aware of vocoders for ages, and of course, was a huge trademark in Kraftwerk's sound (they started using vocoders starting with 1973's Ralf & Florian, which is one album prior to their famous breakthrough, Autobahn), I am so happy to now personally own a vocoder, that is, one included in a synth. It has a condensor microphone for use of a vocoder, although you can hook up any standard microphone too. Like most any synth made in the last 20-25 years, it's MIDI, so you can have it interact with other MIDI synths, drum machines, your computer, or any other MIDI device.
Although it comes with an AC adapter for home and studio use, you'll be happy that you can use 6 AA batteries, so you can bring it with you on your next camping adventure (plus it has a headphone jack too, since hooking it up to speakers might be a bit difficult in the Great Outdoors).
It's also fully programmable, you can alter the sounds already included, or you can erase one of the settings and start from scratch. I really love the features you can do here. You can have it polyphonic, or monophonic for use of soloing, or retro-'70s analog sounds. It has two oscillators, you have many different choices of waveforms. You can edit the arpeggiator so you can get it to do different rhythms (it can do up to a sequence of 8 notes). I also really like the delay feature, to get that echo sound when you release the note, it really gives it a fuller sound. You can get it to pan for that wonderful stereo effect, or select a phasor. You can even program it to have the pitch wheel and modulation wheel do things, such as altering pitch, the resonance, vibrato, etc. There'e two edit knobs, and five more knobs to help you with the programming. But I very much suggest you read the instruction manual, or you might have a hard time programming it. But once you get a hang of it, you'll have a ton of fun programming your own sounds and see what you can do. Despite the keys itself, it's actually a fully professional synthesizer.
The MicroKorg might be geared for the younger audience, thanks to its low price and many of the techno sounds it can do, but Jean Michel Jarre uses one and he's hardly young. Not to mention you can make it do a lot of non-techno sounds too, like classic '70s analog sounds, or '80s polyphonic synth sounds (like what you hear on Van Halen's "Jump") so it doesn't just appeal to the young segment.
It's great see many professional musicians using it from Jean Michel Jarre right down to Nick Rhodes of Duran Duran. I even saw a documentary directed by Hans Fjellestad called Moog, which was about Robert Moog and of Moog synthesizers, and they showed several techno/electronic groups where the main emphasis was on their Moog gear (naturally), but one group was clearly shown with a MicroKorg.
This is no 88 key workstation, that's for sure. In some cases that's a good thing, especially if you like in a small apartment and you're concerned about space, but for such a small synth, I am completely blown away at what this can do. You really need to try and buy this synth, you won't be disappointed!

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6/27/2012

Steinberger Spirit GT-Pro Standard Electric Guitar Black Review

Steinberger Spirit GT-Pro Standard Electric Guitar Black
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This is a great guitar for travel and quick demo situations. It's very light and the neck was straight and setup quite nicely.

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La Patrie Guitar, Concert CW Review

La Patrie Guitar, Concert CW
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I bought this guitar about 2 weeks ago and I can't put it down. It is nice! The string spacing is perfect for me and it plays so easy. It thumb plays very quietly but grab a pick and you can triple the volume.....quite amazing. I also like the way the nylon strings are so easy on my fingers. Beats the heck out of my old steel string acoustic. I haven't used it, but I also like having the truss rod neck adjustment.
I played one at a local guitar store, then found it on Amazon for a significant discount.
All in all, a very good, easy to play guitar. I would recommend anyone that is looking, to play this one at a local store, then come back to Amazon to buy it.

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